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04-14-2010, 12:31 AM
| | | | Slapping is in the past
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For what I can see new generations of bassist are forgetting about slap, what do think about it.  | 
04-14-2010, 12:33 AM
|  | Looking for Opportunities to Create Harmony | | Join Date: Sep 2004 Location: Vancouver, BC Canada | | | I approve.
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04-14-2010, 12:33 AM
|  | Registered User | | Join Date: Mar 2006 Location: New York | | | Pretty much the opposite of a lot of my observations of young players. Kids are more apt to know about Flea than Jaco, IME.
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04-14-2010, 12:34 AM
| | | | i think that slap players now are forgetting the roots of the slap style. too many people are running off trying to do metal slapping and stuff like that without studying the guys like Larry Graham and Louis Johnson who invented it and used it for its original purpose: making funky grooves.
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04-14-2010, 12:53 AM
|  | THIS HAND OF MINE GLOWS WITH AN AWESOME POWER! | | Join Date: Sep 2007 Location: USA; Mitchellville, Maryland | | Quote:
Originally Posted by gkbass13 Pretty much the opposite of a lot of my observations of young players. Kids are more apt to know about Flea than Jaco, IME. | Yep. Slap is here to stay and I don't think it's a bad thing. My issue is with the fact that so many people see simply slapping, particularly slapping at speeds that would make professional dominatrices envious, as a substitute for playing with any real taste. Not that slapping can't be tasteful but some can't recognize the difference and that bugs me. Slap has it's place and it's place isn't with everyone who has a bass in their hands. I do hate throwing names out but Bill Dickens is the perfect example of what I'm trying to describe.
On a somewhat different note, why is it that throughout all of the most recent NAMM vids everyone that had a jazz bass in their hands was slapping?! It drove me absolutely insane that I couldn't find a good fingerstyle vid among dozens!! Don't get me wrong but geez... variety much?
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04-14-2010, 12:59 AM
| | Registered User | | Join Date: Jan 2006 Location: Brookfield, CT | | Quote:
Originally Posted by Kwesi On a somewhat different note, why is it that throughout all of the most recent NAMM vids everyone that had a jazz bass in their hands was slapping?! It drove me absolutely insane that I couldn't find a good fingerstyle vid among dozens!! Don't get me wrong but geez... variety much? | Simple. You usually can't hear the bass at NAMM unless you slap it. It's that loud. | 
04-14-2010, 01:05 AM
| | Registered User | | Join Date: Nov 2009 Location: San Diego | | Slap isn't going anywhere. just look at all the young bass players on youtube  | 
04-14-2010, 01:11 AM
|  | THIS HAND OF MINE GLOWS WITH AN AWESOME POWER! | | Join Date: Sep 2007 Location: USA; Mitchellville, Maryland | | Quote:
Originally Posted by dmusic148 Simple. You usually can't hear the bass at NAMM unless you slap it. It's that loud. | Hmmm, really? I've heard plenty of guys playing fingerstyle (without really digging in) in vids that weren't super high quality and I could hear the actual tone of the bass just fine, except none of those vids featured anyone on a jazz bass.
__________________ Source Audio Sourcerer #22 Club Clement #73 Markbass Club #231 Quote:
Originally Posted by geeza I thought your name was one of those "it's spelled 'Kwesi', but it's pronounced 'Craig'." kind of names. | Me: Youtube, Flickr | 
04-14-2010, 01:26 AM
| | | | Seems to me that slapping is now a way to draw attention from people who don't play bass and are easily impressed, usually by doing it unaccompanied (in GC) or in a song where it doesn't fit. But yeah, it's been hijacked by suburban metal kids who don't know any better, just one more reason American metal sucks now (with exception). | 
04-15-2010, 02:23 PM
| | Registered User | | Join Date: Jan 2005 Location: Racine,Wi | | Here we go again  ...let the "more than accepted bass playing style for over 35 years" hate begin.
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04-15-2010, 02:38 PM
| | | | I grew up on Flea and Les Claypool, but as I matured, my tastes went to Jaco, and more recently I have been appreciating those not so famous bassist like DeLa and Pino. Slapping kept me interested in the instrument until I matured. So its definetly going to be sticking around because I do think this is consistent with young kids...my argument for slapping versus fingerstyle is this...
money made slapping in my bedroom...(insert joke whenever applicable) $0.00
Money playing fingerstyle with the 4 bands that hire me to be as solid as possible...$Priceless...
Its a nice tool to have in your back pocket, just like double thumbing...but honestly in most groups (excluding the virtuoso groups) its not tasteful.
