Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > General Instruction [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

General Instruction [BG] General questions regarding bass playing, theory, and bass lessons.


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 02-20-2009, 01:05 PM
Registered User
 
Join Date: Jul 2008
Location: Somewhere in Canada
Chord Theory

Sign in to disble this ad
Alright, I know this has probably been discussed thousands of times, but whenever I try sifting through threads I get confused. So I'm going to post my own and hope the experts can help me in an efficient way.

As a bass player, what do I need to know about chords?
If I need to know everything, that's fine. But with so little time on my hands lately, I haven't had time to go looking for sites that teach this...

So what do I need to know? And can someone explain them? I understand the basics, root, third, fifth, etc. but what more is there to help understand chords? And how can I apply them to writing bass lines?

__________________
Quote:
Originally Posted by Thunderscreech View Post
Social Networking is a plague upon the face of the Earth.
Quote:
Originally Posted by Milky View Post
I'd get an Itouch myself
  #2  
Old 02-20-2009, 01:14 PM
Registered User
 
Join Date: Apr 2007
Location: Massachusetts, USA
My advice? Start with "triads," which are chords with three notes. Each note of a triad is a 3rd above the note below it. A "major 3rd" is 2 whole steps, or 4 half steps (4 frets on the bass), for example C to E. A "minor 3rd" is 1 whole step plus 1 half step, or 3 half steps, for example C to Eb.

There are four types of triad:

Major (major 3rd+minor 3rd): 1-3-5, C-E-G
Minor (minor 3rd+major 3rd): 1-b3-5, C-Eb-G
Augmented (major 3rd+major 3rd): 1-3-#5, C-E-G#
Diminished (minor 3d+minor 3rd): 1-b3-b5

Learning those four in each of the 12 keys will get you off to a good start. More complicated chords are created by adding (or sometimes subtracting) notes from triads. As bass players, we are usually "safe" playing notes from the triad, even if the chord is more complex. For example, you can think of an EMaj9 chord as an E Major triad for bass line purposes.
__________________
mush-a-boom-boom
  #3  
Old 02-20-2009, 01:18 PM
Jazz Ad's Avatar
I took the one less traveled by
 
Join Date: Mar 2002
Location: Reims, Champagne, France
GOLD Supporting Member
Introduction to Scale and Chord Theory
  #4  
Old 02-20-2009, 02:11 PM
mambo4's Avatar
Registered User
 
Join Date: Jun 2006
Location: Seattle
Supporting Member
to me, fundamental point of chord theory is that each scale degree implies a certain chord.

the major scale is the basic example, take C major:

C=I =C major chord
D=ii =D minor chord
E=iii =E minor chord
F=IV =F major chord
G=V =G major chord (G7 with 4 note chords)
A=vi =A minor chord
B=vii =B diminished chord

this is why all these chords are "in the key of C"

try going up the major scale, playing the appropriately flavored triad starting on each scale tone. Your ears will go "AHA!"
  #5  
Old 02-20-2009, 02:25 PM
JTE's Avatar
JTE JTE is offline
Registered User
 
Join Date: Mar 2008
Location: Central Illinois, USA
Supporting Member
As a bassist what do you need to know about chords?

A. How they function with each other- for example why ii V I defines a key center, why a 7 chord wants to go the chord a fourth away, etc.
A (1) How to harmonize the diatonic major scale (see mambo4's post, but sit down and build the chords in different keys by stacking thirds).

B. How to spell them- Start with the five main chord types- Major, Minor, Dominant 7, diminished, and augmented. You gotta own the knowledge that a major chord is 1 3 5, a minor 7 is 1 b3 5 b7, a ninth chord is 1 3 5 b7 9 (and why it's called a nine instead of 2).

C. How to play the arpeggios on the instrument, and over the entire neck.

D. How they sound! That's the point of learning all the preceeding stuff- all your practicing needs to be focused on hearing the chords.

jte
__________________
JTE
Spelling, grammar, and punctuation do matter, despite the threats of death by grease fire!

