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Slap Bass - Low Action? Hi- I've been struggling with the slap bass technique. I can't say I've spent a lot of time on it, but it's not coming to me as easily as other techniques. I recently got a chance to play a different bass and while I was noodling, I tried to slap the E string. To my surprise, I was getting a decent tone out of it. The main difference between my bass and the one I was test driving was that the action was set much lower on the new bass, leading me to believe I have the action up too high on mine. Is it easier to slap if the action is set lower? Thanks, -Tom |
Yes. |
ofcourse. set it low and as you progress,adjust your action. |
Eventually you will be able to get a "slap tone" from nearly any bass, but you have to build your strength and coordination up to get there. In the meantime, you should definitely lower your action on your bass :bassist: |
Thanks. I'll give it a shot on my current bass. |
Well it depend what kind of slap grooves your are going to play, simple grooves doesn't require a particular low action. It's a different story if you wanna get more speed and easy feel when you're going to play more complex stuff. But your thought about the E string sound is right, indeed the low action has an unavailable influence on the tone of the bass when you're going to slap (in my opinion also on the other techniques) because the tension and the distance, especially for the big strings is much less and let you having a nice tone. Cheers. |
man, just set it low. I cant imagine anyone slapping decently with very high action. |
Tried lowering the action and got fret buzz :mad: |
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It's pretty normal, if the rest of the action is well set you have to get used to play with different dynamic! |
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That is, of course, not accounting for any idiosyncrasies your bass might have (improperly installed or poorly made frets, a worn/improperly filed nut). |
low action and fret buzz are my friends. buzz adds some grit to my tone. Different strokes fo differnt folks obviously. |
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I'll never forget having the opportunity to listen to a raw bass track of one of Chris Squire's early 70's (or possibly even late 60's) bass tracks from a Yes cut. I'd heard all about the effects he used and the dual output Ric being fed to different amps, etc. Turns out that at least 80% of that grindy Ric tone that was instrumental in persuading me at a young age that I wanted to play bass was in fact... fret buzz. |
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