Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Technique [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

Technique [BG] Bass guitar technique discussions


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 07-12-2009, 06:40 PM
Guest
 
Join Date: Jan 2009
Location: Near the Pedulla factory
I'm looking for some tips for slapping on a fretless

Sign in to disble this ad
Slapping for me isn't a problem as far as the technique itself goes, but I have a hard time getting that tone I want. How do you fretless slappers get that bright tone? I'm satisfied with the tone I get slapping with my thumb but my pops sound pretty dead.

I use lots of high and low end and roll off the mids just like I do when slapping with a fretted bass but I just can't seem to get the bright pops. This is on a Pedulla Pentabuzz through a GK Fusion 550.

Thanks!
  #2  
Old 07-13-2009, 10:26 AM
Registered User
 
Join Date: Sep 2003
Location: Cincinnati OH
You're missing metal on metal.

there are a lot of folks who are quick to say there's no problem with slapping a fretless, but I'm not one of them for several reasons.

1) The smiley face EQ curve you like for slapping cuts the heart and and soul out of what make a fretless sound great - gobs of midrange.

2) Slap playing is all about attack. Fretless bass by nature has a softer attack, due to aforementioned lack of metal on metal.

3) All fretless players use their ears to microtune as there are an infinite number of bad notes on a fretless. Since slapping is all about the attack, if your intonation isn't dead on the note pops out before you can do anything about it.

These are just my observations, but they come from having been gigging a fretless for many, many years. If you're slap-happy, you're much better served with a fretted bass.
__________________
Ohio Bassists member #11
Official Ampeg Portaflex Owners Club member #69

Last edited by nysbob : 07-13-2009 at 08:30 PM.
  #3  
Old 07-13-2009, 10:55 AM
Guest
 
Join Date: Jan 2009
Location: Near the Pedulla factory
Thanks for the input, I use channel 1 for grooves, which has more midrange for that cool fretless sound, and channel 2 for slap, which has the V shaped EQ (although GK's have knobs) Maybe I'm just looking for something that isn't going to happen.

I know a Berklee grad that gets a great tone when slapping on a fretless, but he's a Berklee grad and I'm not
When I ask him what he does he says he does nothing different than what he does on a fretted bass. Which obviously is no help!

Maybe I'll save the slapping for fretted basses.
  #4  
Old 07-13-2009, 11:03 AM
Registered User
 
Join Date: Sep 2007
Location: Co. Kerry, Ireland.
If it wasn't a Pedulla, I'd say just install a slap plate.
__________________
You can have my Lucky Charms, but you'll never get my whiskey!
It'll be dark by nightfall.
  #5  
Old 07-13-2009, 11:08 AM
Registered User
 
Join Date: Aug 2007
Location: Arkansas
If the dude graduated Berklee and can't explain a technique to you I'd ask him which Berklee he graduate from, sounds fishy...
  #6  
Old 07-13-2009, 04:46 PM
Registered User
 
Join Date: Mar 2009
Location: Woking, Surrey, UK.
NYSBOB +1 - so much so that if I'm in a slap-happy mood, I'll get the Fender PJ (with frets) out instead.

Darkstrike - To try and cure this problem I installed slap plate on my Yamaha BB400 some years ago but had no success, the strings snap back against the fingerboard with a dull thud and miss the plate completely. Anyway, its made of Brass and looks cool on the end of the Fingerboard . However, if you' ve got a slap plate to work then please let us into the secret.!!

Last edited by PJSShearer : 01-16-2010 at 12:05 PM.
  #7  
Old 07-13-2009, 07:32 PM
Guest
 
Join Date: Jan 2009
Location: Near the Pedulla factory
Quote:
Originally Posted by jackall237 View Post
If the dude graduated Berklee and can't explain a technique to you I'd ask him which Berklee he graduate from, sounds fishy...
He is a Berklee Boston grad, no doubt about it. He uses an old P Bass with a Jazz neck, Roto roundwounds and Trace Elliot cabs and head. He claims he attacks the strings the same way he does a fretted bass. What else would he have to say about the subject?
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 03:04 PM.




Copyright ©2011 Talk Music Group Inc. All right reserved.
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.