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09-11-2011, 07:20 AM
| | | | how to improve my "snap" timing??
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Hi,
after 25+ years of playing, I'm fairly confident about my timing... except for one area. I'm satisfied about the groove of my fingerstyle, pick, and slap (thumb!) timing, but I'm sloppy with the snapped notes. So, the notes that are slapped on the lower strings will be ok, but the notes that are snapped on the higher strings tend to be too late.
Anyone have advice to become a tighter snapper???
Thnx, Jaap | 
09-11-2011, 07:24 AM
| | Registered User | | Join Date: Jul 2004 Location: Warwick RI | | | Start by snapping on the snare hits. I read an article with Larry graham saying he used his thumb to mimic a bass drum and popped to mimic a snare snap. Good place to start.
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09-11-2011, 08:39 AM
|  | Registered User | | Join Date: Mar 2003 Location: Pennsylvania | | Thank you, thank you, thank you. Just lurking here and learned something really important. Awesome advice.  | 
09-11-2011, 08:46 AM
| | Registered User | | Join Date: Jan 2011 Location: Sydney | | | Snaps are more commonly called 'pops'. Possibly you are digging too much under the string when popping. Hope that helps. | 
09-11-2011, 11:25 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Always subdivide the beat in your head. If I'm slapping in 4/4, instead of counting 1 - 2 - 3 - 4, I will count 1 e & a 2 e & a 3 e & a 4 e & a, just like Mrs. Ellmore taught me in middle school band class  That subdivides the beat into 16th notes. Really helps.
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09-11-2011, 04:32 PM
| | | All great advice, wish I'd known this stuff way back when. Prominent in my memory was the not 'gripping' the string too much, the 'pop' is dynamically much louder (without compression to tame it that is) so you can relax the finger, using mostly the tip/nail. This relaxation helps reduce that delay - clearly you're hearing the right time in your head (some don't  )
Sometimes when 'in full flight' you don't even really need a full throated 'pop', I often use little more than a ghost note when popping. This is especially so when you allow a bit of high mid/top end in your tone.
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Last edited by conqr : 09-11-2011 at 04:39 PM.
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09-11-2011, 05:07 PM
|  | Registered User | | Join Date: Mar 2008 Location: Central Illinois, USA | | Quote:
Originally Posted by JimmyM Always subdivide the beat in your head. If I'm slapping in 4/4, instead of counting 1 - 2 - 3 - 4, I will count 1 e & a 2 e & a 3 e & a 4 e & a, just like Mrs. Ellmore taught me in middle school band class  That subdivides the beat into 16th notes. Really helps. | I read an old Rocco interview where he talked about the importance of feeling the 16th notes in everything too!
John
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Lakland Owners' Club # 248
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09-12-2011, 09:28 AM
| | | | thanks for the replies, folks!
Slow patterns are ok, but my timing suffers more when the pattern is fast / complex. Probably need to woodshed a bit more...
Jaap | 
09-12-2011, 10:20 AM
|  | Registered User | | Join Date: Mar 2008 Location: Central Illinois, USA | | Quote:
Originally Posted by kramer.j Probably need to woodshed a bit more...Jaap | Yeah, that's ultimately the answer most of the time. A friend of mine (Andy McRory) used to say "More Mel Bay, Less E-Bay".
John
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JTE Spelling, grammar, and punctuation do matter, despite the threats of death by grease fire!
"Without space, music is just noise piling up on itself." TRK
Lakland Owners' Club # 248
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