"Without space, music is just noise piling up on itself." TRK

Lakland Owners' Club # 248
  #6  
Old 02-21-2009, 06:12 PM
gone to Longstanton Spice Museum
 
Join Date: Feb 2003
Location: UK
Quote:
Originally Posted by rarisgod View Post
Alright, I know this has probably been discussed thousands of times, but whenever I try sifting through threads I get confused. So I'm going to post my own and hope the experts can help me in an efficient way.

As a bass player, what do I need to know about chords?
If I need to know everything, that's fine. But with so little time on my hands lately, I haven't had time to go looking for sites that teach this...

So what do I need to know? And can someone explain them? I understand the basics, root, third, fifth, etc. but what more is there to help understand chords? And how can I apply them to writing bass lines?

the very best thing you could do is buy a cheap keyboard (or an expensive keyboard if you prefer)

understanding chords is very difficult if you're a bass player with just a bass... I could explain to you the difference between a maj7 and a dominant 7 chord, and how they function in progressions etc, but that'd be pretty long-winded compared to you spending 2 minutes working out how to play them on a keyboard and listening to how they sound, then trying out a few chord progressions and hearing how and why they work

I realise this is time spent not playing the bass, but trust me.. the best way to understand chords is almost certainly to play them on a keyboard... understanding chords will make you a much better (more musical) bass player, which makes the time spent away from the bass worthwhile

here's a few things any musician should understand the workings of, and how they sound.. Googling any of these topics should produce a lot of information for you to get going:

triads - major, minor, diminished, augmented
extensions to the above triads... what types of 7ths you can add, how they sound and how you can use em
suspended 4ths, suspended 2nds.. what they sound like, how they work
other variations/extensions on the basic triads... 6 chords, add9 chords
chord inversions, slash chords
diatonic chords
non-diatonic chords and how to use them... i.e. chords borrowed from the parallel minor key (and vice versa), secondary dominant chords, chords produced via chromatic alteration of one or more diatonic chord tones, tritone substitutions

and lots of listening and studying of songwriters you like... see how they use chords, and how the melody relates to the chords
__________________
what a waste of energy, I'm gone...
mark my words
  #7  
Old 02-21-2009, 06:34 PM
Registered User
 
Join Date: Sep 2008
Location: Bloomingdale,IL
Web: www.musictheory.net (Very good)

And if time permits, get Complete Idiot's Guide to Music Theory and CIG to Composition. Good books, to the point, gives you the foundation you need to understand harmony theory.

If you don't want this, then go get the Bass Grimoire. Good book if you want the fast way out, but only gives you info, not the solid foundation to use it.
__________________
In God's love
Fretless Club #376; Christian Praise & Worship #502; Short Scale #331
  #8  
Old 02-21-2009, 06:39 PM
Registered User
 
Join Date: Oct 2005
Location: Seattle
Quote:
Originally Posted by kb9wyz View Post
Web: www.musictheory.net (Very good)

And if time permits, get Complete Idiot's Guide to Music Theory and CIG to Composition. Good books, to the point, gives you the foundation you need to understand harmony theory.

If you don't want this, then go get the Bass Grimoire. Good book if you want the fast way out, but only gives you info, not the solid foundation to use it.
The Bass Grimoire is the absolute WORST book you can buy for learning music theory, period.

Did you sit down and read the dictionary to learn to speak English?

Bass Grimoire = Dictionary of scales
Understanding functional harmony = grammar and syntax.
  #9  
Old 02-21-2009, 08:14 PM
Registered User
 
Join Date: Jun 2008
Location: Boston, MA
Send a message via AIM to Rudreax Send a message via MSN to Rudreax Send a message via Skype™ to Rudreax
Like onlyclave said, DO NOT get the Bass Grimoire if you're focusing on learning something. The Grimoire is meant to be a reference; it's not going to help you understand something you don't already know.
__________________
Quote:
Originally Posted by lousybassplayer View Post
I can adjust to almost anything else, but life's too short to have an ugly wife, a crappy car or a lousy drummer.
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 02:53 AM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.