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09-15-2008, 08:49 AM
| | Registered User | | Join Date: Jan 2005 Location: Chicago | | | First open blues jam tonight... pointers?
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I know standard blues like the back of my hand and have had countless blues jams with my friends, but this is the first time going to play at an open jam. I have a vocabulary with my friends and i know there style, but with this im not sure what to expect. Its going to be at buddy guys ledgends. I have been playing for 7 years and this is the first time i have done something like this and i am actually nervous for some reason. I dont have much gig experience which im sure lends to my anxiety. Any tips or pointers you can give me to make it a successful night? | 
09-15-2008, 08:54 AM
|  | Less barking, more wagging! | | Join Date: Jul 2006 Location: San Diego, CA | | | 4:1 Ratio Use your ears four times as much as you use your fingers
Relax and keep your lines simple and predictable. At blues sessions, it's usually up to the bass player to "use his turn signals" so none of the people who are following him will get lost, miss a turn, or run off of the road into an awaiting ditch. | 
09-15-2008, 08:56 AM
|  | Registered User | | Join Date: Sep 2006 Location: Ontario | | | I have a few rules of thumb for these situations (I apply these all to myself):
- you are probably a better bass player than you give yourself credit for
- you know the idiom so the foundation is solid
- everyone, EVERYONE, makes flubs/mistakes bigger/smaller: they will almost ALWAYS go unoticed unless it's a real train wreck
- everyone is there to have fun
- when you're with mature players they are far less likely to judge harshly
- read my signature quote
Have fun. It'll work out great!
__________________ dvh "Never lose the groove in order to find a note" - V. Wooten | 
09-15-2008, 09:01 AM
| | | | Be simple, clear and solid-- and supportive -- and they'll love you. | 
09-15-2008, 09:08 AM
| | Registered User | | Join Date: Nov 2002 Location: madison, wi | | 1) bring a 5 or 6 string bass
2) use lots of effects
3) slap and pop a lot
4) have quite a few real stiff drinks before the jam
5) if there are any mistakes, blame it on the drummer and guitar players
6) don't let the vocalist or guitarist push you into the background--remember--the bass is the star of the show   
relax, have fun and enjoy!
__________________
goldfish blufish 3fish 2fish 'fish 'N 'funk: Rumblefish +Thunderfunk, that is!
Reverend Club #11 DPLE II , MIJ Precision Thinline + Schro 1212L bluetrain: "We'll Play the Blues for You"
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09-15-2008, 09:17 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | | having run a successful blues jam here in phoenix for the past several years (and going to others), this is what, no matter who i've played with, has gotten me through 99% of tunes i may had never played before.
if you don't know the tune being called, ask
structure? 8 bar, 12 bar, 16 etc?
what's the style (boogie, shuffle, etc)
start from the....? 1, 4, or 5.
is this a quick 4?
what key? | 
09-15-2008, 09:21 AM
| | |
Get a good tone.
Play solid, strong, supportive, bass lines.
Lock in with the drummer.
Don't worry about "solo's" or over-playing.
Make everyone else sound good.
And they will love it. | 
09-15-2008, 09:22 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | Quote:
Originally Posted by Mojo-Man
Get a good tone.
Play solid, strong, supportive, bass lines.
Lock in with the drummer.
Don't worry about "solo's" or over-playing.
Make everyone else sound good.
And they will love it. | excellent advice | 
09-15-2008, 09:23 AM
| | Registered User | | Join Date: Jun 2004 Location: Philadelphia, PA | | | All great tips so far.
I would also suggest to stay focused throughout the jam. It's easy to get lost in the groove when you jam with some great players, but you can't miss that IV chord! | 
09-15-2008, 10:01 AM
| | | | Be all tuned up before you hit the stage.
Keep your eyes open to watch for signals, such as the all-important stops and endings. | 
09-15-2008, 10:19 AM
| | | | All of the poster are dead-on; I have used all of these ideas, except I need to remember to keep an eye on the person leading the song. It is very easy to get lost in the groove then completely miss the break.
But, from what the OP wrote, he should get through the jam without too much problem. | 
09-15-2008, 10:24 AM
| | Supporting Member | | Join Date: Jan 2008 Location: Mississippi | | | Stay relaxed and enjoy... | 
09-15-2008, 10:35 AM
| | Registered User | | Join Date: Jan 2005 Location: Chicago | | Quote:
Originally Posted by standupright
if you don't know the tune being called, ask
structure? 8 bar, 12 bar, 16 etc?
what's the style (boogie, shuffle, etc)
start from the....? 1, 4, or 5.
is this a quick 4?
what key? | Who typically decides this? | 
09-15-2008, 10:35 AM
|  | Bass lines like a big, funky giant | | Join Date: Jul 2004 Location: Southern MN | | Quote:
Originally Posted by Jazzdogg At blues sessions, it's usually up to the bass player to "use his turn signals" so none of the people who are following him will get lost, miss a turn, or run off of the road into an awaiting ditch. | +1. If you know where the progression is going, help everyone else to know, too. Walk up or down as necessary to lead everyone through the changes. Start those walks as early as is feasible. You will IMMEDIATELY get a rep as a bassist who's "easy to play with". | 
09-15-2008, 10:39 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | Quote:
Originally Posted by Linas Who typically decides this? | the guy calling the tune. | 
09-15-2008, 10:43 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | Quote:
Originally Posted by scottbass +1. If you know where the progression is going, help everyone else to know, too. Walk up or down as necessary to lead everyone through the changes. Start those walks as early as is feasible. You will IMMEDIATELY get a rep as a bassist who's "easy to play with". | agreee completely. a bassist that pays attention and plays with the music instead of on top of it, is one that people will look forward to playing with. | 
09-15-2008, 10:51 AM
|  | Registered User | | Join Date: Aug 2007 Location: Southwest Virginia | | Quote:
Originally Posted by watspan 1) bring a 5 or 6 string bass
2) use lots of effects
3) slap and pop a lot
4) have quite a few real stiff drinks before the jam
5) if there are any mistakes, blame it on the drummer and guitar players
6) don't let the vocalist or guitarist push you into the background--remember--the bass is the star of the show | I'm printing this out and sticking it to the back of my bass forever. Beyond brilliant! I love it!
__________________
"I feel sorry for people who don't drink in the morning, 'cause that's as good as they're going to feel all day."
[ Frank Sinatra ]
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09-15-2008, 10:54 AM
| | Registered User | | Join Date: Jan 2005 Location: Chicago | | | How do the sessions usually work? Are they going to be playing songs mostly, or progressions? If songs, will someone have a chord chart? | 
09-15-2008, 11:00 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | Quote:
Originally Posted by Linas How do the sessions usually work? Are they going to be playing songs mostly, or progressions? If songs, will someone have a chord chart? | how much standard blues theory and structure do you know?
do you know what 1/4/5 is/means?
do you know the diff styles? medium shuffle vs. medium swing?
your answer will help me word my next response. | 
09-15-2008, 11:04 AM
| | Registered User | | Join Date: Jan 2005 Location: Chicago | | | Yes i know what a 1/4/5 is. I dont necessarily know the difference between those two tempos (is that right, tempos?) But i can pick up quickly to the feel of what is going on. | | Thread Tools | Search this Thread | | | |
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