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  #1  
Old 06-18-2008, 10:07 PM
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Root Fifth (Jamerson Style)

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I've been plaing through my ...Shadows of Motown book and I noticed that I have trouble with the faster 16th sounding root (LOW) fifth parts (R-5-R-5). They just don't sound as clean as I'd like them to.

Any tips on finger position or ways practice that might help me become more efficient ? I usually fret the Root with my index and the 5th with my middle finger should I reverse it ?

G---------
D---------
A-----Eb(R)
E-----Bb(5)

Thanks,
Rich

Last edited by havik180 : 06-18-2008 at 10:29 PM. Reason: claification
  #2  
Old 06-18-2008, 10:11 PM
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Quote:
Originally Posted by havik180 View Post
I usually fret the Root with my index and the 5th with my middle finger should I reverse it ?


Thanks,
Rich
How would you reverse that? Try fretting the fifth with your ring finger, not your middle. Hope this helps.
  #3  
Old 06-18-2008, 10:12 PM
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See, this question is why I'm so much in favor of strict alternation rather than raking. Jamerson used one finger, but we're not Jamerson. At one point, I completely dropped raking and went to strict alternation, and just did everything I did with SA. Within a month I did a lot better with parts I used to stutter on when I raked.

Also, you should be using index and ring finger on the left hand. The index and middle finger are too close to each other for a two-fret R-5 stretch.
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  #4  
Old 06-18-2008, 10:15 PM
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Ok maybe I should clear this up . I'm talking about Root LOW 5th , like Eb on the A string and Bb on the E
  #5  
Old 06-18-2008, 10:23 PM
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Originally Posted by havik180 View Post
Ok maybe I should clear this up . I'm talking about Root LOW 5th , like Eb on the A string and Bb on the E
Ahhh, barre it.
  #6  
Old 06-18-2008, 10:27 PM
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Just use the same finger (bar if need be) it's the most efficient.
  #7  
Old 06-18-2008, 10:30 PM
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Quote:
Originally Posted by JimmyM View Post

Also, you should be using index and ring finger on the left hand. The index and middle finger are too close to each other for a two-fret R-5 stretch.
Only for those with baby hands

I'm fairly blessed with decently large hands and fingers, and can do the R-5 stretch easily, as well as OFPF, even at the top of the neck. The rest of my bass playing skills are depressingly average, unfortunately
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  #8  
Old 06-18-2008, 10:32 PM
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This root inverted fifth you're talking about - it's like the beginning of Reflections, isn't it?

I would barre both with my pinky + ring finger and shift pressure from the joint to the tip, just sort of rolling my finger between the two strings... but I don't know if my technique is "correct" or not.
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  #9  
Old 06-18-2008, 10:32 PM
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I recall reading (several sources) that barring is not a proper technique for bass guitar. But who cares, if it works for you, that's important.
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Old 06-18-2008, 10:32 PM
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Depending on the line, you might just use your pinky (R) and ring (5) finger.
  #11  
Old 06-18-2008, 10:35 PM
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Originally Posted by kebbs View Post
I recall reading (several sources) that barring is not a proper technique for bass guitar. But who cares, if it works for you, that's important.
Wha?
  #12  
Old 06-18-2008, 10:42 PM
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I would use separate fingers... try just tapping the line with your left hand. this will give you a little better practice on what your left hand should be doing here... then you just have to keep up with your right hand
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Old 06-18-2008, 10:49 PM
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You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth.
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  #14  
Old 06-18-2008, 10:58 PM
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The fingering that I would use would depend on what OTHER notes are involved, both before this passage AND after it . . .

But, in general, when playing a root to lower 5th and back, I'll find myself using the middle finger for the root and the index finger for the lower 5th . . . OR . . . the ring finger for the root and the middle finger for the lower 5th . . . OR . . . the little finger ("pinky") for the root and the ring finger for the lower 5th.

That last option gets a lot of use, especially when the line involves walk-ups from the 5th to the 6th and/or the flat 7th . . .
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  #15  
Old 06-18-2008, 11:00 PM
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Originally Posted by nysbob View Post
You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth.
I get all the muting I want my way - it's not like I completely lift as I go to the next one.

This way works too, but when I do it your way it sounds off to me - like I'm choking the note before it should stop. It's a weird/subtle difference, but it's there.
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  #16  
Old 06-18-2008, 11:07 PM
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I almost always use two fingers for this because I find it gives the me ability to sound the notes distinctly (if I want), but I would usually use my ring finger on the root and the second finger on the fifth (depending on which other notes will be involved).
  #17  
Old 06-18-2008, 11:08 PM
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http://www.youtube.com/watch?v=5ze5Br6vOhg

This girl definitely plays it with two separate fingers. She also plays thumb style and gets a killer tone out of that J. Rock on Girl bass player.

And who am I to argue with Bob Babbit's protege?

http://www.youtube.com/watch?v=_lCme7K6gpY
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  #18  
Old 06-18-2008, 11:15 PM
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Either
1- use the same finger for both
2- Pinky on root, ring on 5th (more likely at the 6th fret)
3- Middle on root, index on 5th (more likely at the 1st fret)
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  #19  
Old 06-18-2008, 11:19 PM
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Quote:
Originally Posted by nysbob View Post
You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth.


You can do that with one finger with practice. One finger sounds smoother.
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  #20  
Old 06-18-2008, 11:27 PM
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I'll do both but I'll use two fingers for more difficult stuff.
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