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  #1  
Old 12-20-2005, 06:50 PM
Peavey Partizan
 
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Broken Intervals?

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I was reading Pacman's scale method and there was a post where he talks about practicing broken intervals.
Quote:
I would recommend learn the scale patterns first. Later, when you're doing scales by broken intervals (we all do this, right?) you can concentrate more on that. Of course, you'll have to be at least familiar with the intervals to construct a given scale. Great question
What are broken intervals and how do you practice them?
  #2  
Old 12-20-2005, 07:08 PM
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Generally speaking, a the term 'interval' would mean 2 notes played at the same time (a chord is usual meant to be more than 2 notes, but it doesn't have to be). "Broken Intervals" would seem to mean 2 note chords with the notes played at slightly different times... like an arpeggio. The term "broken chords" means the same thing, notes played as arpeggios.

"Arpeggio" for some people might mean playing the notes from the bottom up at a stead tempo. "Broken Chords" (or intervals) is a bit more open term meaning that the pattern and speed of the individual notes may vary as determined by the style of the music.

And please note the standard disclaimer of..... IMHO
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  #3  
Old 12-20-2005, 07:32 PM
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No.

Broken thirds would mean playing a scale as such : 1 3 2 4 3 5 4 6 5 7 9 8
4ths would be 1 4 2 5 3 6 4 7 5 8 7 10 8

Etc, etc.
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Pacman. He serves out nice warm portions of kickass.
  #4  
Old 12-21-2005, 03:19 AM
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Originally Posted by BassChuck
(a chord is usual meant to be more than 2 notes, but it doesn't have to be)
Well, yes, actually it does have to be.
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Old 12-21-2005, 07:04 AM
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Quote:
Originally Posted by lemur821
Well, yes, actually it does have to be.

Do NOT start this discussion again.
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Pacman. He serves out nice warm portions of kickass.
  #6  
Old 12-21-2005, 07:40 AM
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I love it when something in music HAS to be something or other.
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Old 12-21-2005, 12:53 PM
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Originally Posted by Pacman
Do NOT start this discussion again.
I didn't know we'd had it before. And according to the Norton/Grove Concise Encyclopedia of Music, I'm wrong, so maybe I'll just shut up.
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  #8  
Old 12-21-2005, 01:33 PM
Peavey Partizan
 
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Got it, thanks Pacman I'll start adding that to the routine. I take it this helps the ear as well as helping you feel the intervals.
  #9  
Old 12-22-2005, 05:35 AM
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I'd never heard that terminology before either. Good stuff.
  #10  
Old 10-30-2008, 07:52 PM
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sorry to bump this...
but what are some advantages of doing broke thirds?
  #11  
Old 10-30-2008, 08:11 PM
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Quote:
Originally Posted by Myke Myke View Post
sorry to bump this...
but what are some advantages of doing broke thirds?
It provides an alternative to playing scales in a linear fashion and breaks patterns and habits created by doing so. It also works your left and right hands together, helping make smooth, precise movement from note to note and string to string second nature.
  #12  
Old 10-30-2008, 08:26 PM
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Originally Posted by BassChuck View Post
I love it when something in music HAS to be something or other.
Actually, it does. If we all got to make our own rules for theory nomenclature, there wouldn't be much of a point in the system existing.
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Old 10-30-2008, 09:05 PM
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Originally Posted by EADG mx View Post
Actually, it does. If we all got to make our own rules for theory nomenclature, there wouldn't be much of a point in the system existing.
Word is we've had this discussion before.
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  #14  
Old 10-30-2008, 10:19 PM
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Originally Posted by Pacman View Post
No.

Broken thirds would mean playing a scale as such : 1 3 2 4 3 5 4 6 5 7 9 8
4ths would be 1 4 2 5 3 6 4 7 5 8 7 10 8

Etc, etc.
Vocally, this would just be considered singing a scale in thirds, as most people are incapable of using both sets of vocal chords simultaneously, let alone with that degree of control.
  #15  
Old 10-31-2008, 09:41 PM
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Originally Posted by Craig_S View Post
It provides an alternative to playing scales in a linear fashion and breaks patterns and habits created by doing so. It also works your left and right hands together, helping make smooth, precise movement from note to note and string to string second nature.
thanks for the reply!
  #16  
Old 11-02-2008, 11:57 PM
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I'm a huge proponent of practicing scales with broken intervals and have every single one of my students do it.

It definitely helped me hear the inherent melody in each scale and made my practicing much more musical.

Also, try practicing melodic phrases based off of broken intervals, ie

1321 2432 3543 etc
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