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06-09-2008, 03:53 AM
| | | | Chord Chart Question
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I'm creating some chord charts of songs. I have a question about how single notes are charted. For example, a progression is: Em - F# - G where the Em and G are the full chords but the F# is a single note. How should that be noted on a chord chart? | 
06-09-2008, 04:12 AM
| | gone to Longstanton Spice Museum | | Join Date: Feb 2003 Location: UK | | | it depends what's happening in the music... is this just one huge single F# note played by all the instruments?
if the F# is used as a passing tone in the bass while the E chord is played or implied over the top of it, then you'd probably be better off showing it as a slash chord: E/F#
if this is just one single note, say in the guitar, used to connect Em to G (very common kind of guitaristic thing to do), then you do not normally show it on a chord chart.. the chords generally show the underlying harmonic movement, not the erm 'melodic chord embellishments'
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06-09-2008, 04:17 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | | I think you would say either "F# Bass" or just "N.C." for "No Chords"...?
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06-09-2008, 05:41 AM
| | Registered User | | Join Date: Feb 2007 Location: Finland | | | I'd like to add also that in the progression E - F# - G on bass, the chords are most likely Em - D/F# - G.
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06-09-2008, 05:57 AM
| | gone to Longstanton Spice Museum | | Join Date: Feb 2003 Location: UK | | Quote:
Originally Posted by Deacon_Blues I'd like to add also that in the progression E - F# - G on bass, the chords are most likely Em - D/F# - G. | yeah... Bm/F# is another old chestnut... in all those Beatley type songs that artists like Oasis do, you tend to get things like:
G -> Bm/F# -> Em
a scalar trundle downwards on the bass etc...
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06-09-2008, 06:42 AM
| | | This is part of a larger progression. The entire progression is:
Am - Em - F# (passing note) - G - D
On guitar, the F# is played as a single note on the low E string as a walk up to the G chord.
Is there such a thing as denoting a slash chord with just the bass note and not the chord as /F# ?
The progression: Am - Em - /F# - G - D Quote:
Originally Posted by cowsgomoo it depends what's happening in the music... is this just one huge single F# note played by all the instruments? | | 
06-09-2008, 07:20 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | Quote:
Originally Posted by Bruce Lindfield I think you would say either "F# Bass" or just "N.C." for "No Chords"...? | Quote:
Originally Posted by PaulMacCnj Is there such a thing as denoting a slash chord with just the bass note and not the chord as /F# ? | No - see the first option above!
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06-09-2008, 07:31 AM
| | Registered User | | Join Date: Apr 2004 Location: Greater Sacramento CA area | | | I have seen things in Jazz that fit the descending bass note under chord progressions...
"Is there such a thing as denoting a slash chord with just the bass note and not the chord as /F# ?" This I have never seen.
If it were me I would just write the chords and forget about the passing tone all together. Let the theorists figure it out later.
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06-09-2008, 08:33 AM
| | Registered User | | Join Date: Feb 2007 Location: Finland | | Quote:
Originally Posted by PaulMacCnj Is there such a thing as denoting a slash chord with just the bass note and not the chord as /F# ? | I *think* I actually have seen this once in a real book, and I use it sometimes to write out e.g. Am7, Am7/G, Am7/F#, Am7/F in a shorter way, (Am7, /G, /F#, /F) especially if the chords follow quickly after each other or if there's too little room to add five or more letters per chord. Exactly in this context I think I've seen this being used, but I can't for the life of me remember which song it was or even which book it was in...
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06-09-2008, 10:09 AM
| | Registered User | | Join Date: Oct 2005 Location: Seattle | | Quote:
Originally Posted by Stumpy I have seen things in Jazz that fit the descending bass note under chord progressions...
"Is there such a thing as denoting a slash chord with just the bass note and not the chord as /F# ?" This I have never seen.
If it were me I would just write the chords and forget about the passing tone all together. Let the theorists figure it out later.
JMT | +1
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