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Originally Posted by skeptikal |
Thanks but thats not really what I'm after,
What I'm after is less musical, just literally the chords playing a drone in the background so I can hear the relationship between each note in the scale and the root.
but I see what you're getting at, and I'm sure there a plenty of you who believe the best way to train the ear/learn the relationship by playing along to tracks like that.
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When you say you are playing the Cmaj scale up and down the neck...are you just moving the scale shape up and down the neck or are you playing the notes in the Cmaj scale starting from the bottom E (E-F-G-A-B-C-D-E)?
Regarding the Cmaj and Amin...they are relative to each other. Same notes...different starting position. |
I mean starting from the bottom E, and playing the notes in C major up the neck.
Sorry I haven't explained myself very well.
If I play the notes in the C major scale over an C major chord, the scale will have the major quality, if I play the notes over an A minor chord, the scale will have a minor quality.
What I'm really interested in is learning the sound of all the OTHER modes and scales, I already know my way around the major and natural minor scales to be honest.
as another example, i would look to practice the notes in C major over a G minor to learn the characteristic sound of the G mixolydian scale.
Does that make sense?