Quote:
Originally Posted by Deacon_Blues The chord the song ends on usually tells the key. |
This is true most of the times.
But lets look at it with the theoryglasses on:
In a normal song there's the basic chords.
In the key of A these would be:
Amaj7 - Bmin7 - C#min7 - Dmaj7 - E7 - F#min7 - G#min7b5
So let's say a song has the chords A, F#m, C#m and E7; together they all lead back to A being the key. It's about looking at the intervals between the chords.
Or in numerals:
Imaj7 - IImin7 - IIImin7 - IVmaj7 - V7 - VImin7 - VIImin7b5
And a song where the chords are Gm7 - C7 you'd have to say it's in F 'coz you dont find that relationship between a m7 and a 7 chord a fourth over anywhere else in the above pattern.
Another ex: Dm7 - Ebmaj - Gm7
look at it like Dm7 could be the II, the III or the VI and the Ebmaj could be the I or the IV and the Gm7 could be the II, III or the VI but together in the same song by looking at the relationship they have to be the III - IV - VI and probably leading to Bb over a F7.These chords would belong in the key of Bb!
Hope this helps.