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  #1  
Old 02-27-2009, 04:37 AM
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Capos for bass

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Do bassists use them or is it just a guitarists
  #2  
Old 02-27-2009, 04:50 AM
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Pretty much just guitarists. I've experienced 2 reasons:
1/ don't know many chords
2/ an 'open chord' sounds different (= is made of different note arrangements) than a 'closed chord' ( - no open strings) & a song wants the sound of the 'open chord'.

Though a capo is handy when setting up your bass.
  #3  
Old 02-27-2009, 04:57 AM
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I use a capo...

So long as it's a fairly strong capo, and wide enough for your neck, there's no real reason why you shouldn't use one. It sounds pretty different from tuning your bass up, but it's a heck of a lot easier mid-gig if you're only able to take one bass with you. I find it really useful if I'm playing a high end melody with a B pedal, for example.

What I'd really like is a capo that can cover three strings and leave my E open. I do this on my guitar, with the capo at the 7th fret, quite often. If i try this on bass, though, the capo only hold for a few notes then pops off.

Any suggestions anyone?
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Old 02-27-2009, 05:03 AM
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a cool capo trick on bass is to down tune nice and low (C,F,Bb, Eb) then capo at the fourth fret to give you an open E and standard tuning. this shortens the scale of your bass and gives you super thumpy bass tones gallore. fun to play around with and a great move in the studio should a track call for that sound.
  #5  
Old 02-27-2009, 05:27 AM
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I have one for my super long scale bass in BEAD, handy to capo it to a shortscale DGCF.
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  #6  
Old 02-27-2009, 05:33 AM
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I have used a capo on a gig. We decide to change the key, I have capoed to save myself the stress of transposing on the fly. Back in High School, I was in pit band for all the school plays, and theywould constantly change keys during rehearsals to find where every one was comfortable vocally. The capo came in very handy, as I was sight reading.
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  #7  
Old 02-27-2009, 07:57 AM
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i use it when i have songs with lots of natural harmonics and whe need to transpose it a bit...
  #8  
Old 02-27-2009, 08:45 AM
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I saw a picture of McCartney with one on his bass once.... no idea what that was all about

you might find one useful if you have a line where you have to bounce off lots of open strings, or have certain natural harmonics to play...

using it to transpose would be a pain, unless you had a magical instrument that moved the fret markers in relation to the capo.. that'd be cool
  #9  
Old 02-27-2009, 09:45 AM
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Quote:
Originally Posted by cowsgomoo View Post
using it to transpose would be a pain, unless you had a magical instrument that moved the fret markers in relation to the capo.. that'd be cool
Play an unmarked board, would be easier in this instance.
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  #10  
Old 02-28-2009, 03:43 PM
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Originally Posted by cowsgomoo View Post
using it to transpose would be a pain, unless you had a magical instrument that moved the fret markers in relation to the capo.. that'd be cool
How is it any different from using it on a guitar or banjo with markers?

I have used a capo on my bass, although I don't ever find it a necessity. It can be a convenience, but just remember it won't help your transposing.
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  #11  
Old 02-28-2009, 05:05 PM
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Quote:
Originally Posted by EADG mx View Post
How is it any different from using it on a guitar or banjo with markers?

I have used a capo on my bass, although I don't ever find it a necessity. It can be a convenience, but just remember it won't help your transposing.
no different.. I'd find that a pain in the ass too
  #12  
Old 02-28-2009, 10:50 PM
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Originally Posted by cowsgomoo View Post
no different.. I'd find that a pain in the ass too
Have you ever tried it?
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  #13  
Old 03-01-2009, 05:26 AM
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Originally Posted by EADG mx View Post
Have you ever tried it?
have you ever tried playing darts with the board tilted 15 degrees to the left?
  #14  
Old 03-01-2009, 08:14 AM
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It makes you lazy with your fretboard knowledge imho. Even with the guitar.
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  #15  
Old 03-01-2009, 08:58 AM
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Quote:
Originally Posted by cowsgomoo View Post
...using it to transpose would be a pain, unless you had a magical instrument that moved the fret markers in relation to the capo..
...or unless you put the capo at the 12th fret.
  #16  
Old 03-01-2009, 09:05 AM
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Quote:
Originally Posted by phektus View Post
It makes you lazy with your fretboard knowledge imho. Even with the guitar.
This is just dumb.
  #17  
Old 03-01-2009, 10:05 AM
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Quote:
Originally Posted by cowsgomoo View Post
have you ever tried playing darts with the board tilted 15 degrees to the left?
No, but I have tried playing with a capo on several fretted instruments with inlays, and it was not difficult to adjust.
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  #18  
Old 04-29-2009, 07:33 PM
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Okay, I'm pretty confused. So if I capo at the 2nd fret in standard, what will the note on the 3rd fret be? and what will the open note be?

The reason I ask is because I play several Mötley Crüe songs, and only have one bass, some are EADG, some are DADG, and some are DGCF, I don't want to detune everytime I want to play a specfic song (don't worry, I have the hipshot for the drop D). So where can I put a capo and get DGCF in standard tuning, or where could I put a capo and get EADG in DGCF tuning?
  #19  
Old 04-29-2009, 07:37 PM
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Originally Posted by winterburn69 View Post
Okay, I'm pretty confused. So if I capo at the 2nd fret in standard, what will the note on the 3rd fret be? and what will the open note be?

The reason I ask is because I play several Mötley Crüe songs, and only have one bass, some are EADG, some are DADG, and some are DGCF, I don't want to detune everytime I want to play a specfic song (don't worry, I have the hipshot for the drop D). So where can I put a capo and get DGCF in standard tuning, or where could I put a capo and get EADG in DGCF tuning?
yup
  #20  
Old 04-29-2009, 07:46 PM
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yup? yup what?
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