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  #1  
Old 03-22-2009, 04:26 PM
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But how do I jam the right way? When I jam with a guitarist for instance, and they say "OK let's jam in the key of A", what does that mean? I usually find myself playing random notes in the rhythm and turning the volume down. So what exactly am I supposed to play/improvise when I jam with another player?
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  #2  
Old 03-22-2009, 05:06 PM
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This means you will be using the A major scale. Learn all the major and minor scales in all keys for starters. Learn where all the notes on the fretboard are. A good site for this is:

www.studybass.com
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  #3  
Old 03-22-2009, 05:29 PM
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Ploughing away on a single chord for the whole jam would be kind of boring...even modal jazz jams throw in a chord change here and there. Anyways, some tips (including the above advice)

1) Try to come up with motifs and grooves that keep things interesting for the guitarist. Don't just hit any old random note, always be musical.

2) Listen to what the guitarist is playing and try to interact with it when possible and/or appropriate

3) Listen to (and transcribe) bassists who are good at jamming...for rock, this would be guys like Berry Oakley, Jack Bruce, Phil Lesh, etc.
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  #4  
Old 03-22-2009, 06:56 PM
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Quote:
Originally Posted by fearceol View Post
This means you will be using the A major scale. Learn all the major and minor scales in all keys for starters. Learn where all the notes on the fretboard are. A good site for this is:

www.studybass.com
Except if the guitar player is playing in A minor. You'll sure sound bad playing all of those C#'s.
  #5  
Old 03-22-2009, 06:57 PM
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It's worth considering that a 'Jam in A ' doesn't necessarily mean it's in the key of 'A' --- with 3 #'s .
The same as a 3 chord blues in 'A' isn't really in the key of 'A''
because they're all dominant chords.
Often in a Jam situation -- 'A' is more likely to be a dominant or Minor tonality . Or just 'A' kitchen sink --- meaning that you
just build things off of an 'A' pedal tone.
  #6  
Old 03-22-2009, 08:52 PM
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Well it sounds like you need to learn a little bit about keys and scales. The study bass link above is a good start. Read all the stuff on there and go through the exercises and you will know tons more than you do now.

Another thing that might help a lot is to get a bass instructor. You can then have him work with you on what you need to do to play the way you want to play.
  #7  
Old 03-22-2009, 09:06 PM
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Quote:
Originally Posted by Waspinators View Post
But how do I jam the right way? When I jam with a guitarist for instance, and they say "OK let's jam in the key of A", what does that mean? I usually find myself playing random notes in the rhythm and turning the volume down. So what exactly am I supposed to play/improvise when I jam with another player?
OK I think I will expound just a little bit more.

This is stuff that can help you at least get started and can help you with simple jamming with your guitarist.

#1- You need to know where A is on your fretboard. This will be your root note. This is going to be you safe happy note to play. You can plunk on that one the whole time, but things will get boring.

#2- You need to understand where the 5th and Octave are. The octave is the A one octave higher.
http://www.studybass.com/lessons/com...terns/octaves/
The octave is two strings up and two frets over.

The 5th is an interval. If you don't know what an interval is: read this stuff http://www.studybass.com/lessons/intervals/
The 5th is one string up and two frets over.


The root and 5th and octave are going to be pretty safe bets. No matter if your in a major or minor mode.

Now you have 3 notes that you can play around with for your rudimentary jamming.


#3- Keep learning more about scales etc. Find out about the minor pentatonic scale. It is very handy to know for lots of stuff. Then once you get that, you just add one more note for the blues pentatonic scale.


#4- Learn some of the music you like and pay attention to the patterns. notice the pattern of the groove. You may be able to apply this pattern to your jamming just start on the right note and try that pattern out.
  #8  
Old 03-23-2009, 06:56 AM
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Originally Posted by onlyclave View Post
Except if the guitar player is playing in A minor. You'll sure sound bad playing all of those C#'s.
I am by no means an expert, but I was always led to believe that when someone says "the key of A" they generally mean A major ?
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  #9  
Old 03-23-2009, 11:09 AM
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All "the key of A" means is that the A is the root. What I'll usually do is just make up a bassline in whatever key we've decided on, and repeat it. In my band, for some reason, it seems like I am always the one to start the jam. So, I'll play a very simple, and I mean VERY SIMPLE, bassline in A until the drummer catches on and throws down a rhythm. I'll then let the guitarist, or keys if they are there, decide more about whether its major, minor, 12-bar blues, etc. and let my bassline evolve to match where they are going. Since I start the jam, my initial part usually gets boring really fast so I'll change it little by little as the jam takes shape and progresses. I won't completely stray from that initial line, but I'll add variations and fills as appropriate to keep the theme going, but also keep myself from checking out mentally.

