Quote:
Originally Posted by Chris K I fail to hear a larger concept |
In answer to the OP's question "how does one go about composing a tune like this?" ...or any tune, really... my answer is
Get an idea.
Do that
first.
imho any piece of music that's going to have lasting resonance for the listener must have an underlying goal, a point, a concept as Chris says, that guides its musical construction.
So decide what your composition is going to be about first, and then let that concept guide your use of musical materials. Note: "about" doesn't mean it has to have a narrative, or a poetic conceit; a piece of music could be "about" the relationship between two chords, or about the sound of a certain instrument combination.
Then again, a piece of music (even an instrumental) could be "about" fear, or love, or inconsiderate neighbors, etc. The point is to have that goal inform your decisions when executing your craft.
(btw, I haven't listened to the Wilkenfeld example so I can't comment on whether she did any of that.)