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10-05-2010, 12:38 PM
| | Registered User | | Join Date: Aug 2010 Location: Denmark | | | What scale am i using?
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Hey guys, i have gotten this really cool groove which uses these tones:
E, F#, G#, A, Bb, C# D
The tone im alittle bit insecure about is the D, because when i play it in a pattern on the E string, it sounds "misplaced", but when i use that note in a compination of ONLY those i mentioned above, it fits.
Could anybody tell me what scale this actually is?
Regards
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10-05-2010, 12:52 PM
|  | Registered User | | Join Date: Jul 2009 Location: Deep East Texas Piney Woods | | Quote:
Originally Posted by Manatopain Hey guys, i have gotten this really cool groove which uses these tones:
E, F#, G#, A, Bb, C# D | E Dominant 7th is as close as I can get
intervals: 1,2,3,4,5,6,b7
half-steps: 2-2-1-2-2-1-2
notes: E,F#,G#,A, B,C#,D | 
10-05-2010, 12:55 PM
|  | Registered User | | Join Date: Jul 2009 Location: Deep East Texas Piney Woods | | Quote:
Originally Posted by Manatopain Hey guys, i have gotten this really cool groove which uses these tones:
E, F#, G#, A, Bb, C# D | Most of the time when you see sharps and flats in the same scale - with the phrase; "...this really cool groove" it's not going to fit into a specific scale.
E Dominant 7th is as close as I can get
intervals: 1,2,3,4,5,6,b7
half-steps: 2-2-1-2-2-1-2
notes: E,F#,G#,A, B,C#,D
Try here http://www.looknohands.com/chordhous.../index_rb.html or perhaps some one else can nail it for you. | 
10-05-2010, 12:56 PM
| | Registered User | | Join Date: Aug 2010 Location: Denmark | | | thanks man, right on the spot, actually the Bb was miswritten, it should have been a B.
But thank you very much!
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10-05-2010, 01:04 PM
| | Registered User | | Join Date: Aug 2008 Location: Hamburg, Germany | | | Would also be interesting to know which note is the root. Is it really E?
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10-05-2010, 01:07 PM
| | Registered User | | Join Date: Aug 2010 Location: Denmark | | | im thinking too. Cause E is used in the pattern, but F# feels like the root, and that note is the one that everything kind of leads back too
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10-05-2010, 01:09 PM
| | Registered User | | Join Date: Jan 2010 Location: Saskatchewan, Canada | | | A Major with a flat 2, or E Mixolydian with a flat 5.
Or to explain it another way.....
If you play a B natural instead of B flat, it will be A Major (E Mixolydian)
That's about the easiest way to think of it.
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10-05-2010, 01:16 PM
| | Registered User | | Join Date: Aug 2010 Location: Denmark | | |
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10-05-2010, 01:21 PM
| | Registered User | | Join Date: Aug 2008 Location: Hamburg, Germany | | | If F# is the root, it's F# minor (aeolian mode).
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10-05-2010, 02:01 PM
| | Registered User | | Join Date: Nov 2009 Location: The Netherlands | | | I can't remember the name of the scale, but I do know it has been banned in most countries for it's sheer awesomeness. True story.
__________________ Quote:
Originally Posted by gkbass13 I'm going to go ahead and preemptively +1 my own post. | | 
10-05-2010, 02:06 PM
| | | | Since your Bb is really a B, it is A Major. | 
10-05-2010, 03:25 PM
| | Registered User | | Join Date: Feb 2006 Location: Moscow, Russia | | I was disappointed to see the Bb turn to a B - Bb would be much more fun as a minor 2nd in A or a diminshed 5th in E (with a dominant 7). Can we bring back the Bb?  | 
10-05-2010, 03:27 PM
| | Registered User | | Join Date: May 2010 Location: Traverse City, MI | | | is it not the second mode of melodic major? | 
10-05-2010, 03:35 PM
| | Registered User | | Join Date: Aug 2008 Location: Hamburg, Germany | | Quote:
Originally Posted by SnakeKappele Since your Bb is really a B, it is A Major. | If A is the root, maybe.
Hard to tell without knowing, just listing all possible scales won't really help, I'm afraid. Or at least not be as helpful.
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10-05-2010, 03:40 PM
| | Registered User | | Join Date: Feb 2006 Location: Moscow, Russia | | | True, but I still want the Bb back... | 
10-05-2010, 04:02 PM
| | Registered User | | Join Date: May 2010 Location: Traverse City, MI | | | if the Bb is a B, and the root is actually F# nashrakh is right its F# natural minor (or aeolian) | 
10-05-2010, 04:12 PM
|  | Esteemed Nitpicker | | Join Date: Feb 2010 Location: A Galaxy Far, Far Away | | | Altered. Also known as the diminished whole tone scale. The reason you guys where having trouble is that this isn't major scale harmony but rather melodic minor. | 
10-05-2010, 04:16 PM
| | Registered User | | Join Date: Aug 2008 Location: Hamburg, Germany | | Quote:
Originally Posted by colcifer The reason you guys where having trouble is that this isn't major scale harmony but rather melodic minor. | Wait, what. I don't see any trouble here, just sparse information leading to various stabs in the dark that could or could not be what he is looking for. Same goes for you.
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10-05-2010, 06:41 PM
| | | | With the Bb could be called the Lynch Mode.
He's a huge fan of mixolydian with some flat fifths thrown in for good measure.
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10-05-2010, 08:03 PM
| | Registered User | | Join Date: Nov 2004 Location: Montréal,Qc,Canada | | | At first i thought it was a E Lydian Mixolydian but the A doesn't work. It is kind of weird like it is because of the 3 chromatic notes in a row. I don't know beside the Dominant Lydian. | | Thread Tools | Search this Thread | | | |
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