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09-19-2008, 11:33 AM
| | Registered User | | Join Date: Feb 2008 Location: Minneapolis, Minnesota | | | Getting past a rut?
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I've got some serious issue now as I've now hit a wall with my playing. I want to learn application of theory and get some good scales/chords/lines training in but I cannot find a teacher in my area so my options are very limited as to how I can progress.
In the mean time I'm noodling around on a second hand guitar I picked up from a friend. And now I'm having fun messing around with my guitar but I've gone almost a week without even picking up my bass and It really irks me as I've started with bass and now I feel completely unmotivated.
What does everyone do to get past this? 
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5 String Club Member #107, Ibanez Club Member
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09-19-2008, 11:42 AM
|  | Bass lines like a big, funky giant | | Join Date: Jul 2004 Location: Southern MN | | | I play in a band. Actually, I play in 3 bands. My motivation to continue learning and improving comes from the fact that I immediately apply what I've learned.
Why do you play?
Seriously, ask yourself that question. I play because I want to perform in front of other people as often as possible. If I were only playing for some personal goal, I don't think I would stay motivated. | 
09-19-2008, 11:45 AM
| | | Try taking a class online. musicdojo offers online classes for only $30-50 each. http://www.musicdojo.com/courses/catalog.asp
Last edited by magickbass : 09-19-2008 at 11:45 AM.
Reason: added information
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09-19-2008, 03:41 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | | It's all about playing take what every scale and chords you know and just sit and try to make music. Play\record the chord and then just sit and screw with it. Try each note against the chord what do you like and don't like. Take the notes you don't like and see if they work if you change the rhythm. Play the scale in intervals, 3th, 4th, 6ths etc. Make up some lines using an interval that sounded good. Try playing with just the color tones. Arpeggios. Sequences of 3, 4, or more notes. All the while listen to how it works with the chord. Then make a little progression two or three chords so you can practice getting into that scale and out into the next scale. What are the juicy notes. I can and do stuff like this for days on end and have a blast doing it. Find a chord I what to work on, or a scale to explore.
Also check out some new music or player and then something about that music or player. Like they like to use the Augminished scale over a C demented chord. Then transcribe a few bits and start do the stuff above to create your own sound.
Last my fave in the cool of the night sit in the dark and play. Where you are focusing totally on sound. Hit on something great flip on a light and figure out what it was. Practice in the dark is also good for developing a feel the neck and moving the around by feel. Can I jump up a maj 3rd by feel.
Do stuff like above is what playing is all about for me, finding new paths thru even familiar material like a major scale.
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Steve Barnette
The Dojo of Cool :ninja:
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Practice is the best of all instructors - Publilius Syrus
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09-23-2008, 10:45 AM
| | Registered User | | Join Date: Feb 2008 Location: Minneapolis, Minnesota | | Quote:
Originally Posted by DocBop Last my fave in the cool of the night sit in the dark and play. Where you are focusing totally on sound. Hit on something great flip on a light and figure out what it was. Practice in the dark is also good for developing a feel the neck and moving the around by feel. Can I jump up a maj 3rd by feel. | That sounds like fun, I will have to try that.
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5 String Club Member #107, Ibanez Club Member
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09-24-2008, 09:17 AM
| | Registered User | | Join Date: Jan 2007 Location: Conyers, GA | | | I think it's different for everyone, I have a lot of experience, so I don't practice as much as I use to, however...
When I am struggling on a song I have to learn {cover band} I'll put it down and walk away from it..take a mind break, go out side and take a breather, then go back at it a few hours, or even a day later.
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Fender MM Jazz 4, Ibanez SG 5, RACK-QSC RMX850, DOD EQ, Beringer V-amp pro, CAB.-Ampeg SVT 410HLF
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09-24-2008, 11:19 AM
|  | passionate hack | | Join Date: Apr 2006 Location: Malone, NY/ Montreal, Quebec | | | Find a good teacher.
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a few of my heros: David Suzuki, Jean Beliveau, Galileo, Richard Dawkins, Louis Pasteur, Niels-Henning O-P
Crappy Bassist with Expensive Gear Club member 156
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09-25-2008, 12:52 PM
| | Registered User | | Join Date: Feb 2008 Location: Minneapolis, Minnesota | | Quote:
Originally Posted by lomo Find a good teacher. | That's the real problem, I cannot find any teachers in my area.
