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04-11-2009, 11:20 AM
|  | Registered User | | Join Date: Mar 2009 Location: Paonia Colorado | | | Ring finger?
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There is probably another similar thread, but for the sake of conversation i'm going to start this one.
How many of you use your ring finger in your picking technique? I have some dexterity in mine from many years of fingerstyle guitar, but it seems reluctant to become part of my bass playing style. I love the two fingered approach; it's like playing a drum with two hands. For the sake of simplicity we'll leave the thumb out of this query. I think it is truly it's own creature anyhow.
To two or to three, this is the question... | 
04-11-2009, 11:24 AM
| | Registered User | | Join Date: Aug 2006 Location: Kirriemuir/Dundee, Scotland | | Quote:
Originally Posted by djero44 I love the two fingered approach | first off, that's what she said
but yeah i often use my ring finger, mainly because both bands i'm currently in play either fast rock or metal so it's just too much work for the 2, so slap the 3rd in there especially for hitting triplets
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04-11-2009, 12:17 PM
| | | There is a ton of threads regarding three finger plucking.
As for the question, two or three? I started plucking with three very early, and it took a lot of time (really, a lot) to get comfortable with using them in any situation. So I pluck with three exclusively. Was it worth it? I'm not sure  Time spent on synchronizing three fingers might have been spent on different issues, and I believe I might have been a better bassist.
And, it takes a lot of practice to outspeed two finger plucking, much more than I anticipated in the beginning. My mind was slowing me down, as alternating two fingers is natural and goes with the music; synchronizing three fingers, while raking and string skipping and not playing triplets might not be natural.
I guess that one should be able to play solid triplets with three fingers, while two is enough for most applications. If you want to go Billy Sheehan/John Myung etc, a solid all-around three finger plucking technique is fundamental. | 
04-11-2009, 12:21 PM
| | Registered User | | Join Date: Jan 2006 Location: Austin, TX | | | What ever floats your boat. It's all about finding your sound. | 
04-11-2009, 02:41 PM
|  | Registered User | | Join Date: Mar 2009 Location: Paonia Colorado | | Well, my boat usually is floated with a level of rythmic insanity that isn't suitable for many, if not most, projects. Even after many conscious years of analyzing and considering my own musical intentions and also what pleases my ear this fact remains. As a bass player i'm taking a bit of a different approach to playing than I have with other instruments; really wanting to cultivate a truly supportive musical presence as a part of a greater whole. This involves (imo and ime of course) using a lot more space than sound than my more common solo, "fill the space" mentality.
(I cited the two following examples in a different unrelated thread, but i want to go a bit deeper into it, so...)
I studied tabla for a year or two about ten years ago and was surprised to find out that the smaller drum is generally played with only two fingers. I was astounded that such an commonly high speed percussive style was crafted around a minimalistic approach. The same can be applied to certain classical indian sitar music as well. The fretting hand only uses two fingers. "Why limit yourself?" was one of my first thought processes; especially coming from a complex fingerstyle and polyrythmic guitar perspective. In that context I feel like I want to make use of all of my resources, i.e. every digit available.
Years later, around the time I first started playing bass seriously, I was exposed to a similar approach (two fingered style) watching the Funk Brothers in Under the Shadows of Motown, and really began to contemplate the deeper potentials of restrain, even in what might sound to be a really "cut loose" groove. (I'm not sure restrain is the best word, but you know what I mean), Keeping my lines less busy has been really helpful for me in certain band situations, undoubtedly.
So anyhow I asked the question because i'm curious how different players feel. I know the process of finding my "own" voice as a musician, i'm wanting to know how to be a part of a group now, and the bass has been instrumental and wonderful for me in that way. I've never had the ability to make people dance before! Yeah, I need a good drummer too.
Shawman, your post inspired me to check out some three fingered experimentation; i've had a lot of fun, especially with the triplets. I can see why many players would adopt this technique. I can go ring to first way better than vice versa, though! Anyhow it was worth posting the thread just for that inspiration. | 
04-11-2009, 03:53 PM
| | Registered User | | Join Date: Aug 2006 Location: Kirriemuir/Dundee, Scotland | | awesome, think this is actually the my first post which has been helpful instead of just being a crap joke
glad i could help out, hope you keep enjoying it!
also, just to ask instead of starting another thread about it, anybody else use their 3rd finger and/or pinkie to hit pinch harmonics? was playing with a friend who said he's not seen it before, surely this is quite common?
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Last edited by Shawman : 04-11-2009 at 05:39 PM.
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04-11-2009, 10:15 PM
|  | is, against all odds, still a scuba viking. | | Join Date: Feb 2007 Location: Alta Loma, California | | | a good thing to know is how to use three fingers to do straight 16ths and 32nd runs.
a good excercise:
-start with a tripplet going from frets 7-8-10 on the E string.
