|  | 
07-28-2010, 07:44 PM
|  | Registered User | | Join Date: May 2005 Location: Burlington, Vermont vt | | Confused....
Sign in to disble this ad
Shouldn't we want to be heard underneath the guitars, vocals, cymbals, snare, etc?
Why the obsession with folks who want to be heard over them?
Just askin.
__________________
"Your primary role is to serve the song and be beautifully anonymous in it. Bass is the power of anonymity.” -Michael Rhodes, First Call Nashville Session Bassist
| 
07-29-2010, 12:13 AM
| | Registered User | | Join Date: Jul 2010 Location: Northern CA | | | depends on the music. I usually like to be heard equally with everyone else in most everything I record, esp. when I'm playing bass lines with lots of runs, fills, or interesting melodies, so when recording I adjust the tone to sound more punchy with more treble and virtually no compression in the mix than what most people typically do. but if I'm playing something that's meant to be in the background, like a simpler supportive line, like in a fuzzed-out lo-fi sounding rock band, for example, then I set it back in the mix and use more compression. I've never wanted to be heard over anyone else, except maybe if I'm doing some kind of a solo.
__________________
Ampeg, Rickenbacker, Math/post-rock/garage
reverbnation.com/cmartinbassist
| 
07-29-2010, 12:44 AM
| | | | If you're talking about the three-dimensional sonic spectrum that audio engineers use when mixing, then you have to specify whether you're talking about volume or timbre (frequency content.) I'm starting to pass out, though, so hopefully someone else knowledgeable in this subject can chime in.
__________________ Quote:
Originally Posted by Ed Friedland People say a lot of stupid ****. | | 
07-29-2010, 01:13 AM
| | Registered User | | Join Date: Jul 2010 Location: Northern CA | | I was referring to both (didn't want to get into a big discussion about audio engineering), but the point was that I personally in most cases like to be about = with the rest either live or in recordings. Shaping the tone helps quite a bit in bringing the bass out in front if so desired, just as much as volume does, IMO. 
__________________
Ampeg, Rickenbacker, Math/post-rock/garage
reverbnation.com/cmartinbassist
| 
07-29-2010, 01:16 AM
|  | My basses pay the bills that pay for more basses Unofficially Endorsing Genz Benz, Fender, Avatar TB-153 Cabs, Musicman | | Join Date: Apr 2008 Location: Scottsdale Az | | | Bass should be heard WITH them. A mix is relative. All components should be in proper balance. I respect the humility behind your post, but the components should be in perfect harmony. When the ideal hormony is acheived, all components are clearly heard...and defined. | 
07-29-2010, 07:34 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | i didn't bust my ass learning all this stuff to be buried in the mix  having said that, i think my tone stands out less currently than it used to, but i still want to be heard plain as day and as loud as anyone else.
__________________
Ampeg Portaflex Club #1
| 
07-29-2010, 08:11 PM
| | Registered User | | Join Date: Jul 2007 Location: Kitchener, Ontario | | If there's anyone who wants to be heard "over" the other instrumentation, they're not understanding the purpose of our instrument, and should be subsequently ignored.  | 
07-30-2010, 12:47 AM
| | Registered User | | Join Date: Jun 2010 Location: Beaverton, Oregon USA | | | If you can't hear an instrument in the mix...why have it there in the first place?
__________________
Ibanez Club #648; P&W Bassists #795; V-AMP Squad #7; Oregon Bassists #29
| 
07-30-2010, 09:18 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by Sammy_L_D If there's anyone who wants to be heard "over" the other instrumentation, they're not understanding the purpose of our instrument, and should be subsequently ignored.  | just to clarify, i didn't say "over." time and a place for everything. but i certainly don't want people to have to strain to hear me.
however, -i- define the purpose of -my- instrument while -you- define the purpose of -your- instrument. don't make the mistake of projecting your likes and dislikes on others.
__________________
Ampeg Portaflex Club #1
| 
07-30-2010, 09:30 AM
| | Registered User | | Join Date: Feb 2009 Location: Florence, Alabama | | | To me, it depends on what you are talking about. If you are talking about the times that people on this forum say that they cannot hear themselves over the guitarists on stage, then I think that is a legitimate complaint. They aren't actually saying they want to be louder than the guitarist. They are saying that they want to be able to hear themselves.
As far as mixes go, they are a balance. Every mix has something that is the loudest in the mix, for most pop music it is the vocal. But, that is subjective to the artist and genre of music, IMO. In the music I play, the bass should not be out front, but it definitely needs to be heard along with everything else.
__________________
Christian P&W Club #524
| 
07-30-2010, 10:09 AM
| | | | I set my rig so I can hear it on stage and send a dry signal to the board. In my opinion, it's the soundman's responsibility to have an unbiased ear, and mix everything so it sounds good out front. That's what he's getting paid for.
__________________ You are never more than a half step away from a right note - Victor Wooten
| 
07-30-2010, 11:04 AM
| | | Quote:
Originally Posted by Sammy_L_D If there's anyone who wants to be heard "over" the other instrumentation, they're not understanding the purpose of our instrument, and should be subsequently ignored.  | Touchy folks here, downright mistakenly clairvoyant, if you ask me. I agree with you.
__________________
Fender Jazz, ESP LTD Viper 304, Peavey, Proctor Silex, Whirlpool, Sears Kenmore.
| 
07-30-2010, 11:20 AM
| | Registered User | | Join Date: Apr 2009 Location: Central NH | | Quote:
Originally Posted by Jaco who? Touchy folks here, downright mistakenly clairvoyant, if you ask me. I agree with you. | My need is not to be heard " over" but, in a word, " with"
__________________
Carvin Bass Player's Club #740**Black 'n' Maple Bass Owners Club #360**NH bassists club #14**P&W Bassist Club #740
| 
07-30-2010, 11:50 AM
| | | Quote:
Originally Posted by timmus My need is not to be heard "over" but, in a word, "with" | Exactly.
__________________
Fender Jazz, ESP LTD Viper 304, Peavey, Proctor Silex, Whirlpool, Sears Kenmore.
| 
07-30-2010, 01:20 PM
| | Registered User | | Join Date: Oct 2005 Location: Austin, TX | | | Yeah, really as long as I can hear myself play and the mix sounds good, I don't really care. I personally think in a mix, a more midrangey bass tone will let you be heard with definition without being overly loud.
__________________
It was a message from God. The curse has been lifted, and you are now free to buy a better pedal. - Bongomania
| 
07-30-2010, 01:55 PM
| | Registered User | | Join Date: Jun 2010 Location: Beaverton, Oregon USA | | | I'm not as concerned with hearing myself while we're playing as I am with hearing myself in the final mix
__________________
Ibanez Club #648; P&W Bassists #795; V-AMP Squad #7; Oregon Bassists #29
| 
08-05-2010, 11:39 AM
|  | Registered User | | Join Date: Dec 2007 Location: Tuscaloosa , Alabama | | | I definitely agree that you should not stand out in the mix unless you are playing solos. I think part of the problem we face is that drums are usually mixed first and there seems to be an arms race among some soundmen to make every single sound the drummer makes like a 747 taking off. Unfortunately for bassists, kick drums, floor toms and cymbals often take up many of the frequencies that make the bass fit well in a mix.
Without the attack that drums have you dont stand a chance. | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |