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06-30-2001, 02:03 AM
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Hey everyone
I've been playing fretless for about a month now--and honestly, my intonation sucks. I have the lines marking where the frets would be--they don't help much, though. Anyway, I love the sound and have the drive to learn to play this instrument properly...I'm just looking for practice techniques, if you have any. Thanks.
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06-30-2001, 08:55 AM
| | Registered User | | Join Date: Nov 2000 Location: Montreal, Canada | | | one month for fretless is not a long time.
You will work on your intonation all your life.
I, unfortunatly, don't have any exercise, but play it, alone and with a band.
Do you have band in a box?
That's what I do, I play with it, it help a lot.
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06-30-2001, 09:46 AM
|  | Student of Life Forum Administrator | | Join Date: Oct 2000 Location: Louisville, KY | | | Find a sound source that will create a continuous drone on a single pitch (there are some commercially available 'Nomes/tuners which will do this), and then practice your scales in the key of the drone. You'll quickly notice that the reference pitch helps you keep in tune, and you'll also BEGIN to notice that certain intervals like 3rds and 6ths intonate differently on a fretless than they do in tempered tuning (like fretted).
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06-30-2001, 02:02 PM
| | Jerk | | Join Date: Apr 2000 Location: Halifax, Nova Scotia, Canada | | | I just sit in my computer room and play along with mp3's. That seems to help. | 
06-30-2001, 03:19 PM
| | | | im guessing you have a mim standard jazz (fretless of course) i have that too. when i play i press down ON THE LINES. it works for me, and i play in the school jazz band and sometimes for the school choir, so i need the intonation VERY close. | 
06-30-2001, 04:33 PM
| | Registered User | | Join Date: Mar 2000 Location: Montreal, Quebec, Canada. | | To add to what Chris said, you can record scales on a fixed pitch instrument (piano) and play along in thirds, fifths, etc.
You seemed to understand to not rely solely on lines. You'll notice that your finger looks like it's not at the right place while your hear tells you otherwise. This is because your looking at your finger at an angle. It happens when playing in the lower or upper frets.
Also, notice how your arm is placed in relation to your body, how it feels when playing a note.
Basically, use all sense available to locate a note (hearing, sight, touch(muscle memory)). Obviously, only your hear can determine if the note is in tune, but your eyes and muscle memory can get you a long way. Soon enough, you'll be playing with your eyes closed.
If you're a masochist, you can put different parfumes on the neck and use the sense of smell.  | 
06-30-2001, 07:21 PM
| | Registered User | | Join Date: Feb 2000 Location: Alaska | | | That's one of the major drawbacks to a fretless bass. Even people who claim to play with perfect intonation are ususally off by a good 1/2 a note. By comparison, a high quality fretted bass has near perfect intonation.
There are things a fretless bass can do better that a fretted bass but unfortunately intonation isn't one of them.
The best cure for the problem is a lot of practice and a loud drummer.
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06-30-2001, 07:57 PM
| | Registered User | | Join Date: Mar 2000 Location: Montreal, Quebec, Canada. | | | <i>By comparison, a high quality fretted bass has near perfect intonation.</i>
No.
A fretted bass is almost always out of tune because it is a tempered instrument. Another reason, but this is up to the player, is that many play behind the fret, apply too much pressure, causing the string to stretch, causing a higher pitch. Or, many simply bend the string, also causing a higher pitch. | 
06-30-2001, 08:41 PM
|  | Layin' Down Time Endorsing Artist: Roscoe Guitars Moderator | | Join Date: Apr 2000 Location: Omaha, Nebraska | | Quote: Originally posted by Erick Lam <i>By comparison, a high quality fretted bass has near perfect intonation.</i>
No.
A fretted bass is almost always out of tune because it is a tempered instrument. | But, since we play with tempered instruments (pianos, keyboards, guitars), that argument has never held much water for me. Sure, winds and brass can alter their pitch, but most of the instruments we play with will match what a fretted bass sounds like.
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06-30-2001, 09:15 PM
| | Registered User | | Join Date: Nov 2000 Location: Orange County, California. United States | | Quote: Originally posted by Pacman
But, since we play with tempered instruments (pianos, keyboards, guitars), that argument has never held much water for me. Sure, winds and brass can alter their pitch, but most of the instruments we play with will match what a fretted bass sounds like. | Hmm... I've never thought of it like that Pacman. I forgot to think of the other instruments when thinking of tempered tuning. Nice one!
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....after posting this I realized that I need to get out more.
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07-01-2001, 05:10 AM
| | Registered User | | Join Date: Mar 2000 Location: Montreal, Quebec, Canada. | | | You're absolutely right, Pacman. I didn't want to say that fretted basses are so much out of tune that it's painful, just that thay are not in "perfect" tune. Some notes never seem to sound quite right though, the seventh of every strings, for exemple.
Incorrect technique is a greater factor for false intonation on both fretted and fretless.
I'll add that if I were "usually" off by a quarter tone (half-note), I would've given up fretless a long time ago, and probably music altogether. | | Thread Tools | Search this Thread | | | |
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