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09-26-2007, 04:04 PM
| | Registered User | | Join Date: Jul 2007 Location: Oceanside, CA | | | Anybody have any great ear training methods?
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I need to start working on my ear, hearing basslines and chords. Doe any of you fellow bassist's have any recomend methods,books, or websites. Also how are those ear training cd's that have been in various magaizines over the years (the real happy dude, you know the ones) ? Thanks and peace to the bottom line. | 
09-26-2007, 04:17 PM
| | Registered User President, HittStreet.com; Endorsing Artist, Schroeder Cabinets | | Join Date: Jun 2004 Location: Missouri, USA | | | The Perfect Pitch ear-training method (David Lucas Burge, right?) does work, but not nearly as well as he says it does. Mostly what it did for me was force me to spend a lot of time really closely listening to my instrument and to music, which of course will improve your ear, with or without the course. I'm not saying I didn't get anything out of it, but I don't think it was worth it.
The best thing you can do for your ear is to transcribe parts. Figure stuff out on your bass, and not just basslines - horn parts, guitar parts, vocal parts, etc. The more you transcribe, the easier it will get.
A great website for ear-training is teoria.com. It's in Castellano, but there is an English version, too. I highly recommend the interval, etc training Flash programs he has on there. Great stuff.
Good luck,
Dave
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09-26-2007, 04:34 PM
|  | Registered User Endorsing Artist: Pedulla Basses | | Join Date: Jul 2000 Location: Minneapolis by way of Chicago | | | Learning to CDs and the radio is a quick and cheap way to get your ear in shape quick! Put on your favorite station and try to play along with as few flubs as possible - it will force you to "hear" changes and how they translate into notes on the fingerboard. Over time you'll start to recognize common note combination patterns and what they sound like together. Given enough time, this will start to become second-nature for you.
Lonnybass
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09-26-2007, 08:13 PM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | | Learn and understand dissonant and conssonant tones. In other words, tones that sound good together (I-V), and tones that clash or sound unresolved (I-bV). Also, for each key in music, associate that key with a song or tune that has the same key.
Last edited by Correlli : 09-27-2007 at 04:02 PM.
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09-27-2007, 04:01 PM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | | There's also Sight Singing. Used way before the Internet, CD's and other such media. | 
09-27-2007, 05:49 PM
|  | Registered User | | | | Absolute Pitch Power-IT REALLY WORKS!!!!! http://www.absolutepitchpower.com/fr...FQmIhgodUQrCJw
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09-27-2007, 08:32 PM
| | Registered User Endorsing Artist: Lakland, Genz Benz | | Join Date: Aug 2007 Location: Chicago, that toddling town | | | You don't need to buy anything if you have a keyboard.
If you can sing all 12 of your basic intervals ascending and descending, naming them (minor second, etc...) you will have ears sharper than a scalpel.
Transcribing helps too... so do lessons.
Don't buy into the hype. Jaco didn't have ear training courses... | 
09-28-2007, 06:23 PM
|  | Registered User | | Join Date: Jun 2005 Location: Fairbanks, Alaska | | | It worked for me Playing with albums is a great way to work on your ear IMO. It's already been said so not to beat a dead horse
Learn your scales. Major minor ect. and all he positions. When playing a major scale for instance play the root and whistle, hum or sing the second then play the pitch on your bass. Play the second and whistle,hum or sing the third then play the pitch. Get familiar with how the different intervals sound. After a little practice try whistling diminished or augmented chords.
I like to whistle or hum theme songs or easy diddies and try to play them on my bass. This will help you bring out that noise in your head. | 
09-30-2007, 02:50 AM
| | Registered User | | Join Date: Feb 2007 Location: Finland | | | +1 to playing along to records/radio/whatever.
+1 also to transcribing as Dave Muscato suggested.
Forget the hype about perfect pitch and start developing a good relative pitch instead. It might be that something reminding of perfect pitch can be achieved by training, but I don't think it will be like a natural perfect pitch. Most of the professional musicians I know don't have absolute pitch and they can all play almost anything by ear.
Finally a very important thing to point out: Perfect pitch alone doesn't make anyone a good musician. Practicing does.
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09-30-2007, 05:46 AM
| | Registered User | | Join Date: Jul 2007 Location: Park City, Utah | | Check out the GNU Solfege software - good stuff and free. Nice complement to the methods already suggested. http://www.solfege.org/
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