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12-20-2005, 06:50 PM
| | Peavey Partizan | | Join Date: Oct 2005 Location: Long Island NY/College Park MD | | | Broken Intervals?
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I was reading Pacman's scale method and there was a post where he talks about practicing broken intervals. Quote: |
I would recommend learn the scale patterns first. Later, when you're doing scales by broken intervals (we all do this, right?) you can concentrate more on that. Of course, you'll have to be at least familiar with the intervals to construct a given scale. Great question
| What are broken intervals and how do you practice them? | 
12-20-2005, 07:08 PM
|  | Registered User | | Join Date: Nov 2005 Location: Cincinnati | | | Generally speaking, a the term 'interval' would mean 2 notes played at the same time (a chord is usual meant to be more than 2 notes, but it doesn't have to be). "Broken Intervals" would seem to mean 2 note chords with the notes played at slightly different times... like an arpeggio. The term "broken chords" means the same thing, notes played as arpeggios.
"Arpeggio" for some people might mean playing the notes from the bottom up at a stead tempo. "Broken Chords" (or intervals) is a bit more open term meaning that the pattern and speed of the individual notes may vary as determined by the style of the music.
And please note the standard disclaimer of..... IMHO
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12-20-2005, 07:32 PM
|  | Layin' Down Time Endorsing Artist: Roscoe Guitars Moderator | | Join Date: Apr 2000 Location: Omaha, Nebraska | | | No.
Broken thirds would mean playing a scale as such : 1 3 2 4 3 5 4 6 5 7 9 8
4ths would be 1 4 2 5 3 6 4 7 5 8 7 10 8
Etc, etc.
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Originally Posted by KeithBMI Pacman. He serves out nice warm portions of kickass. | | 
12-21-2005, 03:19 AM
| | Registered User | | Join Date: May 2004 Location: St. Louis, MO, U.S. | | Quote: |
Originally Posted by BassChuck (a chord is usual meant to be more than 2 notes, but it doesn't have to be) | Well, yes, actually it does have to be.
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12-21-2005, 07:04 AM
|  | Layin' Down Time Endorsing Artist: Roscoe Guitars Moderator | | Join Date: Apr 2000 Location: Omaha, Nebraska | | Quote: |
Originally Posted by lemur821 Well, yes, actually it does have to be. |
Do NOT start this discussion again.
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Jon Packard
Roscoe #6181/#6259/#D010/#D049 Quartus on Facebook my photography website Quote:
Originally Posted by KeithBMI Pacman. He serves out nice warm portions of kickass. | | 
12-21-2005, 07:40 AM
|  | Registered User | | Join Date: Nov 2005 Location: Cincinnati | | | I love it when something in music HAS to be something or other.
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12-21-2005, 12:53 PM
| | Registered User | | Join Date: May 2004 Location: St. Louis, MO, U.S. | | Quote: |
Originally Posted by Pacman Do NOT start this discussion again. | I didn't know we'd had it before. And according to the Norton/Grove Concise Encyclopedia of Music, I'm wrong, so maybe I'll just shut up.
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12-21-2005, 01:33 PM
| | Peavey Partizan | | Join Date: Oct 2005 Location: Long Island NY/College Park MD | | | Got it, thanks Pacman I'll start adding that to the routine. I take it this helps the ear as well as helping you feel the intervals. | 
12-22-2005, 05:35 AM
| | Registered User | | Join Date: Feb 2002 Location: UK | | | I'd never heard that terminology before either. Good stuff. | 
10-30-2008, 07:52 PM
| | Registered User | | Join Date: Apr 2008 Location: Washington DC | | | sorry to bump this...
but what are some advantages of doing broke thirds? | 
10-30-2008, 08:11 PM
|  | Registered User | | Join Date: Oct 2008 Location: Metro Detroit | | Quote:
Originally Posted by Myke Myke sorry to bump this...
but what are some advantages of doing broke thirds? | It provides an alternative to playing scales in a linear fashion and breaks patterns and habits created by doing so. It also works your left and right hands together, helping make smooth, precise movement from note to note and string to string second nature. | 
10-30-2008, 08:26 PM
| | | Quote:
Originally Posted by BassChuck I love it when something in music HAS to be something or other. | Actually, it does. If we all got to make our own rules for theory nomenclature, there wouldn't be much of a point in the system existing. | 
10-30-2008, 09:05 PM
| | Registered User | | Join Date: May 2004 Location: St. Louis, MO, U.S. | | Quote:
Originally Posted by EADG mx Actually, it does. If we all got to make our own rules for theory nomenclature, there wouldn't be much of a point in the system existing. | Word is we've had this discussion before. 
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10-30-2008, 10:19 PM
| | Registered User | | Join Date: Aug 2008 Location: Bowling Green, Ohio | | Quote:
Originally Posted by Pacman No.
Broken thirds would mean playing a scale as such : 1 3 2 4 3 5 4 6 5 7 9 8
4ths would be 1 4 2 5 3 6 4 7 5 8 7 10 8
Etc, etc. | Vocally, this would just be considered singing a scale in thirds, as most people are incapable of using both sets of vocal chords simultaneously, let alone with that degree of control. | 
10-31-2008, 09:41 PM
| | Registered User | | Join Date: Apr 2008 Location: Washington DC | | Quote:
Originally Posted by Craig_S It provides an alternative to playing scales in a linear fashion and breaks patterns and habits created by doing so. It also works your left and right hands together, helping make smooth, precise movement from note to note and string to string second nature. | thanks for the reply! | 
11-02-2008, 11:57 PM
| | Registered User | | Join Date: Jul 2005 Location: Richmond, VA | | | I'm a huge proponent of practicing scales with broken intervals and have every single one of my students do it.
It definitely helped me hear the inherent melody in each scale and made my practicing much more musical.
Also, try practicing melodic phrases based off of broken intervals, ie
1321 2432 3543 etc | | Thread Tools | Search this Thread | | | |
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