Quote:
Originally Posted by mambo4 I use em a lot, mostly for passing tones or big sustained notes. I had avoided then until getting in to jamerson, and playing URB. Now I love them.
I think learning to incorporate open strings with the same level of control as fretted ones is valuable to practice. |
That's right - the best players will incorporate open strings with no noticable change in sound if that's how they want it - it's all about control of the instrument, through muting and technique.
If you avoid open strings you are just limiting your possibilities and you can see how players like Jamerson and Nathan Watts use them to create more interesting lines that don't lose the groove or feel.
If you can consistently incorporate open strings it allows you to be more relaxed about positions shifts and to play more evenly across the fingerboard!
If you always play fretted notes in patterns, you can get trapped in these and start to repeat yourself - whereas incorporating open strings makes you think about things freshly when you shift or change key.
