| I had an interest in this technique. There is a % of Bass players who either came from standard classical guitar or gravitated to it at some point and learned RT hand techniques.
Round wound strings of a thinner gauge appear a bit more suited for this as they flex easier as do some bass designs with a large open area after the neck ( i.e. MM StingRay). Of the players I have seen who use this technique (& similar such as Slapping w/ a pop of most all fingers, etc) have often been in progressive Jazz or studio-level funk.
IMO, it may be extremely important for people to learn who either work with complex note changes or those who may have had trouble in the past w/ RT hand fluidity (habit of plucking w/ an index finger alone).
I've tried it and it's not easy at all. I still work with it as an exercise along with linear pattern re-positions so that I can move easily on the neck and catch a difficult positioned note within a faster tempo.
I have not seen to much written on it. I had a teacher who introduced the idea to me. I was told that a separate time keeping device become almost imperative when practicing because the ideal is to space the plucking of each finger to defeat a "strumming" sound.
Last edited by john grey : 05-20-2011 at 09:26 AM.
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