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04-15-2010, 02:48 PM
|  | Registered User | | Join Date: Feb 2009 Location: Jamestown, NY | | Quote:
Originally Posted by Daveomd Seems to me that slapping is now a way to draw attention from people who don't play bass and are easily impressed, usually by doing it unaccompanied (in GC) or in a song where it doesn't fit. But yeah, it's been hijacked by suburban metal kids who don't know any better, just one more reason American metal sucks now (with exception). | This can be very true. It seems like often the first thing I hear when I tell someone I play bass is, "Can you slap?" (of which I cannot...haha)
Slightly off-topic - but is anyone in here a lefty and play righty? I feel like I have trouble slapping on account of my dominant hand is my fret-hand... | 
04-15-2010, 03:08 PM
| | Registered User | | Join Date: Oct 2005 Location: Calgary, AB | | | My personal perceptions differ with the OP as well.
Yesterday, there was a 'mini-summit' (purely coincidental) of top local bassists in a downtown music store, and over the usual shop talk the topic of young players who appear to want to do nothing but slap (or tap) no matter what the circumstance arose - no fingerstyle, no walking over changes, no single note groove, none of what more experienced players regard as the essential tools in the kit.
While all present could certainly squeeze out a flash 'slap cadenza' or two to wow the straphangers, the shared notion was that such activities are not what gets and keeps the gigs. YMMV.
That said, it's easy to sound like you're 'doing something' (regardless of the subjective skill level) which may explain the universal attraction to the style. If it acts as a bridge to further study and appreciation, then it serves a purpose.
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04-15-2010, 03:19 PM
| | Registered User | | Join Date: Dec 2008 Location: St. Paul, MN | | Quote:
Originally Posted by michael_atw Slightly off-topic - but is anyone in here a lefty and play righty? I feel like I have trouble slapping on account of my dominant hand is my fret-hand... | Me. What helped me the most: Find a drumstick. Hold it halfway up so that it passes between your thumb and index, crosses your palm, and then passes through your ring and pinky. Now move the drumstick radially in the same motion you would use to turn a doorknob, were your hands in such a position. Do this for a few minutes daily, it will strengthen the relevant muscles and make you more accustomed to the necessary hand motions.
You will stop getting benefit from this pretty quickly (~2 weeks) but it was very helpful for me to get a healthy thump.
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Originally Posted by Tommygunn Eh... I don't know much bout him anyways. I'd think the flecktones mainstream.... | | 
04-15-2010, 03:23 PM
| | | | I don't really get this thread - to me slapping is just one of the techniques available to the bass player. If appropriate and done well it's effective, if out of place and/or poorly executed it's just bad. Saying slapping is passe or just for kids is like a tennis player saying "I don't hit backhands" - you can win a lot of points with the forehand but you're missing an important part of the skill set for the game (and probably losing a lot of points) without a backhand.
Having said that a lot of great players never slap - you don't have to do it, but if it's the right thing for the tune (or a part of a tune) then it's better to know how to do it. You can certainly play way funky without it, but it's another technique to have in the bag. | 
04-15-2010, 03:26 PM
|  | that video LIES | | Join Date: Aug 2004 Location: Northern California | | | Death, taxes, slap bass & threads about it- all inevitable...
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04-15-2010, 05:11 PM
|  | Spiritual Advisor to Muppets Everywhere | | Join Date: Mar 2006 Location: Indianapolis | | | tasty slap such as alain caron can stay.
stupid grooveless slap such as i dunno maybe bill dickens
can go far far away.
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04-15-2010, 06:36 PM
| | Registered User | | Join Date: Oct 2006 Location: Massachusetts | | | I absolutely refuse to slap. I used argue with this drummer (a dear friend actually) because he wanted me to do it and I would not.
I don't ever recall being asked to do a slap line in the studio...not once ever. Personally, I feel it's just not necessary. Bass players seem to do it with the sole intention of impressing each other/showing off.
Exceptions: chorus of "Peg" (Chuck Rainey), most of what's on MJ's Off The Wall (Louis Johnson), and a handfull of Larry Graham lines.
just my opinion!! | 
04-15-2010, 06:44 PM
|  | Registered User Alloy Musical Products | | Join Date: Mar 2010 Location: Northern NJ | | | Slap is fun. Having said that, I mostly pluck (with fingers). | 
04-15-2010, 06:52 PM
|  | poppin in the corn belt | | Join Date: Dec 2007 Location: A tank of gas from Chicago | | | There are no substitutes for taste and making the groove work. Put groove and taste first and you can play any technique you want. Any style can become dreadful if poorly executed or poorly placed. | | Thread Tools | Search this Thread | | | |
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