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02-17-2011, 04:57 PM
| | | | Lou Barlow style
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I have taken a huge interest on how amazing Lou Barlow plays his bass, but I honestly don't know how he controls the notes when he just flails his arms around like that.. Any tips? http://www.youtube.com/watch?v=qpf3K...eature=related | 
02-17-2011, 11:42 PM
|  | Registered User | | Join Date: Mar 2010 Location: Denver, CO | | | It's easier than you'd think, and of course it takes practice like anything. When I play like that i'm muting the other strings with my fretting hand.
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02-18-2011, 12:00 AM
| | Registered User | | Join Date: Nov 2007 Location: Hobart, Australia | | | I asked him when I met him and he just smiled and shrugged. Learning to play guitar, you can apply the left hand muting skills on the bass, when it comes to chords.
How he plays single note lines like In a Jar while strumming, that I have no idea.
just a side note, you can see as Dino progressed through the 80s that Lou got more and more aggressive in his playing style, he's probably not 100% sober in that video either.
Last edited by Supa Scoopa : 02-18-2011 at 12:03 AM.
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02-18-2011, 10:55 AM
|  | Registered User | | | | | in the distant past i played a little like this sometimes. i would use a combination of muting with my fingering hand and fretting octaves or fifths. strumming full chords usually doesn't sound that great but if you're just using octaves or fifths it's fine then just mute the strings you don't want heard. you can also control the strum to not quite rake across all the strings.
by the way, it's a ridiculously fun style to play in...
good luck.
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Originally Posted by mambo4 Playing live ain't about perfection: its about keeping the flow going in spite of the inevitable flaws. I suppose life is like that too. | FOR SALE: m-audio computer-based recording rig | 
02-18-2011, 06:16 PM
| | Registered User | | Join Date: Nov 2007 Location: Hobart, Australia | | | the powerchord thing only really works when you add drive to your signal, otherwise its just muddy bass chords.
using an old tube amp or a sansamp type pedal it can sound absolutely amazing, provided you've got the right kinda bass. i use a rick, so naturally when i started overdriving my amp and added in strumming chords, it sounded great. | 
02-19-2011, 09:09 AM
| | | | Sounds neat, but how do I use this left hang muting technique? | 
02-19-2011, 10:04 AM
|  | Registered User | | Join Date: Mar 2008 Location: San Diego, California | | Quote:
Originally Posted by Whosker Doo Sounds neat, but how do I use this left hang muting technique? | use the fingers of your left hand to mute the strings that aren't being played. Takes a little practice but is easier than it sounds. | 
02-19-2011, 06:23 PM
| | Registered User | | Join Date: Nov 2007 Location: Hobart, Australia | | Quote:
Originally Posted by RCCollins use the fingers of your left hand to mute the strings that aren't being played. Takes a little practice but is easier than it sounds. | yeah, exactly. like i said, if you learn to play guitar you'll learn a bit more indepth about muting strings while strumming. it's tricky at first but after a while you wont even have to think about it. | 
02-19-2011, 06:25 PM
| | Registered User | | Join Date: Nov 2007 Location: Hobart, Australia | | | i'm going to have my in a jar bass cover video up in the next few days... i cant strum it like a madman like lou, but i think ive got the chords and stuff worked out. | 
02-21-2011, 05:48 AM
| | Registered User | | Join Date: Nov 2007 Location: Hobart, Australia | | | | 
02-22-2011, 03:22 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | wow, that's just begging for chronic hand, wrist and elbow injuries.
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02-22-2011, 07:00 AM
|  | Registered User | | | | Quote:
Originally Posted by JimmyM wow, that's just begging for chronic hand, wrist and elbow injuries. | hey jimmy,
do you say that cuz of the thumb over the top, bunching of the fingering fingers, or what? i'm trying to keep my technique up.
wonderful song by the way. perfect blend of grit, energy, and melody.
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- blakelock Quote:
Originally Posted by mambo4 Playing live ain't about perfection: its about keeping the flow going in spite of the inevitable flaws. I suppose life is like that too. | FOR SALE: m-audio computer-based recording rig | 
02-22-2011, 07:14 AM
| | Registered User | | Join Date: Sep 2004 Location: Toronto Canada | | Someone brought up alcohol and its true if you are wired and pounding away with your hand hooked like that it would be tiring...I use muting when needed and if you are pounding away on your strings like that to be heard maybe your amp is not loud enough? I put Lou as my favorite Grunge bassist in a recent thread and found this interview its very interesting. http://www.youtube.com/watch?v=TUONCpDo030
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02-22-2011, 10:30 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by blakelock hey jimmy,
do you say that cuz of the thumb over the top, bunching of the fingering fingers, or what? i'm trying to keep my technique up.
wonderful song by the way. perfect blend of grit, energy, and melody. | i'm saying that because of the way he's overextending his entire arm, using his shoulder to move his arm, and using downstrokes only (at least that what it looked like to me). don't get me wrong...i'm down with puting on a show, but when you reach your mid 40's like he's done, it takes its toll.
i used to not care about stuff like that until i hit 40, and all of a sudden i cared because it was very painful to play with a pick. so i learned carol kaye's pick method and the pain is gone.
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02-24-2011, 02:47 PM
| | | | awesome thread guys, I'm learning some great things here. But I notice that the song only sounds complete with a Ric, and all I got is a ****** music master bass with kinda warped neck.. any one know the best thing to do to get that sound? | | Thread Tools | Search this Thread | | | |
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