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06-18-2008, 10:07 PM
| | Registered User | | Join Date: Oct 2005 Location: SF bay area | | | Root Fifth (Jamerson Style)
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I've been plaing through my ...Shadows of Motown book and I noticed that I have trouble with the faster 16th sounding root (LOW) fifth parts (R-5-R-5). They just don't sound as clean as I'd like them to.
Any tips on finger position or ways practice that might help me become more efficient ? I usually fret the Root with my index and the 5th with my middle finger should I reverse it ?
G---------
D---------
A-----Eb(R)
E-----Bb(5)
Thanks,
Rich
Last edited by havik180 : 06-18-2008 at 10:29 PM.
Reason: claification
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06-18-2008, 10:11 PM
| | | Quote:
Originally Posted by havik180 I usually fret the Root with my index and the 5th with my middle finger should I reverse it ?
Thanks,
Rich | How would you reverse that? Try fretting the fifth with your ring finger, not your middle. Hope this helps. | 
06-18-2008, 10:12 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | See, this question is why I'm so much in favor of strict alternation rather than raking. Jamerson used one finger, but we're not Jamerson. At one point, I completely dropped raking and went to strict alternation, and just did everything I did with SA. Within a month I did a lot better with parts I used to stutter on when I raked.
Also, you should be using index and ring finger on the left hand. The index and middle finger are too close to each other for a two-fret R-5 stretch.
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06-18-2008, 10:15 PM
| | Registered User | | Join Date: Oct 2005 Location: SF bay area | | | Ok maybe I should clear this up . I'm talking about Root LOW 5th , like Eb on the A string and Bb on the E | 
06-18-2008, 10:23 PM
| | | Quote:
Originally Posted by havik180 Ok maybe I should clear this up . I'm talking about Root LOW 5th , like Eb on the A string and Bb on the E | Ahhh, barre it. | 
06-18-2008, 10:27 PM
| | | | Just use the same finger (bar if need be) it's the most efficient. | 
06-18-2008, 10:30 PM
|  | Registered User | | Join Date: May 2007 Location: Bay Area, CA | | Quote:
Originally Posted by JimmyM
Also, you should be using index and ring finger on the left hand. The index and middle finger are too close to each other for a two-fret R-5 stretch. | Only for those with baby hands
I'm fairly blessed with decently large hands and fingers, and can do the R-5 stretch easily, as well as OFPF, even at the top of the neck. The rest of my bass playing skills are depressingly average, unfortunately 
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06-18-2008, 10:32 PM
| | Registered User | | Join Date: Dec 2006 Location: Brooklyn, NY | | This root inverted fifth you're talking about - it's like the beginning of Reflections, isn't it?
I would barre both with my pinky + ring finger and shift pressure from the joint to the tip, just sort of rolling my finger between the two strings... but I don't know if my technique is "correct" or not.
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Originally Posted by CatfishStudios But vintage cases have better tone. | | 
06-18-2008, 10:32 PM
| | Modus vivendi | | Join Date: Aug 2005 Location: Ottawa, Canada | | | I recall reading (several sources) that barring is not a proper technique for bass guitar. But who cares, if it works for you, that's important. | 
06-18-2008, 10:32 PM
| | | | Depending on the line, you might just use your pinky (R) and ring (5) finger. | 
06-18-2008, 10:35 PM
| | | Quote:
Originally Posted by kebbs I recall reading (several sources) that barring is not a proper technique for bass guitar. But who cares, if it works for you, that's important. | Wha? | 
06-18-2008, 10:42 PM
| | Registered User | | Join Date: Jul 2007 Location: SE Wisconsin | | | I would use separate fingers... try just tapping the line with your left hand. this will give you a little better practice on what your left hand should be doing here... then you just have to keep up with your right hand | 
06-18-2008, 10:49 PM
| | Registered User | | Join Date: Sep 2003 Location: Cincinnati OH | | | You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth.
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06-18-2008, 10:58 PM
| | Registered User Seymour Duncan/Basslines SMB-5A Endorsing Artist | | Join Date: Mar 2005 Location: Cuernavaca 1 hr S Mexico City | | | The fingering that I would use would depend on what OTHER notes are involved, both before this passage AND after it . . .
But, in general, when playing a root to lower 5th and back, I'll find myself using the middle finger for the root and the index finger for the lower 5th . . . OR . . . the ring finger for the root and the middle finger for the lower 5th . . . OR . . . the little finger ("pinky") for the root and the ring finger for the lower 5th.
That last option gets a lot of use, especially when the line involves walk-ups from the 5th to the 6th and/or the flat 7th . . . | 
06-18-2008, 11:00 PM
| | Registered User | | Join Date: Dec 2006 Location: Brooklyn, NY | | Quote:
Originally Posted by nysbob You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth. | I get all the muting I want my way - it's not like I completely lift as I go to the next one.
This way works too, but when I do it your way it sounds off to me - like I'm choking the note before it should stop. It's a weird/subtle difference, but it's there.
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Originally Posted by CatfishStudios But vintage cases have better tone. | | 
06-18-2008, 11:07 PM
| | Registered User | | Join Date: Feb 2006 Location: Moscow, Russia | | | I almost always use two fingers for this because I find it gives the me ability to sound the notes distinctly (if I want), but I would usually use my ring finger on the root and the second finger on the fifth (depending on which other notes will be involved). | 
06-18-2008, 11:08 PM
| | Registered User | | Join Date: Dec 2006 Location: Brooklyn, NY | | http://www.youtube.com/watch?v=5ze5Br6vOhg
This girl definitely plays it with two separate fingers. She also plays thumb style and gets a killer tone out of that J. Rock on Girl bass player.
And who am I to argue with Bob Babbit's protege? http://www.youtube.com/watch?v=_lCme7K6gpY
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Originally Posted by CatfishStudios But vintage cases have better tone. | | 
06-18-2008, 11:15 PM
| | Registered User | | Join Date: Mar 2000 Location: Montreal, Quebec, Canada. | | | Either
1- use the same finger for both
2- Pinky on root, ring on 5th (more likely at the 6th fret)
3- Middle on root, index on 5th (more likely at the 1st fret) | 
06-18-2008, 11:19 PM
| | Registered User | | Join Date: Jun 2003 Location: Nova Scotia, Canada | | Quote:
Originally Posted by nysbob You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth. |
You can do that with one finger with practice. One finger sounds smoother.
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06-18-2008, 11:27 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I'll do both but I'll use two fingers for more difficult stuff.
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