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05-14-2007, 10:21 PM
| | | | Chords, Scales, and keys -- help
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I am not sure I understand how these work together.
For example, Creep by Radiohead is in G major, which gives me the scale of G A B C D E F# g. The chords are G (G B D), B (B D F#), C (C E G), Cmin. (C Eb G).
So is the Cmin chord "out of place" in the key? (By this I mean that Eb is not in the Gmaj scale) Or is the key of the song just changing for a couple bars? Or some third option that I am not seeing? | 
05-14-2007, 10:55 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | | You didn't say what follows the Cmi in the progression so hard to tell if changing keys. With just the few chords you gave I would say the Cmi is parallel key. In other words the Key name remains G but changes from major to minor. So in G major the IV chord if C ma and in G minor the IV C mi. They borrowed the chord from G natural minor.
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05-14-2007, 11:08 PM
| | | Thanks, that makes sense -- some of these things can be a bit confusing for newbs Quote:
Originally Posted by DocBop You didn't say what follows the Cmi in the progression so hard to tell if changing keys. |
The chords just repeat so the next one is G again. I'm using the song to noodle around in and get used to hearing what notes work and dont. I'll try dropping the B, D, and F# for the bars during the Cmin chord, and see how that sounds. | 
05-15-2007, 05:03 AM
| | Registered User | | Join Date: Feb 2007 Location: Finland | | I don't know this song, but did you mean a B minor or major? If you meant B major, there is actually an Eb in that chord too, not only in Cm.
Don't think too much about the theory behind the B and the Cm, they are basically examples of "learn as much theory as you can and then forget about it and just play".  Btw, these changes are rather common and a lot of music would be much more boring if everything just followed the natural scales.
Think of these E flats as spices that adds some flavour to the music.
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05-15-2007, 11:21 AM
| | Life's like a movie, write your own ending | | Join Date: Jul 2004 Location: New York, NY | | Quote:
Originally Posted by Deacon_Blues I don't know this song, but did you mean a B minor or major? If you meant B major, there is actually an Eb in that chord too, not only in Cm. | I saw that too in the original post, dconrad spelled a minor chord but called it major. But actually, the B major chord would contain a D#, not an Eb... It's the enharmonic equivalent (theoretically the same note), but you have to spell a triad in thirds, hence B D# F#. Quote: |
Originally Posted by DocBop In other words the Key name remains G but changes from major to minor. | True, the Cm is borrowed from the parallel minor - this is called mode mixture. But I would not say that the key briefly changes to the parallel minor.
The key being major or minor depends on one thing only - the I (or i) chord. If it is minor, you are in minor; if it is major, you are in major. The G is a major chord, so I would only call the Cm chord mode mixture, not a brief switch to the minor (but of course I could just be splitting hairs; that might be exactly what you mean  ) | 
05-15-2007, 11:37 AM
|  | ... activating internal kill switch ... | | Join Date: Sep 2005 Location: Pig's Eye, MN (aka st. paul) | | in G maj
-using a B maj, I think it's actually a B7 ( in that song, is the Dominant in the relative minor (Eminor can have a B7 in it). Gmaj-B7-Cmajor creates a chromatic walk up of D-D#-E in the harmony.
-using the Cmaj-Cmin-Gmaj creates a cromatic walkdown from E-Eb-D in the harmony, which is a mirror of the chromatics in Gmaj-B7-Cmaj.
Both are very common alterations/colorations, the iv-I (minor 4 to major 1) is a common way to get back to the root chord (I). It's not really changing keys, it is, in a way, hinting at other keys and using non-diatonic notes to add color and tension to the piece.
There's actually some nice chromatic movement going on in that song.
chords: G-B7-C-Cm-G-B7-C-Cm
notes : D-D#-E-Eb-D-D#-E-Eb
EDIT: I guess it is a Bm, so nevermind the D# stuff.... 
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Last edited by stedtale : 05-17-2007 at 07:07 AM.
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05-16-2007, 07:48 PM
| | Registered User | | Join Date: Apr 2005 Location: 97465 | | | But wait -- you get more! Quote:
Originally Posted by dconrad So is the Cmin chord "out of place" in the key? (By this I mean that Eb is not in the Gmaj scale) Or is the key of the song just changing for a couple bars? | The Eb is borrowed from another key. Notes used that are not in the key are called nondiatonic.
Here's this: http://www.flupe.com/lessons/freeLes...tervals_03.htm
Hope this helps
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05-16-2007, 08:10 PM
| | | | Thanks guys, a lot of this stuff helps out. By the way, the B chord is indeed a minor chord.
I've been messing around with the song and trying out throwing in fifths and thirds and sevenths and things to see what works. | 
05-16-2007, 10:00 PM
| | Life's like a movie, write your own ending | | Join Date: Jul 2004 Location: New York, NY | | Quote:
Originally Posted by ryco Notes used that are not in the key are called nondiatonic. | nondiatonic = chromatic.  | 
05-17-2007, 07:06 AM
|  | ... activating internal kill switch ... | | Join Date: Sep 2005 Location: Pig's Eye, MN (aka st. paul) | | Quote:
Originally Posted by Eli Maniscalco nondiatonic = chromatic.  |
nondiatonic=notes that are not in a given key
chromatic=moving by a half step
I can play a walk of Bb-Ab-Gb, it is nondiatonic to the key of C major, but not chromatic. 
EDIT: "C major"
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Last edited by stedtale : 05-17-2007 at 07:34 AM.
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