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01-11-2005, 09:56 AM
| | Banned | | Join Date: Aug 2004 Location: Strensall, York, England | | I only have 3 fingers on my left hand, kinda
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I have a serious problem. My left hand ring finger and the little finger do exactly the same thing. I've tried everything, such as exercises, but they will not stop it. It's stopping me from playing New Born by Muse, which is a song i reall like. Is there any way of breaking or weakening the tendons between these 2 fingers so that they are more independent? | 
01-11-2005, 10:00 AM
| | Banned | | Join Date: Oct 2003 Location: Central Southern Massachusetts | | | If you break or weaken the tendons in these two fingers, they'll be more useless than they are now, as they will not work.
I'd go see a specialist to find out what neurological deficiency you're having in re: to motor skills and your hand. | 
01-11-2005, 10:04 AM
| | Registered User | | Join Date: Jun 2003 Location: Fort Worth, Tx | | Duct tape your pinky to your palm and your ring finger will have to work on it's own and vice versa. 
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01-11-2005, 12:15 PM
| | Registered User | | Join Date: Nov 2001 Location: san francisco, california | | | I broke my left hand ring finger a long time and it never healed right, which was a HUGE problem for me in learning to separate the two fingers.
What I did was get this little hand exerciser called "The Gripmaster". it's got 6 springs on it, one side has 2 and it goes in the palm, and the other side has 4 and it goes against the fingers. then you squeeze. over and over and over and over and over and over and over again.
I worked in lots of different exercises, such as doing each finger individually up and down back and forth. Eventually I worked the poor gripmaster to death, but I can play with my fingers individually and it made playing a lot easier overall. | 
01-11-2005, 12:51 PM
| | Banned | | Join Date: Aug 2004 Location: Strensall, York, England | | | I'll look for one. | 
01-11-2005, 02:36 PM
| | Registered User | | Join Date: Jul 2004 Location: Milwaukee, WI | | Quote: |
Originally Posted by Nickthebassist ...My left hand ring finger and the little finger do exactly the same thing... | You're saying you just can't spread them apart, or that you can't put one down without the other going down? Can you 'drum your fingers' on a table?
In my experience, I do have the most trouble with independance between those two, but you don't have to move one very far to go from fretting to not-fretting. It seems that if I'm playing a very fast pentatonic run (two notes per string), it's fastest going index to pinky, but I suppose my ring is slopping down with it - I'm referring to 'fast as I can' ascending runs, where I'm just hammering the second note of each string.
It's OK if your ring goes down with an intentional pinky-fret, but I guess if you want to play four-fingered electric-style, you gotta be able to get the ring down alone, with the pinky off the string (just the teeeniest bit).
Hmm.
I guess what I'm mainly thinking about is that if you go to a doctor, and ask him to look for neuralogical problems, he might be obligated to do a battery of freaky tests - Remember that hospital scene from The Excorsist?
Hmm. I'm feelin' a little queasy now.
Maybe try mrWr0ng's hand-exerciser first, man...
Joe | 
01-11-2005, 03:54 PM
| | | Django only needed two fingers on his fretting hand...sorta. 
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01-11-2005, 04:11 PM
| | Banned | | Join Date: Aug 2004 Location: Strensall, York, England | | Quote: |
Originally Posted by Joe P You're saying you just can't spread them apart, or that you can't put one down without the other going down? Can you 'drum your fingers' on a table?
In my experience, I do have the most trouble with independance between those two, but you don't have to move one very far to go from fretting to not-fretting. It seems that if I'm playing a very fast pentatonic run (two notes per string), it's fastest going index to pinky, but I suppose my ring is slopping down with it - I'm referring to 'fast as I can' ascending runs, where I'm just hammering the second note of each string.
It's OK if your ring goes down with an intentional pinky-fret, but I guess if you want to play four-fingered electric-style, you gotta be able to get the ring down alone, with the pinky off the string (just the teeeniest bit).
Hmm.
I guess what I'm mainly thinking about is that if you go to a doctor, and ask him to look for neuralogical problems, he might be obligated to do a battery of freaky tests - Remember that hospital scene from The Excorsist?
Hmm. I'm feelin' a little queasy now.
Maybe try mrWr0ng's hand-exerciser first, man...
Joe | I was taught the double bass style of using pinky and ring figner together. That's because I was small(only 11 years old) and my figners werent very strong. I think it's done more harm than good. | 
01-11-2005, 05:23 PM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | Quote: |
Originally Posted by Nickthebassist I have a serious problem. My left hand ring finger and the little finger do exactly the same thing. I've tried everything, such as exercises, but they will not stop it. It's stopping me from playing New Born by Muse, which is a song i reall like. Is there any way of breaking or weakening the tendons between these 2 fingers so that they are more independent? | Basicly, you're trying to make your fingers do something they are not designed to do - easierly.
I had the same problem, and the problem resolved itself. The solution was pretty simple, but not obvious for me at the time, just lots of practice - year in, year out.
The nice thing is, once you get it. It doesn't go away. Bit like riding a bike. | 
01-11-2005, 11:16 PM
| | | | You can do this. I did. I worked through a pinky that was all but useless. Chromatic scale, first position. A lot. Great exercise.
Another great one is the chromatic scale, 5 increments in either direction (up or down) then start again one down (or up) from the first note you started on, and do five more chromatically in a row (continuing in the same direction), then move back to the third note from where you started chromatically, and continue five more in a row, etc.
In effect moving chromatically one increment at a time, playing sets of five chromatics in the same direction.
Example (ascending):
E-F-F#-G-G#, F-F#-G-G#-A, F#-G-G#-A-A#, G-G#-A-A#-B, etc.
This is an AWESOME exercise. I play it all the time to warm up. It was taught to me by the late jazz guitarist Emily Remler.
