Quote:
Originally posted by neptoon steve bailey's stuff....that guy is like the god of harmonics. |
and how!
At wootcamp before his rotation(class) he'd sometimes do a little bit of warm up noodling, rich 5 note chords with harmonics, and natural tones, he'd slide harmonics all over his bass, playing false and natural harmonics, it was obscene.
he has an interesting method of playing false harmonics.
rather than using his thumb in the way jaco did, he uses his index finger to make the node, and plucks with his middle or ring, that allows him to use his thumb, and also free up his hand for more harmonics at once and all that.
he has a story about that, where jaco showed up to one of his gigs and was talking to him afterward like "what was that you were doing with your finger?" and steve was like "well, this method of false harmonics allows me to free up my hand, and also provides more accurate harmonics, and this and this and this" and jaco grabbed the bass and said "yeah, well it doesn't have THAT SOUND" and he played "birdland" then steve was like "but look, you can also use your thumb and make chords"
Jaco takes the bass again "But it doesn't have THAT SOUND"
steve says "but you can also do yadda yadda yadda"
jaco just shrugs it off "it doesn't have the sound"
now the funny thing about this story, is that jaco was stubborn, he wouldn't give up his method in favor of steve's more dynamic and adaptable method, however, at camp I got to hear both techniques right next to each other, and I'm with jaco on this, steve's technique for all it's benefits and usefulness DOES lack
THAT SOUND* but if you are going to use both techniques, that;s all good. I wouldn't rely on one or the other solely.
*THAT SOUND being the punchy defined and pinchy sound that is so tantalizing, Steve's technique creates a more rounded and even sound, that lacks character in my opinion.
But, I digress, Steve is a truly amazing player, very very underrated, he can do some absolutely amazing things, it's ridiculous.