| Are you taking about muting, or ghost notes? That's two different techniques.
If you play fingerstyle, you can mute either hand, depending on what notes are being played, on what strings. With pick, it may be a different skill you need to learn, with your picking hand. With fingerstyle, you have the advantage that you are always touching the strings with your plucking hand.
Anyway muting is a big topic, it's something you have to work on, and it takes time to learn and it takes practice. And whenever you learn a new bass line, you'll also be learning how to mute it, in the way that is best for you. Muting isn't something that you learn as a beginner, and then that's it you're all done learning. You'll be working on it with every new riff you play, and it's a matter of adapting the best technique to whatever line you're playing, based on your own preferences.
One of the first things I was taught on the bass is to do whatever it takes to "get" the notes... in other words, in this case, use anything you can to mute the strings... the palm of your right hand, the fleshy part at the bass of your thumb (right hand), the non-active fingers on your picking hand, the fatty parts of your left-hand fingers.... whatever. Anything that works, which sounds good, which leaves you in best position to play the next notes. There's probably 10 different ways to mute the strings in your first example... just find a technique that works, using any part of either hand, as long as it's efficient for achieving the next notes.
Last edited by K2000 : 12-03-2006 at 07:15 PM.
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