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09-30-2007, 06:01 PM
| | Registered User | | Join Date: Sep 2007 Location: Toronto, Canada | | | Gb6?
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Is Gb, Bb, Eb a Gb6 chord? I don't want the 5 (db) in there.
key of Gb.
Man I hate chord theory.
Also how do you mark inversions of chords for example 2nd inversion of Dbmin
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09-30-2007, 06:58 PM
|  | Registered User | | Join Date: Jun 2006 Location: Seattle | | | First, it really depends on the context - what chord does it lead to/from?
Gb Bb Eb is probably best thought of as an
Eb minor chord (Eb Gb Bb)
with the 5th in the root (second inversion)
and is usually notated "Eb min/Gb"
(genrally, inversion are written as "chordsymbol/bassnote")
second inversion of Dbmin would probably be written Dbmin/Ab
first inversion would be Dbmin/Fb etc | 
09-30-2007, 07:33 PM
| | Registered User | | Join Date: Sep 2007 Location: Toronto, Canada | | | It is leading from a gbmajor and to a ab minor chord
I guess its just a different inversion?
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09-30-2007, 07:48 PM
| | Registered User | | Join Date: Aug 2003 Location: MD | | | Then that's just an Eb minor chord in first inversion, yeah, and if you want the Db in there thats an Eb minor 7. The way to differentiate "6" chords from "m7" chords is basically by putting them in a context, and listening to them. They share the same notes, yes, but if it feels like a stable, MAJOR KEY tonic, then its a "6" chord, but if it seems like it wants to go somewhere else, its a m7 chord. Somewhat confusing.
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09-30-2007, 07:56 PM
| | Registered User | | Join Date: Sep 2007 Location: Toronto, Canada | | | Gotcha, thanks for the replies guys
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09-30-2007, 09:55 PM
| | Registered User Endorsing Artist: Lakland, Genz Benz | | Join Date: Aug 2007 Location: Chicago, that toddling town | | | If you really want a "6" chord with no 5, write
Gb6 no5
A simple way to notate inversions would be Ebmin/Gb
But
That takes longer to read. I'd much rather see Gb6 on the gig!
Don't hate chord notation. If you do gigs where you read alot, simple chord charts can be a beacon of hope on a dimly lit stage! | 
09-30-2007, 10:48 PM
| | Registered User | | Join Date: Sep 2007 Location: Toronto, Canada | | | my first instinct was to write it Gb6 no5 but yeah its too much info lol.
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10-01-2007, 03:18 AM
| | Registered User | | Join Date: Feb 2007 Location: Finland | | | I'd put that as an Ebm/Gb, Gb being the minor third in the Ebm chord. I'd prefer this marking anyday over "Gb6no5".
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Last edited by Deacon_Blues : 10-01-2007 at 02:21 PM.
Reason: Noticed I wrote Gb7no5 instead of Gb6no5...
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10-01-2007, 08:24 AM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | Quote:
Originally Posted by Deacon_Blues I'd put that as an Ebm/Gb, Gb being the minor third in the Ebm chord. I'd prefer this marking anyday over "Gb7no5". | +1 The Ebm/Gb is way easier to read on a chart and telling me exactly what the writer wants in the bass. My question is where is this coming from. Is it a horn/string voicing and rhythm section could still play the 5th. What is the context of the chord is written for.
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10-01-2007, 03:45 PM
| | Registered User | | Join Date: Sep 2007 Location: Toronto, Canada | | | I was just practicing chords in the Gb scale and transposing them to bass.
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10-01-2007, 09:54 PM
| | Registered User | | Join Date: Sep 2007 Location: Toronto, Canada | | | E7? Instead of Dominant E7 (E, G#, B, D)
What is the chord called if the 7th is on D#?
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10-07-2007, 04:03 AM
| | Registered User Endorsing Artist: Lakland, Genz Benz | | Join Date: Aug 2007 Location: Chicago, that toddling town | | | e g# b d#=
Emaj7
the seventh is major, as in the scale degrees in a major scale. | | Thread Tools | Search this Thread | | | |
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