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  #1  
Old 03-20-2010, 03:15 PM
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Join Date: Nov 2003
Location: Reading, U.K.
Making Patterns Musical Query

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Hi Adam,
Am a big fan of your playing & the way you teach, even though I'm on "the other side of the pond" (so to speak).

I'm hoping you can answer a question I have about a section of your lesson pages called Making Patters Musical. There's a fretboard diagram where you show a 1-2-4 fingering over 5 frets on a major scale - I've always played it over a four fret span, & I was wondering if you could explain how your method works.

Sorry if this a dumb question, but I'm really interested to learn more about this?

Many thanks
Essexbass
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Louis Lefrancois. 5 String Bass Club Member #28, British Bassist Club # 19
  #2  
Old 03-31-2010, 07:49 AM
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Join Date: Nov 2001
greetings, essexbass!

great to have you here from 'across the pond!'

not a dumb question at all, btw... you will see that in that lesson i am using a series of 3 note per string patterns to play through the shapes. these are merely reference patterns that i like for students to learn in order to reinforce economy of motion, symmetric visualization of the fingerboard, and improved hand technique. as with any pattern, i never recommend that a player become solely dependent on them. i always emphasize that in a performance situation or in a situation in which you are practicing performing, you never want to be thinking about patterns, anyways... these reference shapes are great for practicing in the shed, though. ultimately, what you practice diligently will work its way into your playing on its own in the way that is most spontaneous, efficient and expressive. but you have to have the technical mastery down first in the shed if these elements are going to appear in your playing automatically on the gig.

hope that helps!!!
  #3  
Old 03-31-2010, 09:43 AM
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Join Date: Nov 2003
Location: Reading, U.K.
Quote:
Originally Posted by adamnitti View Post
greetings, essexbass!

great to have you here from 'across the pond!'

not a dumb question at all, btw... you will see that in that lesson i am using a series of 3 note per string patterns to play through the shapes. these are merely reference patterns that i like for students to learn in order to reinforce economy of motion, symmetric visualization of the fingerboard, and improved hand technique. as with any pattern, i never recommend that a player become solely dependent on them. i always emphasize that in a performance situation or in a situation in which you are practicing performing, you never want to be thinking about patterns, anyways... these reference shapes are great for practicing in the shed, though. ultimately, what you practice diligently will work its way into your playing on its own in the way that is most spontaneous, efficient and expressive. but you have to have the technical mastery down first in the shed if these elements are going to appear in your playing automatically on the gig.

hope that helps!!!
Hi Adam,
Many thanks for that, your advice is very much appreciated. I've seen your D'Addario video in respect of playing sequenced twos through seven & spent a lot of time watching your fretting hand (that is a great exercise - am still working on it at the moment).

Cheers,
Essexbass
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Louis Lefrancois. 5 String Bass Club Member #28, British Bassist Club # 19
  #4  
Old 03-31-2010, 11:04 AM
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Join Date: Nov 2001
you are quite welcome!
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