-using your middle finger on your fretting hand, go to the 8th fret on the string below. Hit that note with the middle finger of your plucking hand
- restart this pattern on that same string and keep working your way to the bottom string [G]
it'll be really slow at first, and it'll take you a few months of constant practice and doing different variations of this technique [up and down the neck w/ different patterns] to be competent. Once you do though, it's an awesome feeling to be able to do 32nd notes @ 120 BPM.
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04-12-2009, 12:05 AM
| | Registered User Endorsing Artist: Lakland, Genz Benz | | Join Date: Aug 2007 Location: Chicago, that toddling town | | There are occasional applications like the "My Generation" solo where 2 is just much trickier.
Working on 3 fingers? Practice groupings of 4.
Working on 2? Groupings of 3.
Or.... just cop some Entwistle, Trujillo, and Sheehan!!!!!!!
For my bread Alain Caron is one of the true masters of this wierd technique.
Me, I make most of my money with just the index. | 
04-17-2009, 04:01 PM
| | Registered User | | Join Date: Apr 2009 Location: Fleetwood, England. | | | I use three fingers whenever I need the speed. I started using three fingers to play Scarified by Racer X, now I use it when my band plays My Generation for a bass solo.
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04-17-2009, 04:22 PM
| | Registered User | | Join Date: Nov 2008 Location: Bakersfield | | | I stick with 2 its simple and clean.
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04-17-2009, 05:56 PM
| | Registered User Endorsing Artist:Kustom Amplifiers | | Join Date: Mar 2009 Location: Brooklyn,New York | | | On my picking hand,I'll use as many as 4 fingers(thumb,index,middle,and ring),....it depends on what I'm playing,really!I'm at a point in my playing where,I don't necessarily"think"about it,so to speak,but early on,I noticed that my ring finger was becoming involved in many of my passages,...especially when I take solos on some really fast bebop tunes(Donna Lee,Quicksilver,Cherokee,etc.) | 
04-17-2009, 06:07 PM
|  | Registered User | | Join Date: Mar 2008 Location: The Hague, The Netherlands | | | I went to Booker T and The MG's March 21st and I noticed Donald used mostly his index finger and sometimes his ring finger when needed.
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04-19-2009, 12:19 PM
| | Registered User | | Join Date: Sep 2003 Location: Cincinnati OH | | About two years into playing bass I decided to go to three, and I'm glad I did. I can play fast 8ths on rock tunes beginning to end without any "breaks" ... when you spread the work out between more digits it really helps fight muscle fatigue. I am 53 and can rock out harder for a lot longer than a lot of young guys I see out there. I've been playing for 38 years at this point. 
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04-19-2009, 12:34 PM
| | Registered User | | Join Date: Mar 2009 Location: Woking, Surrey, UK. | | | I've used 3 fingers from day one - never given it a thought!!. In the past I've experimented with using my little finger as well but that didn't appear to add anything to the mix. I with nysbob on this - in my pro days I'd be playing 5 plus hours a night 6 or 7 days a week so I needed all the tools available!. I also pick with my thumb sometimes when playing fast octaves, I slap and pull and I also use a plectrum where its appropriate. | 
04-19-2009, 12:34 PM
| | | Quote:
Originally Posted by Shawman awesome, think this is actually the my first post which has been helpful instead of just being a crap joke
glad i could help out, hope you keep enjoying it!
also, just to ask instead of starting another thread about it, anybody else use their 3rd finger and/or pinkie to hit pinch harmonics? was playing with a friend who said he's not seen it before, surely this is quite common? |
Well not for harmonics but I'll use it snap the octave while playing the route. Not much for slap bass but a little here and there is more my style.
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04-23-2009, 07:09 PM
| | Registered User | | Join Date: Nov 2008 Location: indy | | Quote:
Originally Posted by Shawman first off, that's what she said
but yeah i often use my ring finger, mainly because both bands i'm currently in play either fast rock or metal so it's just too much work for the 2, so slap the 3rd in there especially for hitting triplets | Just the way you said that made me laugh a lot. nice one.
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04-23-2009, 08:00 PM
| | Registered User | | Join Date: Jan 2009 Location: NNJ/NYC | | There's a GREAT tutorial on Harmony Central called "Hanging 10 on Bass" or something to that effect ( http://harmony-central.com/Bass/Articles/Hanging_Ten/ ) that offers ideas on ways to develop and improve finger dexterity/strength. Might be right up your alley... definitely helped me out when I first read it. (The band I was in @ the time I found it wanted to add some Blues Traveler tunes to the set and I was struggling w/the material... that tutorial got me thru it)
HTH | 
04-23-2009, 08:29 PM
| | Registered User | | Join Date: Jan 2006 Location: New Orleans, La | | | I use my ring finger when the blister on my middle finger pops and tears off.
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