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09-08-2002, 10:03 AM
| | Registered User | | Join Date: Sep 2002 Location: USA Kingsport, Tn | | | circle of fifths
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 Where can I find info 'bout circle of fifths? I ' preciate the help!
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G. Randy
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09-08-2002, 02:17 PM
|  | Registered User | | Join Date: Jan 2001 Location: New York | | | | 
09-08-2002, 06:04 PM
| | Registered User | | Join Date: Jan 2001 Location: New Albany, MS | | | Learn the circle of 4ths; it is more important in pop / jazz harmony. Repeat to yourself over and over C F Bb Eb Ab Db Gb B E A D G
Monte
__________________ I want people to feel good. Or bad. Or happy. Or sad. I just think music should make you feel something, and the focus is to never lose sight of that.
Ian Hendrickson-Smith | 
09-08-2002, 07:44 PM
|  | Student of Life Forum Administrator | | Join Date: Oct 2000 Location: Louisville, KY | | | Re: circle of fifths Quote: Originally posted by SLANGELF Where can I find info 'bout circle of fifths? I ' preciate the help! |
Well, you could find it by looking for it, but no harm is done since the day was saved by MACKIN'.
Also, keep in mind that the circle of 5ths/4ths is different for the BG (Big Guitar) and DB (Doghouse Bass), in that the Circle for BG usually sounds more in tune.
(rim shot)
Moved to BG General Instruction. | 
09-11-2002, 07:01 AM
| | Registered User | | Join Date: Sep 2002 Location: Hampshire, UK | | Quote: |
Learn the circle of 4ths; it is more important in pop / jazz harmony
| Erm, it's the same thing... A 4th up is a 5th down and vice versa. It's just the same thing in reverse.
Last edited by moley : 09-12-2002 at 02:59 AM.
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09-11-2002, 07:35 AM
| | Registered User | | Join Date: Jan 2001 Location: New Albany, MS | | Quote: Originally posted by moley
Erm, it's the same thing... A 4th up is a 5th down and vice versa. It's just the same thing in reverse. | HOLEYTHEORY
Yes, technically, but you learn up the circle usually. A 4th up IS a 5th down, but I find students can more readily use 4ths by learning the circle that way.
Monte
__________________ I want people to feel good. Or bad. Or happy. Or sad. I just think music should make you feel something, and the focus is to never lose sight of that.
Ian Hendrickson-Smith | 
09-11-2002, 01:40 PM
| | Registered User | | Join Date: Nov 2000 Location: Scranton, PA | | Quote: Originally posted by Monte Learn the circle of 4ths; it is more important in pop / jazz harmony... | Does this have something to do with chord movement? (Ex: a I IV V I is a common progression. In the key of C that would be C F G C. We move counter-clockwise through the circle of 4ths to get to F.)
Please explain this more...
Thanks, 
Stephanie
Last edited by stephanie : 09-11-2002 at 01:51 PM.
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09-11-2002, 02:06 PM
| | Registered User | | Join Date: Jan 2001 Location: New Albany, MS | | Quote: Originally posted by stephanie
Does this have something to do with chord movement?
Thanks, 
Stephanie | Yes,
Circle of 5ths and 4ths is just semantics on which way to learn them. I prefer learning in 4ths because this a more common way chords move. A iii-vi-ii-V-I would be a common progression, which is all movement in 4ths.
For this reason, I practice scales, arpeggios, and licks up in 4ths (C-F-Bb-Eb-Ab-etc....), because that is likely how I will see them in a tune.
Monte
__________________ I want people to feel good. Or bad. Or happy. Or sad. I just think music should make you feel something, and the focus is to never lose sight of that.
Ian Hendrickson-Smith | 
09-11-2002, 02:16 PM
| | Registered User | | Join Date: Sep 2002 Location: USA Kingsport, Tn | | | Thank you for your help. Thank you for your replies. I'll study this until i'm "Blue Note" in my face. Ran.
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G. Randy
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09-11-2002, 03:21 PM
| | Registered User | | Join Date: Nov 2000 Location: Scranton, PA | | Quote: Originally posted by Monte
Yes,
Circle of 5ths and 4ths is just semantics on which way to learn them. I prefer learning in 4ths because this a more common way chords move. A iii-vi-ii-V-I would be a common progression, which is all movement in 4ths.
For this reason, I practice scales, arpeggios, and licks up in 4ths (C-F-Bb-Eb-Ab-etc....), because that is likely how I will see them in a tune.
Monte | Thanks for clearing that up for me Monte.  | 
09-13-2002, 06:44 AM
| | Registered User | | Join Date: Feb 2002 Location: UK | | | I remember it in 5ths like this:
Can Get Down Almost Every Beat, F...
C - G - D - A - E - B - F#/Gb - C#/Db - G#/Ab - D#/Eb - A#/Bb - F
I'm one of those moronic people who has to do stuff like this to remember anything whatsoever! | 
09-13-2002, 07:22 AM
| | Registered User General Manager, Roscoe Guitars | | Join Date: Mar 2000 Location: Greensboro, NC, USA | | Quote: Originally posted by Howard K I remember it in 5ths like this:
Can Get Down Almost Every Beat, F...
C - G - D - A - E - B - F#/Gb - C#/Db - G#/Ab - D#/Eb - A#/Bb - F
I'm one of those moronic people who has to do stuff like this to remember anything whatsoever! | Well, that's fine, except you want to actually use the circle the other way...
...here's how I teach my students to memorize the circle in descending 5th (or ascending 4th) order:
C-F, BEAD-G (with flats; i.e. C F Bb Eb Ab Db Gb), BEAD-G
As for the "ascending 4th vs. descending 5th" semantics - I prefer to use the descending 5ths nomenclature (hadda break out the dictionary for that one!  ). Yes, it's exactly the same, but when you're referring to harmonic movement (which is what it's all about), that is exactly what is happening: C is the 5th of F, F is the 5th of Bb, etc, etc. You should think of the motion as V-I (or ii-V, or vi-ii, or...), NOT as I-IV. How you think of something while you are practicing does matter, you should think of it as it is going to function when you are actually playing.
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09-13-2002, 07:51 AM
| | Registered User | | Join Date: Feb 2002 Location: UK | | Yeah, I just used that phrase to remember the order, regardless of direction. I then just relied on knowing that dominant resolves down a 5th to tonic, anti-clockwise round the circle... that's how I was using it.
Yours is indeed better tho cause it moves in the right direction.... easy to remember too cause it's the pitch of open strings on standard tuning. How coincedental!
C F Bb Eb Ab Db Gg B E A D G
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