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06-04-2003, 12:54 AM
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Avatar Speakers Endorsing Hooligan | | Join Date: Mar 2003 Location: Bakersfield California | | | Every note is technicly correct, right?
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Because if you think about it, an "F" on the "D" string is really just the 3rd to the 3rd of a G major scale.
All the notes are related like that, so there really is no wrong note, right? |
06-04-2003, 01:00 AM
| | Registered User | | Join Date: Jul 2000 Location: Valencia, CA 91354 | | | You need to read Ornette Coleman's harmolodics book.
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06-04-2003, 01:06 AM
| | Registered User | | Join Date: Feb 2000 Location: Germantown, TN | | | Re: Every note is technicly correct, right?
Quote: Originally posted by Mike Money
Because if you think about it, an "F" on the "D" string is really just the 3rd to the 3rd of a G major scale.
All the notes are related like that, so there really is no wrong note, right? | Its late; I'm tired. Sure, every note is related to every other, but not every note will sound good in a specific context. 3rd to the 3rd? Not quite sure what you're talking about... F wouldn't even be in a Gmaj. F is the minor 7th of G. If anybody else wants to confirm that I'm not smoking the same stuff Bike-Funney is, I'd appreciate it. |
06-04-2003, 01:15 AM
|  | Student of Life Forum Administrator | | Join Date: Oct 2000 Location: Louisville, KY | | | Re: Every note is technicly correct, right?
Quote: Originally posted by QUINCY QUARTER
Because if you think about it, an "F" on the "D" string is really just the 3rd to the 3rd of a G major scale.
All the notes are related like that, so there really is no wrong note, right? | Exactly. Ever notice how when FiElDy solos, his "Clickety" relates to his "Clackety"? That's because he's tuned into the same cosmic confluence that you've just discovered here. Or, when you're reading from his TaBz, how his X's slapped on his detuned B string relate to his X's slapped on his detuned B str....wait, maybe that's not a clear example....Okay: when you play from TaBz in general, how the numbers on the various strings all relate to each other in a very cosmic, mysterious way? That's because all the numbers that are used in TaBz CAN ALL BE FOUND ON A NUMERIC KEYPAD!!! Isn't that wild? Anyway, I bet that's what you're hearing.
Keep up the good work. At this rate, I bet you'll be a rock star in no time.  |
06-04-2003, 01:33 AM
| | Registered User | | Join Date: Feb 2003 Location: I been everywhere, man... | | Quote: Originally posted by Peter McFerrin
You need to read Ornette Coleman's harmolodics book. | FWIW, F is the major third of the major third of an A major scale.
Seriously speaking, is there an Ornette book out there? I don't recall seeing it the Aebersold catalog, but I could have missed it.
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06-04-2003, 01:35 AM
| | Registered User | | Join Date: Jul 2000 Location: Valencia, CA 91354 | | Quote: Originally posted by 20db pad
FWIW, F is the major third of the major third of an A major scale.
Seriously speaking, is there an Ornette book out there? I don't recall seeing it the Aebersold catalog, but I could have missed it. | I think it might be an urban legend.
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06-04-2003, 01:39 AM
| | Registered User | | Join Date: Feb 2003 Location: I been everywhere, man... | | |
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"I taught them everything they know, but not everything I know" - James Brown
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06-04-2003, 02:54 AM
| | | I used to tell kids that had never soloed before.
"just go out there and do your thing, and do it confidently and you will be fine"
"remember, if you hit a "wrong" note, you can make it right"
The concept was well recieved by my peers, the youngins and teachers. And for a while I thought it actually was pretty brilliant, then I realized...it's just stubborn. 
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06-04-2003, 04:37 AM
| | Registered User | | Join Date: Sep 2002 Location: Hampshire, UK | | Quote: Originally posted by 20db pad
FWIW, F is the major third of the major third of an A major scale. | Technically, E# is, actually
As for Mike Money... what the bloody hell are you on about?!? 
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06-04-2003, 04:43 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | Quote: Originally posted by moley
Technically, E# is, actually
As for Mike Money... what the bloody hell are you on about?!? | He's trying to avoid the accusation that he never posts anything music-related - just OT rubbish!! 
But my view would be that "gibberish" doesn't 'count' as music-related!!!
Even if you do post it in GI!
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06-04-2003, 08:54 AM
| | Registered User | | Join Date: Feb 2002 Location: Brooklyn Park, MN, USA | | | I can see that Jazzbo's article on theory is going to need to be reworked is as to be more "on the Money".
Yes, yes, a very bad pun, I know. |
06-04-2003, 10:22 AM
| | | Quote: Originally posted by Peter McFerrin
You need to read Ornette Coleman's harmolodics book. | AMEN, brudder, Pete!
Preach it!
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06-04-2003, 10:59 AM
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Artist: Bee Basses, JAF Basses, Circle K Strings | | Join Date: Jan 2002 Location: Ottawa, Canada | | | Re: Every note is technicly correct, right?
Quote: Originally posted by NIKE DUMMY
Because if you think about it, an "F" on the "D" string is really just the 3rd to the 3rd of a G major scale.
All the notes are related like that, so there really is no wrong note, right? | No, it's a diminished 5th up from the 3rd.
Ha ha!  |
06-04-2003, 11:53 AM
| | Registered User | | Join Date: Jun 2002 Location: Edinboro, PA | | Well... all notes I suppose do relate in the chromatic scale... ?
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06-04-2003, 05:16 PM
|  | Chemo sucks! Moderator Emeritus | | Join Date: Feb 2000 Location: Manchester NH | | What a waste.......
Chris A.  
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