Transcribe the people
you like.
- Being able to read standard notation will always be a plus.
- If you are a beginner is transcribing where you need to be spending your time? If this is a skill you bring to the table already - sure have at it.
- Your bass is different than your 6 string and is played differently. Rhythm guitarist tend to fill their bass lines with too much "stuff". I speak from experience here.
- Accompaniment bass use chord tones. Solo bass use scales. Right at first lead breaks will not be coming so think chord tones.
Fake chord and or lead sheet, which has no bass clef will probably be where you will be gathering most of your sheet music. This means you will be composing your own bass lines. Getting some generic bass lines into muscle memory is where I'd point you right at first. Here is a great book on how to build a bass line.
Amazon.com: Building Walking Bass Lines (9780793542048): Ed Friedland: Books
Here is a cut and paste that may come in handy.
Bass Patterns based upon the Major Scale box.
Code:
Major Scale Box.
G|---2---|-------|---3---|---4---| 1st string
D|---6---|-------|---7---|---8---|
A|---3---|---4---|-------|---5---|
E|-------|---R---|-------|---2---|4th string
Place the root (R) on the C note 4th string 8th fret and the C major scale await you.
Place the root (R) on the C note and play the R-3-5 and you have just played the notes of the C major chord aka C arpeggio. Chord progression for this song is G-C-D. Place your box root on a G on the 3rd string. Where is your C? Where is the D? The next song's progression is C-F-G. Place your box root on a C on the 3rd string. Where is your F? Where is your G? Yep, piece of cake.
Placing the root on the third string so the I IV V is all on one fret was perhaps the largest WOW for me. The following chart was helpful:
Basic Chords
Major Triad = R-3-5
Minor Triad = R-b3-5
Diminished Chord = R-b3-b5
7th Chords
Maj7 = R-3-5-7
Minor 7 = R-b3-5-b7
Dominant 7 = R-3-5-b7
½ diminished = R-b3-b5-b7
Full diminished = R-b3-b5-bb7
Scales
Major Pentatonic = R-2-3-5-6
Minor Pentatonic = R-b3-4-5-b7
Blues = R-b3-4-b5-5-b7
Major Scale = R-2-3-4-5-6-7
Natural Minor Scale = R-2-b3-4-5-b6-b7
Harmonic Minor Scale = R-2-b3-4-5-b6-7
Melodic Minor Scale = R-2-b3-4-5-6-7
Major modes
Ionian same as the Major Scale.
Lydian use the major scale and sharp the 4 - yes, it’s that simple.
Mixolydian use the major scale and flat the 7.
Minor Modes
Aeolian same as the Natural Minor scale.
Dorian use the Natural Minor scale and sharp the b6 back to a natural 6.
Phrygian use the Natural Minor scale and flat the 2.
Locrian use the Natural Minor scale and flat the 2 and the 5.
Generic Notes.
The root, five and eight are generic and fit most any chord. Remember the diminished has a flatted 5.
The 3 is generic to all major chords. See a major chord R-3-5-8 is a generic bass line that will work.
The b3 is generic to all minor chords. See a minor chord R-b3-5-8 is a generic bass line that will work.
The 7 is generic to all maj7 chords. R-3-5-7.
The b7 is generic to all dominant seventh and minor seventh chords. R-3-5-b7 or R-b3-5-b7.
The 6 is neutral and adds color, help yourself to 6’s. I like R-3-5-6 for major chords. Has a great sound.
The 2 and 4 make good passing notes. Don’t linger on them or stop on them, keep them passing.
In making your bass line help yourself to those notes, just use them correctly.
Remember roots, fives, eights and the correct 3 will play a lot of bass.
Online Bass Lessons at StudyBass.com and Bass Guitar for Dummies helped me when I came over to the bottom end.
Have fun.
