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  #1  
Old 11-26-2012, 07:57 PM
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Fast B-string fingerstyle

I'm having trouble playing as quickly on the B-string as I can on the rest of the bass (tuned BEADG) because my right-hand fingers have nothing to fall back against and are as a result flailing around in empty space behind the string.

I'm trying to do a sort of rapid three-finger picking to match a tremolo-picked guitar, and it works well on all of the other strings.

Any advice would be much appreciated.
  #2  
Old 11-26-2012, 08:16 PM
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Quote:
Originally Posted by BassOrdinaire
I'm having trouble playing as quickly on the B-string as I can on the rest of the bass (tuned BEADG) because my right-hand fingers have nothing to fall back against and are as a result flailing around in empty space behind the string.

I'm trying to do a sort of rapid three-finger picking to match a tremolo-picked guitar, and it works well on all of the other strings.

Any advice would be much appreciated.
I would suggest trying a technique where you have your wrist more parallel to the body. Your fingers will hit the body instead of a string. I use this method on the 4 string typically.
  #3  
Old 11-26-2012, 10:49 PM
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You could try using a ramp ala Gary Willis and his three finger technique.
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  #4  
Old 11-27-2012, 09:56 AM
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I struggled with this, my solution was to move my thumb so the fingers hit the pad of my thumb.
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  #5  
Old 11-27-2012, 12:59 PM
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Originally Posted by jabsys View Post
I struggled with this, my solution was to move my thumb so the fingers hit the pad of my thumb.
I tried this but with the pickup instead of my thumb and it seems to be working better. Still not as fluid as the rest of my strings but it's better.
  #6  
Old 11-29-2012, 05:51 AM
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Funny question what guage strings you play? I ask cause I found as a metal bassist who plays fingers only in a fairly fast tech band that loose "B" strings cause a ton of wasted movement. I fond by going with say a 135 if you tune to B that the extra tension will keep you finger from having suck a large swinge if you will .I tune "AEADG" and play a 145-105-85-65-45 but i als play DR ddt so they have a higher tension even for the normal gauge strings due to the hex core. Just an idea
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Old 11-29-2012, 06:13 AM
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Quote:
Originally Posted by lokikallas View Post
I would suggest trying a technique where you have your wrist more parallel to the body. Your fingers will hit the body instead of a string. I use this method on the 4 string typically.
This is typically what I do... I play in a faster rock/metal band in Drop B and for fast riffs along the B string, I'll anchor my hand very close and parallel with the body of the bass, so my fingerpad hits the bass body after it plucks the string. You can get pretty fast 2-finger or 3-finger runs that way.
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Old 11-29-2012, 06:14 AM
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SORRY about the spelling early morning lol
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  #9  
Old 11-29-2012, 06:44 AM
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It's partly the physics of the string - more mass, less tension - it's slower to speak - the same thing happens even when you play with a pick. To compound the problem, whatever you're playing though will also have great deal of difficulty reproducing very low notes at high speed.

I know a metal head doesn't to hear it, but you're probably better off playing half time or up an octave.
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  #10  
Old 12-01-2012, 12:54 PM
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When I have to do tremolo stuff on B I use a technique more like T-R-M-I or T-M-I where I slap the first note. It give you a nasty accent on the downbeat and once you get the rotation down with your wrist you can play insanely fast and consistently without getting tired. I dial in a sound and use gear that helps this type of slapping sound good though.

If I just want to do fingerstyle down there I rest my thumb on a pickup. No biggy.
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  #11  
Old 12-02-2012, 11:47 PM
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My issue isn't with the thickness/floppiness of the string (.135 DR Sunbeam btw), it's with the lack of anything behind the string to "catch" my fingers, so to speak. I'm almost tempted to get a six with a low F# just for this purpose LOL!

also, I play fretless and really abhor clacky bass tones. I'm going for a more Sean Malone/Jeroen Thesseling sound.

Thanks for all the replies so far
  #12  
Old 12-03-2012, 03:53 PM
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My bass is BEAD tuned and I experienced something similar on the B string. My solution is to play the B closer to the bridge. There it feels a little stiffer. I place my thumb on the edge op the bridge pickup and hit that B with two, somtimes three fingers.
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  #13  
Old 12-06-2012, 04:42 PM
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Quote:
Originally Posted by jabsys View Post
I struggled with this, my solution was to move my thumb so the fingers hit the pad of my thumb.
+1
  #14  
Old 12-11-2012, 02:25 PM
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Here is a picture of my hand position. Those grooves are from my nails wearing the wood down. I come down through the string so my finger us caught on the body. I also sometimes use the pickups as a ramp
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