Don't forget that in a jam, it doesn't matter who starts it. If its going to be fun for you and entertaining for whoever might be listening, it is imperative that you pay constant attention to your bandmates and move with them. Also, don't forget that as the bassist, you lay down the root. Random notes in the key of A might not sound very good. You need to provide the foundation, which often times is in the root. Stick to that root, at least initially, and have your fun with the rhythm. You can vary it later.
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  #10  
Old 03-23-2009, 01:44 PM
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Originally Posted by fearceol View Post
I am by no means an expert, but I was always led to believe that when someone says "the key of A" they generally mean A major ?
From what I have seen (and I am no expert), when someone calls it out, it doesn't necesarily mean that it is A Major. A lot of the time they are playing something bluesy or Rockish and you will find the notes fall in the minor pentatonic or a blues scale.

For starters, the root 5th octave combination is very safe because they work in every mode that I can think of from and Ionian to a Mixolydian.

Onlyclave will hopefully correct me if there is a mode that wouldn't fit the above statement.


I also like how Double Agent put things.

The root alone can be put to cool rhythmic use.
  #11  
Old 03-23-2009, 01:46 PM
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One last thing that may be throwing you is that they are starting in A and then going through a chord progression. When this happens, the root will change according to the progression you are playing. Then if you just keep plunking away on the A, it will sound out of place.

If you need one of us to expound more on progressions, let us know.
  #12  
Old 03-23-2009, 01:50 PM
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A guitarist saying he wants to jam in the key of A means that he knows how to noodle through a scale and he is basically asking you to write a song in the key of A on the spot to make his noodling sound good.

Learning the 12 bar blues progression is a great place to start as you can play lots of styles with varying basslines against that framework
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  #13  
Old 03-23-2009, 02:20 PM
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There has been a ton of information provided for a very basic question IMO...

When the guitar player says let's Jam in "A"...It almost always means a 12 bar blues in "A"...I-IV-V...You could probably just pedal along with the drummer's feel, hang on the root notes and get through the jam just fine...branch out as you get a better feel for where the jam is headed...

Just remember a Jam implies a very loose musical environment anyways...so you could also take the bull by the horns and make them follow you!...lol
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  #14  
Old 03-23-2009, 03:03 PM
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Originally Posted by Natrix View Post
It's worth considering that a 'Jam in A ' doesn't necessarily mean it's in the key of 'A' --- with 3 #'s .
Uh ... that's exactly what it does mean. To qualify it further one might say "in A major", or in "A minor" (flatted 3rd)... but it's still in A.

To have a hope of jamming (improvisation is a more appropriate term, I think) one needs to understand some basic theory ... chords, intervals, scales. Whether this knowledge is explicitly learned or "instinctual" one must still possess it ... otherwise it's just "wankin'" ...
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Old 03-23-2009, 03:17 PM
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Quote:
Originally Posted by fearceol View Post
I am by no means an expert, but I was always led to believe that when someone says "the key of A" they generally mean A major ?
Yes, you're right. When someone refers to the key of A, C, or whatever, the working assumption, at least among more trained and/or experienced musicians, is generally that the major keys are meant, or at least that the chord serving as the tonal center is some variant or development of a major triad (like a dominant 7th). I've rarely if ever encountered a situation where someone says "key of A" and means "A minor," except by mistake.
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  #16  
Old 03-23-2009, 03:24 PM
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Major or minor... whatever. Listen to the first chord the guitarist plays and move along.
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  #17  
Old 03-23-2009, 03:53 PM
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Originally Posted by Richard Lindsey View Post
Yes, you're right. When someone refers to the key of A, C, or whatever, the working assumption, at least among more trained and/or experienced musicians, is generally that the major keys are meant, or at least that the chord serving as the tonal center is some variant or development of a major triad (like a dominant 7th). I've rarely if ever encountered a situation where someone says "key of A" and means "A minor," except by mistake.
Thanks for clearing that up for me Richard. I was beginning to think that my teacher (who is a session bassist and has a doctorate in music theory ) was wrong.
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  #18  
Old 03-23-2009, 10:18 PM
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Here are a few links that may help you out:

~Getting creative
Where does creativity come from? Where does creativity come from?

http://www.talkbass.com/forum/f30/creating-bass-lines-8154/#post80043 Creating bass lines 1 of 3
Bass Line Construction: Target Approach 2 of 3 - Target Approach
http://www.talkbass.com/forum/f22/what-good-ways-approach-playing-over-chords-503344/#post6770334 3 of 3 - For a jam

Scales and improvisation Playing scales

what is in front of/behind the beat? Playing behind/ahead of the beat
The 'feel' "Feel"

Check out the link in my sig. for more good info.
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