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  #1  
Old 09-22-2005, 05:05 PM
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Most efficient way to finger 4ths?

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I'm trying to completely brush over and stabilize my technique for a few months before I proceed to advance my playing. I've noticed I have a hard time smoothly fingering 4ths (The note one string higher on the same fret)

What's a smooth way to do this? Should I be fingering it like I normally finger any other note, or should I lay my finger down and fret it using a lower portion of my finger? Or should I bring another finger over?

Last edited by Earthday : 09-22-2005 at 06:20 PM. Reason: typo
  #2  
Old 09-22-2005, 05:52 PM
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The note one string higher on the same fret is a fourth.

It depends in part where you're going after you play the higher note. If your muting technique is good, you can stop both strings with one finger as if it were a bar chord.

It's good to practice this barring technique with both fretting hand index and middle fingers. On the other hand, it might be a good idea to use the ring and little fingers to stop a string each since they're not as strong, although practicing barring with those wouldn't hurt either. Ideally, you'd be comfortable with both techniques regardless of which finger you're fretting with.

It all depends on the line you're playing and making the best choices to have the smoothest and most musical fingering possible. Hope this helps.
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Last edited by Blackbird : 09-22-2005 at 05:55 PM.
  #3  
Old 09-22-2005, 06:00 PM
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Quote:
Originally Posted by Blackbird
The note one string higher on the same fret is a fourth.

It depends in part where you're going after you play the higher note. If your muting technique is good, you can stop both strings with one finger as if it were a bar chord.

It's good to practice this barring technique with both fretting hand index and middle fingers. On the other hand, it might be a good idea to use the ring and little fingers to stop a string each since they're not as strong, although practicing barring with those wouldn't hurt either. Ideally, you'd be comfortable with both techniques regardless of which finger you're fretting with.

It all depends on the line you're playing and making the best choices to have the smoothest and most musical fingering possible. Hope this helps.

+1


Also, if you wanted to know the best way to finger actual 5ths, it really depends on how big of a hand you have. Say you are playing a double stop with your index on Bb and your other finger on F- does your ring finger make it over there with no problems? Do you have to use your pinky? I really see no downside to using your pinky when playing 5ths/octaves.
  #4  
Old 09-22-2005, 06:03 PM
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Yes I indeed did mean 4ths. What made me type 5ths, I dont know.

So basically you're saying using the same finger to fret each note, and muting with my right hand and/or the other available left handed fingers depending on what I'm playing?

So for example, for the first 3 notes of The Who's Pinball Wizard it'd work best to fret the B with my index finger, then fret both the F# and A# with my ring finger like I was fretting a chord, as in, tip of my finger on the F#, mid section of it on the A# and mute the A# using my pinky?
  #5  
Old 09-22-2005, 06:29 PM
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Quote:
Originally Posted by Earthday
Yes I indeed did mean 4ths. What made me type 5ths, I dont know.

So basically you're saying using the same finger to fret each note, and muting with my right hand and/or the other available left handed fingers depending on what I'm playing?

So for example, for the first 3 notes of The Who's Pinball Wizard it'd work best to fret the B with my index finger, then fret both the F# and A# with my ring finger like I was fretting a chord, as in, tip of my finger on the F#, mid section of it on the A# and mute the A# using my pinky?

That would work. Instead of holding chords, if I only have to play one note at a time, I release the pressure of whichever finger was fretting the note just played. That way, muting isn't nessecary. However, (and I know I am going to sound like a ******), I have never heard Pinball Wizard, and I don't know exactly how it should be played. Where are you Blackbird?
  #6  
Old 09-22-2005, 06:34 PM
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Also, I think you mean B natural, not Ab...
  #7  
Old 09-22-2005, 06:52 PM
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The part I mean which is a good example of what Im asking, is this in tab form (All eight notes)

------4
----4--
--2----
-------

I'm not fluent in music language, only really know the basics, so I'm really just asking whats the best way to finger something like that. At the point I'm at I really want to sure up my playing, and make sure I'm doing what will make me most efficient in the future.
  #8  
Old 09-22-2005, 07:04 PM
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Quote:
Originally Posted by Earthday
The part I mean which is a good example of what Im asking, is this in tab form (All eight notes)

------4
----4--
--2----
-------

I'm not fluent in music language, only really know the basics, so I'm really just asking whats the best way to finger something like that. At the point I'm at I really want to sure up my playing, and make sure I'm doing what will make me most efficient in the future.
I would use the pinky for the F# and the high B.
  #9  
Old 09-23-2005, 12:35 AM
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Quote:
Originally Posted by AGCurry
I would use the pinky for the F# and the high B.

