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  #1  
Old 03-09-2010, 11:36 AM
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Question i wannna understand the bass??

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ok ive been playing for more than a year, and i am competant at covering songs etc but i feel i have hit the wall, i wanna understand the theory of the bass so i can get more out of a great instrument, so i can improvise and compose my own music. lately i have been leanring triads. Is this a good place to start? if so where do i take this?

any comments/sources of information would be welcome
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Old 03-09-2010, 11:51 AM
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www.musictheory.net is a great place to start.
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Old 03-09-2010, 01:06 PM
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Quote:
Originally Posted by servetakid View Post
ok ive been playing for more than a year, and i am competant at covering songs etc but i feel i have hit the wall, i wanna understand the theory of the bass so i can get more out of a great instrument, so i can improvise and compose my own music. lately i have been leanring triads. Is this a good place to start? if so where do i take this?

any comments/sources of information would be welcome
http://wheatsbassbook.com/
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Old 03-09-2010, 01:15 PM
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A local teacher.
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Old 03-09-2010, 05:13 PM
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Like indicated before, learn your role in music as a bass player. Learn music theory, and even learn other instruments. Pick up guitar or piano, for example, and get moderately proficient at them. Also, learn about some rhythms and percussion or drums, too. It'll make you better as a musician, better understand your role in a band, and therefore, a better bass player.
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Old 03-10-2010, 06:05 AM
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What is our role? Couple of things to consider. We are an accompaniment instrument, we play chord tones, so yes triads should be on your list of things to understand and use. Now sure you can get a lead break, that is another story, not going there.

The chords harmonize the melody line. How? If the chords and the melody line have some of the same notes in play at the same time - your going to harmonize - sound good. So --- your bass line should reflect/mirror notes being used in the melody line. Now if you are playing from an established chord progression someone has already figured all that out and hopefully the chords shown will harmonize the melody -- all you have to do is make a bass line from those chords.

If you play chord tones (R-3-5-3) that happens. If you play the tonic pentatonic of a chord (R-2-3-5-6) and change with the chord changes that happens. Pentatonic will have 3 chord tones (the R-3-5) and 2 safe passing notes of the chord. Now all other notes in the chord's scale or mode will work and sound good also.

But -- how much of that do you need? You asked about our role. IMO providing the bottom end, holding the band together, leading the way to the next chord (I need to work on this phase of my playing) not stepping on other people's toes and making every one else sound good. That's our role.

Last edited by MalcolmAmos : 03-10-2010 at 10:26 AM.
  #7  
Old 03-10-2010, 11:28 AM
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thanks some good advice here
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