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  #81  
Old 10-04-2009, 12:37 PM
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What a difference a little difference will make
 
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Its all been covered, everything I look for or dislike has been discussed.

Though I can say,a drummer that knows how to count measures and doesnt rush the tempo is good enough for me.

Oh and +1 about drummers learning to tune thier drumset. Why most drummers dont see that valuable is beyond me.
  #82  
Old 10-04-2009, 01:10 PM
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I agree with everything that's been said. The main thing I look for is a drummer that is responsive. Someone that reacts, not only to the bass player, but to everyone in the band.

I think the most important thing for me is a drummer that listens to everyone, not just himself (or the bassist if you're lucky ).
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  #83  
Old 10-04-2009, 02:52 PM
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Neil Peart
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  #84  
Old 10-04-2009, 03:08 PM
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Neil Peart
I actually just laughed out loud at that!
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  #85  
Old 10-04-2009, 03:10 PM
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I want him to play like Neal Peart , maybe thats why I can't find a drummer
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  #86  
Old 10-04-2009, 11:31 PM
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Hi all,
Don't really know what forum to put this in. I'm a drummer just learning the bass. I'm learning primarily to be a better drummer. I'm tired of being on the outside looking in so to speak. I want to communicate with the rest of the band in their language. I also think knowing what it's like playing and hearing music from a bass player's point of view will help me play things that help the bass player and not to play things that won't.

What do people like and dislike in drummers?
Great question, as I've played with drummers of all sorts of styles and try to find something good in all (okay...most) of them.

The single biggest thing is sense-of-time! If you can't play in time, I don't care what licks you can pull out of a hat! If you can't play in time, I'll never be able to lock with you!

Next is more subjective and takes time building that musical relationship - predictability! It's fun to jam, but it's amazing if we both improvise a fill and it fits like a glove! Sometimes they're rehearsed, sometimes it just comes from playing with the same drummer for a long time. That's a chemistry that develops over time (hopefully).

On the flip-side of predictability, though, is unpredictability! If the drummer doesn't play the same riffs in the same places and tries to get technical on me when we're in front of an audience, I don't care how good his timing is, because it's going to throw me off. I do my best to keep time from wavering, but if the drummer throws in a syncopated fill I wasn't expecting, it forces me to go back to basics in time and not fill with him (or her, I suppose). IMO that can make the song less tight, more disorganized, and flat-out confusing.

In practice settings, I don't mind unpredictability as much, because that's how I've gotten to know where drummers like to go. It forces me to stay on my toes. It keeps things interesting. But again, you still have to practice as you're going to play live. If you practice loose jams and improv, at least you'll get a feel of where the drummer is going to go so you can join him.

Also, I prefer a drummer who's got good equipment and a good tone! Believe it or not, I've actually experienced this not always being the case!

I don't know...I guess there are a lot more things I look for, but this is a start...

PS: I was just about to hit "post" when I recalled a bad experience I had once. I was in a band with a drummer who was incredible! He had great chops, great equipment, and great timing. But, he was "too solid" if that makes any sense. I play simple and solid a lot, but I also like to jam a little. If the drummer can't loosen up just a touch, I feel it becomes *too* regimented.
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  #87  
Old 10-05-2009, 11:55 AM
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I'm very happy to see people pay attention to drum tuning! I was beginning to think the people who really cared were other drummers. I really try to stay on top of keeping my drums in tune.
  #88  
Old 10-05-2009, 12:02 PM
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Built in volume controll. In other words, know when to not play so hard.
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  #89  
Old 10-05-2009, 12:21 PM
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Another thing I look for is someone who isn't going to do constant annoying cymbal work. It's so obnoxious.
No kidding.

We took our drummer's china boy and hid it once. We wouldn't tell him where it was, and we warned that if he bought another one he was out.
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  #90  
Old 10-05-2009, 12:28 PM
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No kidding.

We took our drummer's china boy and hid it once. We wouldn't tell him where it was, and we warned that if he bought another one he was out.
lol Reminds me of a scene from the early 80's.......

Drummer: Man,where are my Roto-toms?
Us: No idea.I guess someone broke in and stole them.
Drummer:But why would they just take the Rotos and leave all the other drums?
Us:No idea dude.
Drummer:But they left your guitar and Larry's amp.
Us:I guess they just wanted some Roto-toms man...................
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  #91  
Old 10-05-2009, 01:55 PM
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http://www.youtube.com/watch?v=MwFdExvCxM4

http://www.youtube.com/watch?v=RM0SACZBBz4

2 all time favorite drummers doing their musical magic.
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  #92  
Old 10-07-2009, 10:19 AM
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Listen to the vast majority of mainstream music (all genres), notice how the drummer almost never overplays?
And here I though that was all sequenced these days.


Seriously, steady tempo, control the dynamics and don't over play.

And remember, it's call a band for a reason, work with the other members.
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  #93  
Old 10-07-2009, 11:03 AM
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Can get into the pocket,
doesn't change beat too often,
can tune the damn drums,
cleans up half drunken beer cans a cig butts from behind the set,
brings own towel and rug
Hates rythm guitarists.
good time
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  #94  
Old 10-07-2009, 11:11 AM
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Well sobriety has already been mentioned. I'm ok with a couple beers in him but the pot and coke have to stay at home. Doesn't fight with and beat up his GF, especially at rehearsal. If they don't play when the band is discussing something is also always pretty impressive to me.

Apart from that, if they can play I think I'm ok....

LS
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