Again, I think it really depends on the size of your hands. I would use my pinky too, but if you can comfortably use your ring finger, why not?
  #10  
Old 09-23-2005, 02:07 AM
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I don't disagree with that, but I don't know what purpose it would serve to use the ring finger instead of the little finger. Maybe if you wanted to play a C# after you play the B it would help, but if all you're doing is an octave such as the example that Earthday has, why make things hard on yourself? In an example like that, I would never use the ring finger and always use the little one, just because I hate to stretch my hand out if I don't have to.
  #11  
Old 09-23-2005, 02:45 AM
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apparently there's some nerve or motor control thingy in our hands that is shared by the ring finger and the pinky, so those fingers often don't have quite the independence of the other fingers... I can't bend my pinky without the ring finger involuntarily bending slightly too.. my ring finger on both hands isnt as strong, mobile or controllable than the other 3 fingers.. and since I'm probably not physiologically unique, I guess this would be true be to one degree or another for most of us

so there are times when one-finger-per-fret isn't necessarily the most effective or efficient way of playing.. and root-5th-octave patterns, for me, are one of them... like JimmyM, I would nearly always grab an octave with my pinky, even though it's against 'the rules'
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  #12  
Old 09-23-2005, 03:29 AM
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Quote:
Originally Posted by cowsgomoo
like JimmyM, I would nearly always grab an octave with my pinky, even though it's against 'the rules'
But it's not really. I have seen very few bassists who do octaves with index and ring. And in her instructional materials, Carol Kaye recommends highly that you do octaves with index and pinky. She claims you can do real damage to your hand if you use index and ring, and after trying it a few times, I'm inclined to agree.
  #13  
Old 09-23-2005, 03:35 AM
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I'd use my ring finger, or my pinky, it depends. I try to be as consequent as possible with the 1 finger/1 case approach, but once in a while my pinky slips through..
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  #14  
Old 09-23-2005, 04:42 AM
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I'd quite happily play that example (B F# B') with my first finger for the low B, my third finger for the F# and my fourth finger for the high B. I'd only make an exception to that if, as Blackbird already suggested, the context demanded it.

Mind you, if I was just playing the fifth interval, with B and F#, I'd probably play it with first and fourth fingers (again, depending on the context).

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  #15  
Old 09-23-2005, 04:02 PM
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What if you have Shaq sized hands? I am just saying that pinky works best (usually!) for normal sized hands.

Also (this one is to cowsgomoo) there are some great exercises that you can do to work on moving your fingers all indie.

The first method is called by an old teacher of mine "the spider".

Start out with your four fingers all lined up chromatically on the E string where the stretch feels themost comfortable. Now, pick up your 2 and 3 (middle and ring) fingers ONLY and move them down to the A string while keeping your 1 and 4 (index and pinky) on the same frets they started on. Then, you move the 1 and 4 down to the A string while keeping the 2 and 3 planted. Just go up and down the strings- slowly at first.

After you have that mastered, you can try a different version of the same exercise. Instead of moving your fingers in these groups- (2,3) and (1,4), move them like this- (1,3) and (2,4). Same rules apply.

I really think that this is a good way to practice seperating the movement between fingers. NOW GO PRACTICE!
  #16  
Old 09-23-2005, 04:29 PM
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[quote=hateater]Also (this one is to cowsgomoo) there are some great exercises that you can do to work on moving your fingers all indie.

The first method is called by an old teacher of mine "the spider"....QUOTE]

It worked for me. It takes a long time, but it's a great exercise. It's like trying to learn to wiggle your ears, it just takes practice.
  #17  
Old 09-23-2005, 04:31 PM
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It's all muscle memory. That is why I can sit down and play some songs that took me FOREVER to learn with ease... repitition.
  #18  
Old 09-23-2005, 09:10 PM
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The very first exercise Dave LaRue taught me when I took lessons from him was the spider. Good call!
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