Until recently I felt fairly confident with my plucking proficiency and what not, but I've started to analyse my technique and it's seems it's pretty flawed in a few areas, a little help would be much appreciated.
For the 3 years I've taught my self, I've developed this tendency to use my nails when playing. Often they would extend past my fingertips a few millimeters, and this seemed to be in contrast to most finger style players. Firstly, this was not at all for tonal purposes, it's just a bad habit I have developed.
I really want to achieve the tone and soft attack of having short nails, but now that I have cut my nails I seem unable to get a solid note, or with any sort of consistency. It's really bad, my dynamics have been thrown out completely, every note seems to be at a random volume and have a random attack, especially when using my 3rd finger for 3 - 2 - 1 - 3 - 2 - 1 straight 16ths.
My first question is basically this, what exact part of my finger tip do I pluck with? How can I achieve the consistency I had with longer nails?
My second, equally important question is this: When I had longer nails, I used to angle my fingers inwards (towards my palm) when plucking, and part of my reason (apart from tone) is that this seems to pretty inefficient compared to plucking with straighter fingers, as I can go much faster with the latter technique. But I just can't seem to achieve any form of consistency like I used to have... What angle should my fingers be at, and how bent?
When another bass player with very similar interests to me (like that of John Myung, Dream Theater), he got a much better tone, one very similar to Myung's tone
here, and it made me realise how much I wanted the tone of shorter nails, and how much of our sound comes from our fingers. It's just that now I try to play with shorter nails, every note seems to be incredibly dull, and have no attack at all.
Thanks.
EDIT: Another problem, do I play across the pickup, or more into them? I seem to get this odd clicking every few notes when trying to play with straighter fingers, as if the string is slapping the fretboard.