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  #261  
Old 10-20-2008, 07:59 PM
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best musical advice?

...ALWAYS...ALWAYS lock in with the drummer and stay there
Advice from a bass player when I first started playing bass in the late 70's
to this day,his advice still holds true for me!
  #262  
Old 10-20-2008, 09:59 PM
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i heard a terrible piece of advice from the bass coach in my youth symphony when i was younger... he said if you can't play this insane complicated run that goes up and down the neck, just SLIDE IT!

nowadays i'd rather learn to play the notes. that way i don't sound like an idiot.
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  #263  
Old 10-26-2008, 05:40 AM
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The best advice I've been given is "play to your standard". It took me a while to understand what that meant. In simple terms "you know what you can do and what you can't do".
The other advice from a drummer was "lock in with me".

I still remember both those some 20 years later.
  #264  
Old 10-28-2008, 12:14 AM
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when a chick is standing in front of you in a low cut shirt, make it look like an accident, just slip that tuning peg in there, and pull it the rest of the way down. those bouncers along the side of the stage? they're here to keep her boyfriend from kicking the sh*t out of you - the guy that ran lights at our last gig.
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  #265  
Old 10-31-2008, 07:44 PM
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Don't quit your day job.
  #266  
Old 11-03-2008, 09:52 PM
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sing your solo....
  #267  
Old 11-04-2008, 07:23 AM
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Quote:
Originally Posted by davec View Post
What is the best musical advice that you have ever got?, and who gave it to you?

"for me it was record your practice" from a teacher.

come to think of it I don't do that as often as I should
Best technique/equipment advice I got, in no particular order of importance:

- don't get a jazz bass, get the g&l. More highs, more lows, more everything, it's a jazz with all the $$$$**-up $$$$ fixed (a dealer who sold both but knew what he was talking about)

- pluck over the pickup (read from a column by Billy Sheehan)

- switch to floating thumb technique (Todd Johnson)

- switch to fretless (don't remember where this came from)

- learn it slow first, as slow as needed to play it clean. Then speed it up (billy sheehan I believe).

- identify things you suck at, practice those (billy sheehan).

- don't use compression, try to get even sound without it (read in column somewhere).

Musical advice:

- follow the kick drum as much as possible (geddy lee)

- if you're thinking, you're stinking (billy sheehan)

- forget about the bass ASAP (victor wooten)

- don't overplay (lots of people)

LS
  #268  
Old 11-04-2008, 07:40 AM
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start singing!
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LESSONS = GAS killers!
  #269  
Old 11-04-2008, 10:58 AM
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EQ

A eq is not suposed to change the volume, it's suposed to change the tone. Helped me get a bit "smoother" on the eq

Dont remember who taught me this.
  #270  
Old 11-07-2008, 08:24 AM
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more is less alot of the time
  #271  
Old 11-07-2008, 08:46 AM
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BEST ADVICE

The best advice i was ever given came from a guitar player in Philly, where I live, "Don't let people waste your time." People with good intent will keep you practicing in their basements, garages for years with out ever progressing to live gigging. Real musical progress can only come from gigging live. You can be a beast in your bedroom, but on stage in front of people is a whole 'nuther story.
  #272  
Old 11-07-2008, 08:54 AM
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I was told when I first started playing in church that no matter how much you practice at home, you don't really get good until you are in a live situation (in this case, playing in a church service). I found this to be true!
  #273  
Old 11-07-2008, 09:36 AM
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Originally Posted by DocBop View Post
You are never more than a half-step away from the right note.
The downside is you've got so little time to figure out if the right notes is one half up or one half down.

KO
  #274  
Old 11-07-2008, 09:53 AM
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Originally Posted by vicvarado View Post
Some nights that's a dangerous place when your drummer loses sticks
I tend to send them flying to my right, over the ride. Then again, they don't tend to have that much velocity in the horizontal, more in the vertical. If they're moving that much horizontally you've got bad technique (or too big a set).

KO
  #275  
Old 11-07-2008, 09:58 AM
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Make sure you are in tune

PRACTICE EVERY DAY
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  #276  
Old 11-07-2008, 10:11 AM
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My own revelation was "Be the player you want to be". Imagine what the cool part would be and find it. Don't let your technique drive your playing. Create the music you want to hear and develop the technique you need to play it. In my case, my technique is fine. Not terribly advanced but clean. It's more a point of thinking about what I want to sound like before I start playing.

This is true on any instrument you're trying to play.

A coworker was playing golf with his brother-in-law. He asked him if he inhaled or exhaled on his back swing. Messed up his whole round. I'm sure there's something useful in that story.

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  #277  
Old 11-10-2008, 11:38 AM
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A coworker was playing golf with his brother-in-law. He asked him if he inhaled or exhaled on his back swing. Messed up his whole round. I'm sure there's something useful in that story.

yeah like what I'm gonna do the next time I play my brother in law...
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Last edited by davec : 11-10-2008 at 11:49 AM.
  #278  
Old 11-13-2008, 07:28 AM
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play with the metronome until you can't hear it
  #279  
Old 11-13-2008, 12:59 PM
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Learn to listen properly.

When first told this I shrugged it off. But now I realise this is key in so many ways. If you can't hear mistakes how can you correct them? If you don't know how you want to sound how can you achieve a good sound? How will you know if you are playing in tune? How will you know if you are playing together with other players?
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  #280  
Old 11-13-2008, 01:40 PM
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Originally Posted by Mike Saville View Post
Learn to listen properly.

When first told this I shrugged it off. But now I realise this is key in so many ways. If you can't hear mistakes how can you correct them? If you don't know how you want to sound how can you achieve a good sound? How will you know if you are playing in tune? How will you know if you are playing together with other players?
This is why listening to other bands and bass player is so important. Either you learn what to do, or you learn what not to do, so it works both ways.
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