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06-05-2007, 08:36 AM
| | Registered User | | Join Date: Sep 2006 Location: Perth, Western Australia | | | Specific pick exercises
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I am usually a 100% fingerstyle player.
Recently, I started learning Bring Me To Life by Evanescence for our band. Good song.
With no clue, I decided the bass player uses a pick and decided I would try it and I think the song sounds and feels better when played with a pick. And I can throw it to the crowd afterwards
Should I have a stiff wrist and move the whole hand up/down in a "rigid" fashion? I seem to be naturally leaning towards rolling my wrist back/forth instead.
I have started practicing alternate up and down strokes with and without palm muting.
If anyone can suggest some more pick exercises, specifically in relation to this song preferred, I would appreciate the advice.
Thanks TB!
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Last edited by Depth_Charge : 06-05-2007 at 08:38 AM.
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06-05-2007, 10:24 AM
| | | | here are the excersises i have been using recently. These are great for developing pickstyle, but I use them for fingerstyle practice as well
John Pattatucci's Spider
------------------------------
------------------------------
------7------8------5------6--
--5------6------7------8------
run through that pattern with each string combination
E+A, A+D, D+G, E+D, A+G, and (take it slow and don't hurt your wrist) E+G
The chromatic excersises I practice
----------------------------7-8-9-10-
-------------------7-8-9-10----------
----------7-8-9-10-------------------
-7-8-9-10----------------------------
I play that one in several different positions, and ascending and descending
This is the hardest one for me, I am playing as triplets at 130 Bpm. Basically, this is a 1-3-5 starting in C, playing the 1-3-5 of each mode in C(or any key), so in effect what i am diong is playing a 1-3-5 of Cmaj, Dmin,Emin Fmaj, Gmaj, Amin, Bflat5, and Cmaj again
so it looks like this
----------------------------------------------------------------------------------
---2-5-------7---------9----7--10-----9--12-----15--14-----------15-----14---17-
-3------5--8----7--10----8---------10-------12----------14--17------15---------
-----------------------------------------------------------------------------------
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06-05-2007, 06:51 PM
|  | Registered User | | | | Hears one i like
Step one: Open Garbage can
Step Two: Drop Pick  | 
06-06-2007, 02:08 AM
| | Registered User | | Join Date: Sep 2006 Location: Perth, Western Australia | | | Thanks Sarbecue, I will run through those exercises.
Dynamo, thanks!
That was my opinion for the past 10 years up until 2 nights ago when I felt the desire to use one for this song, and perhaps grow as a bass player.
__________________
The best place to feel the bass is down under baby!
Hear me on Myspace @ myspace.com/bassistizzy
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06-06-2007, 02:26 AM
| | Registered User | | Join Date: Apr 2007 Location: Cahir, Tipperary,Ireland | | | The main difference I've found between fingerstyle and the pick is string skipping - more difficult with pick.
An excersise I've used is to play Stevie wonders "superstition" at 180bpm - start slower and work up to it.
in Am it goes
---------------------5-----------------------5---------
-----------7--5--7------7--5-7---------5-7-----7-5-7--
---------------------------------5--7-------------------
------5-----------------------------------------------
Then play it doubling each note. | 
06-06-2007, 10:26 AM
| | | | I fergot to mention that when playing with a pick, always maintain an upstroke downstroke pattern, never two ups or 2 down in a row
__________________
I play in Ritual Bludgeoning, Vangough, and Justin Lawrence Band. Follow me on twitter @jerenmartin, and I will follow you.
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06-06-2007, 06:47 PM
| | | Quote:
Originally Posted by Sarbecue Boss I fergot to mention that when playing with a pick, always maintain an upstroke downstroke pattern, never two ups or 2 down in a row | not true. when you start playing real fast anything that works is alright. plus downpicking everything will give you a more consistant tone if you can manage it. | 
06-06-2007, 08:00 PM
| | | Quote:
Originally Posted by pom134 not true. when you start playing real fast anything that works is alright. plus downpicking everything will give you a more consistant tone if you can manage it. | Let me put this differently- If you want to develop good picking technique, and be a reliable pick player, always maintain a upstroke downstroke pattern
__________________
I play in Ritual Bludgeoning, Vangough, and Justin Lawrence Band. Follow me on twitter @jerenmartin, and I will follow you.
Last edited by Sarbecue Boss : 06-06-2007 at 08:06 PM.
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06-06-2007, 08:00 PM
|  | Registered User | | | | Quote:
Originally Posted by Sarbecue Boss I fergot to mention that when playing with a pick, always maintain an upstroke downstroke pattern, never two ups or 2 down in a row | When learning to pick its good to keep that in your head, but afterwards using just ups or downs gives a different feel to it so you can incorperate that into your playing. Quote:
Originally Posted by Depth_Charge Thanks Sarbecue, I will run through those exercises.
Dynamo, thanks!
That was my opinion for the past 10 years up until 2 nights ago when I felt the desire to use one for this song, and perhaps grow as a bass player. | Yah i know i'm just joshin yah, I play with a pick to sometimes just when a song calls for that tone you get with a pick. | | Thread Tools | Search this Thread | | | |
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