Thanks Em. | 
01-11-2005, 11:26 PM
| | Registered User | | Join Date: Mar 2004 Location: Washington State | | | I sympathize I remember when i first started play and had the same problem, I was a powerlifter in high school, and had a really hard time getting my fingers to actually work separately, since all the muscle development i had done they were all locked together. It just took semi-painful stretching at first, and lots of scale practice. Something else that seemed to help, is keyboarding. I don't meant synth's, though that would probably be great, i mean regular ol computer/typewriter keyboarding, that really seemed to help. The independance of each finger in the range of motions I'm sure aided me as well. Good luck, and don't give up. | 
01-12-2005, 09:02 AM
| | zzzzzzzzzzzzzzz | | Join Date: Apr 2004 Location: Scotland | | Quote: |
Originally Posted by Nickthebassist I have a serious problem. My left hand ring finger and the little finger do exactly the same thing. I've tried everything, such as exercises, but they will not stop it. It's stopping me from playing New Born by Muse, which is a song i reall like. Is there any way of breaking or weakening the tendons between these 2 fingers so that they are more independent? | Yup. Practicing is the only way to do it. Exercises will work eventually. Here's a good one... (thumb at the back of the neck)
----------------------------4-1-2-3--
-------------------3-4-1-2-----------
----------2-3-4-1--------------------
-1-2-3-4-----------------------------
Do it with a metronome. Once you get to the top, move up a fret and come down again...
-2-3-4-5-----------------------------
----------3-4-5-2--------------------
-------------------4-5-2-3-----------
----------------------------5-2-3-4--
It's pretty dull, but it works. Once you get bored, move to scales, one finger per fret (first and fourth fingers are allowed to stretch one fret), going through all the modes of, say, C major one day then G major the next... | 
01-12-2005, 02:44 PM
| | Registered User | | Join Date: Mar 2000 Location: Atlanta/Loganville | | | IIRC the nerves that control the motion for these digits share a sheath through the back of the wrist. This (again IIRC) can cause some "crossfiring" of nerve impulses and this is why you have both fingers move when you are only telling one to. Don't be so hard on yourself. Some folks have almost total independence without any work while others (I guess you among them) must really struggle to get control of the two seperated. It's more of a mind thing than a physical feat except that you've got to have the muscles independently strong enough to move the fingers with precisely. Once you lick the 2 for 1 special problem, that should be easy. | 
01-12-2005, 03:25 PM
| | | | -------------------------------------------------------------------------------
-------------------------------------------------------------------------------
-------------------------------------------------------------------------------
-1-2-3-4--2-3-4-1--3-4-1-2--4-1-2-3----4-3-2-1--3-2-1-4--2-1-4-3--1-4-3-2-
Try doing dlloyd's permutations on 1 string, too.
Use your plucking hand to hold down the fretting hand's fingers...as needed.
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Last edited by JimK : 01-12-2005 at 03:30 PM.
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01-12-2005, 09:00 PM
| | Registered User | | Join Date: Jun 2002 Location: Edinboro, PA | | | Gilbertos technique is what helped me through a similar situation.
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01-13-2005, 05:25 PM
| | Registered User | | Join Date: Jul 2004 Location: Gladstone, QLD, Australia | | | Practice the exercises above and also try using chinese balls to excercise your hands. I use two golf balls (much cheaper alternative). There is a good thread about these somewhere in TB. | 
01-13-2005, 06:22 PM
| | | Quote: |
Originally Posted by PilbaraBass ...try using chinese balls to excercise your hands. | You know Joel Goddard, the announcer from Conan O'Brian's show, by any chance? You may not get it in Australia... | 
01-13-2005, 06:53 PM
| | Registered User | | Join Date: Jul 2004 Location: Gladstone, QLD, Australia | | Quote: |
Originally Posted by M.Gilberto You know Joel Goddard, the announcer from Conan O'Brian's show, by any chance? You may not get it in Australia... | I'm originally from Pennsylvania. I know who Conan O'Brian is and we get him at some wierd hour during the night. But I haven't seen his show in a few years. I don't know who Joel Goddard is, however. Why? | 
01-13-2005, 09:42 PM
| | Registered User | | Join Date: Jan 2004 Location: North Dakota (temporarily) | | | I've Seen Good Bassists Who Do Have Only 3 Fingers. I would suggest the Grip Master thing. I bought one of those in the beginning and started out just slowly stretching the fingers and slowly concentrating on building the individual muscles. Stretching and slowing down are more important than "beefing up the finger muscles". It's like some kind of Jedi Mind Trick that you have to figure out, but you will figure it out with time. (Also play "air bass" scales all day at work focusing on actually seperating the movements.) IF IT'S IN YOUR HEAD IT CAN BE PUT INTO YOUR FINGERS. | 
01-14-2005, 03:13 PM
| | Registered User | | Join Date: Mar 2004 Location: NY, USA | | | I used to have the same problem... 3 things that really helped me, is number one, someone here suggested to drum on the table with ure fingers, this was great for me, it actually helps you have more mind control over which finger to move at what time. Second thing is keyboarding, again mentioned above. This really did help me a whole lot!! i am also a webdesigner/programmer, so using the keyboard is like nature to me, and that really did help me with my finger muscles.. And one final thing, is a simple exercise on ure bass, i just played an octave between the A and G string, and then between the E and D strings, or if u have a 5, between the B and A, just went up and down the fretboard playing octaves, and then switching from higher strings to lower strings alternate the pinky and the ring finger for the higher note. Hope that makes sense... actually becasue i practiced so much at getting them seperated and at getting them to work independently, i find that i dont use my middle ifnger anymore, rarely! But i find that when i do use it, it feels very natural and easy.
Hope this helps, and good luck.
H
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