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10-26-2005, 10:05 PM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | | Complicated music theory
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When I look at any resources on the net about music theory, they are all pretty basic stuff (you know, scales,triads,reading music,circle of fifths,intervals etc)
But I hear a lot more theory here than that, like constructing complex chords,harmonizing a piece of music (whatever that is),modes,tonality centres, dissonance (when something sounds 'wrong'?) consonance (the opposite?)
Is there any where on the net with the more complex stuff? Any suggestions?
-Bernard.
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10-27-2005, 05:14 AM
| | Registered User | | Join Date: May 2003 Location: Kraków, Polska | | | Schoenberg's "Harmonielehre" is worth reading if you already understand the basics. He tries to develop all rules based on the physical properties of sound and constantly insists that all rules are to be broken later when the student is more advanced. He is prone to philosophical digressions, though. Try a public or university library - my univeristy's library had a few copies even back when they didn't offer a music major.
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10-27-2005, 06:00 AM
| | Registered User | | Join Date: Jan 2004 Location: Stockholm, Sweden | | | But it's in German, or? | 
10-27-2005, 06:06 AM
| | Registered User | | Join Date: May 2003 Location: Kraków, Polska | | | No, it's such an important book that it's been translated into many languages. The title of the English editions is usually "Harmonielehre", though. I'm not sure why.
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10-27-2005, 06:08 AM
| | Registered User | | Join Date: Jan 2004 Location: Stockholm, Sweden | | | OK, thanks. | 
10-27-2005, 03:18 PM
| | Registered User | | Join Date: Aug 2002 Location: New York (Brooklyn/Manhattan) | | | Schoenberg's book is definately a good one, helps you to understand why these rules exsist rather than just telling you what they are. I have a book that's called "theory of harmony," I don't know if its the same one...
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10-27-2005, 04:32 PM
| | | | Heinrich Schenker worth a read too. | 
10-29-2005, 01:52 AM
| | Registered User | | Join Date: Sep 2005 Location: Davis, CA | | | Harmony and Voice Leading (Aldwell/Schachter) Counterpoint in Composition (Salzer/Schachter)
The titles are pretty self-explanatory. Knowing your way around a keyboard may help you out. These books like to go into exhaustive detail and exercises are included. They're not "Music Theory for Dummies," to be sure! | 
11-03-2005, 03:00 PM
| | Registered User | | Join Date: Jul 2005 Location: Oberlin, Oh | | | Harmony and Theory has sorta what you're looking for. The 1st nine chapters are pretty much scales-triads-notes-time sigs. But after that it becomes more complext- harmonzing-constructing chords-modes ect. (hal leonard)
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11-03-2005, 06:32 PM
|  | Looking like a born-again. Living like a heretic. Moderator | | Join Date: Mar 2000 Location: California | | Quote: |
Originally Posted by Tom Harmony and Voice Leading (Aldwell/Schachter) Counterpoint in Composition (Salzer/Schachter)
The titles are pretty self-explanatory. Knowing your way around a keyboard may help you out. These books like to go into exhaustive detail and exercises are included. They're not "Music Theory for Dummies," to be sure! | I have the Schachter books. They're pretty intense and convoluted for a beginner.
I'd like to suggest George Wedge's Harmony books. They're simply titled "Harmony" and are divided in two volumes - diatonic and chromatic.
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11-03-2005, 07:53 PM
| | Registered User | | Join Date: Sep 2005 Location: Davis, CA | | Quote: |
Originally Posted by Blackbird I have the Schachter books. They're pretty intense and convoluted for a beginner. | Quite true. You need to know a little bit of theory before diving in, but I guess I thought the original poster already had a start. | 
11-03-2005, 09:10 PM
| | Registered User | | Join Date: Jan 2005 Location: pitman, nj | | | how about elements of music volunmes 1 and 2 bu ralph turek, they start off pretty easy with basics but will give you more information than you could ever need, it goes into harmonizations, extensions of chords, 12 tone music, jsut about anything you can think, gives you practice drills and anylazations too. it's some good stuff, and hey if it's good enough for music school you should check it out man. | 
11-03-2005, 09:14 PM
| | Registered User | | Join Date: Feb 2003 Location: Boston, MA | | | I have to check a couple of these out. | 
11-05-2005, 12:54 AM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | Quote: |
Originally Posted by Tom Quite true. You need to know a little bit of theory before diving in, but I guess I thought the original poster already had a start. | Heh. somewhat, but I am a rock musician, so you may-have-to-talk-sloooowly....
I had a look at those ones that look at music as hz and get all philosphical, being a rock guy, I barely get enough chance to put traditional basic theory into practice. You could say this extra stuff is a hobby of a hobby...
-Bernard.
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11-05-2005, 01:30 AM
|  | Looking like a born-again. Living like a heretic. Moderator | | Join Date: Mar 2000 Location: California | | | Being a rock guy, I think you don't necessarily need a classical theory book. You'd get on a lot better with a Jazz oriented book like Mark Levine's Jazz Theory book.
There's no need for a rock musician to know the difference between a German and an Italian 6 chord, imo.
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Last edited by Blackbird : 11-05-2005 at 01:43 AM.
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11-05-2005, 08:19 PM
| | Registered User | | Join Date: Sep 2000 Location: Orlando, Fl. | | Try looking around this site: http://www.dolmetsch.com/musictheory43.htm
It's got a lot of great info on theory.
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11-12-2005, 01:46 AM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | Quote: |
Originally Posted by Blackbird Being a rock guy, I think you don't necessarily need a classical theory book. You'd get on a lot better with a Jazz oriented book like Mark Levine's Jazz Theory book.
There's no need for a rock musician to know the difference between a German and an Italian 6 chord, imo. | Thanks, I'll look into that (the book, not the difference between a German and Italian 6 chord!  )
The real trouble is I don't use a lot of the (basic) theory I know. It seems as if all I need to know is the maj/min 7th chord forms, and how to construct major/minor/pentatonic scales and that's it.
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11-12-2005, 06:40 AM
| | Registered User | | Join Date: Jun 2002 Location: Norwood, MA | | Quote: |
Originally Posted by Blackbird There's no need for a rock musician to know the difference between a German and an Italian 6 chord, imo. | Whoever is playing bass with Yngwie every night might!  | | Thread Tools | Search this Thread | | | |
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