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5 String Club Member #107, Ibanez Club Member
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09-25-2008, 01:23 PM
| | Registered User | | Join Date: May 2008 Location: Toronto Canada | | | Probably not the best answer, but I found that when I hit a rut, playing a new to me instrument, opens up a whole new world of playing and sounds that rips me right out of the rut... GAS!
fishheadjoe
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Yamaha Bass club member 157 - BB1100s, BB605, Aria owner, Yorkville/Traynor member 62, Roscoe LG3000, Pedulla Rapture
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09-25-2008, 01:37 PM
| | Registered User | | Join Date: Apr 2008 Location: Newark, NJ | | | Get lessons on-line or in person. | 
09-25-2008, 01:59 PM
| | | | ..you just have to flow with it. everyone has "writing blocks."
Play your guitar. Or play nothing at all. Think about work. Or your family. Or nothing.
...whatever you do, don't force yourself onto anything. Because if you do that, you're defeating the purpose. | 
09-25-2008, 01:59 PM
|  | Registered User | | Join Date: Jun 2006 Location: Seattle | | | Join a band asap. On the job experience trumps all other learning IMHO.
I firmly believe, based on my experience, that there is absolutely NOTHING that will improve your playing faster and more usefully than playing with others, esp if you can get into a group of more advanced musicians. Having a gig will give you plenty of motivation.
Don't worry about weather or not you're "ready for a band" There are ALWAYS worse players out there playing gigs. | 
09-25-2008, 02:51 PM
| | Banned Avatar Speakers Endorsing Hooligan | | Join Date: Mar 2003 Location: Bakersfield California | | | I've been in a rut for years. | 
09-25-2008, 04:00 PM
| | Registered User | | Join Date: Jun 2002 Location: Salt Lake City, Utah | | | Years ago when I wasn't in a band and still practicing, I started to just put on CDs and figure them out and play with them from start to finish. Now days I try to read through as much music as I can. And try to find a band. | 
09-26-2008, 11:29 AM
| | Registered User | | Join Date: Feb 2008 Location: Los Angeles | | Quote:
Originally Posted by Michael Case ...I started to just put on CDs and figure them out and play with them from start to finish. Now days I try to read through as much music as I can. | +100
Remember, you perform as you practice. How about setting a goal of learning 100 songs that you like? Create a notebook with charts,tabs, notation. Whatever you're comfortable with that allows you to recreate the the whole song whenever you like.
If you don't read music, learn to and chart the same 100 songs. +1000. Even if its just you, a guitar player and a drum machine. Or you and a drum machine. Maybe record some songs on guitar and play bass to your own tracks.
There a TB free backing track thread available for bass.
You have to create you're own path/plan and follow it. What are your goals?
It all comes from within.
Maybe you need a vacation. Then get back to it and go from there. | 
09-29-2008, 11:25 AM
| | Registered User | | Join Date: Feb 2008 Location: Minneapolis, Minnesota | | | I appreciate the ideas.
I'm in a band right now so I've got plenty of "on the job" experience.
I like the idea of running through entire cd's though, maybe that's a great idea.
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5 String Club Member #107, Ibanez Club Member
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09-29-2008, 11:44 AM
| | Registered User | | Join Date: May 2008 Location: Calabash, NC | | I've definitely hit a wall myself. I've been playing for about eight years now, and I know my way around the neck, but as far as scales or building chords, forget it. I, too, feel like I need to learn music theory to take my playing to the next level, but it's a bit daunting reading about how complex music theory can be and how much mechanics are behind making music. Then, on the other hand, I feel like music is suppsoed to be a form of art, a medium for expressing how you feel, and that emotion can't be explained by mechanics and mathematics. To learn theory, or not to learn theory? Arggh.... 
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09-29-2008, 07:31 PM
| | | | I have self taught myself almost every bit of theory I know. I learned some theory in my jazz class last year but I played tenor sax in there. But I took what I learned in there and applied it to bass. I also spent a lot of time online researching different chords, progressions, how to resolve chords, and how to apply scales to chords.
But like with scales, man on bass it's just memorizing the pattern of intervals between each scale note for each scale. Like knowing that if you go up one string and to the left 2 frets, it's a minor 3rd. Theory seriously isn't that bad. I can honestly say I have a working knowledge of theory and later this year I'm taking a formal theory class to fil in blank spots.
Just get online and search for theory lessons or you can be more specific and research scales, chords, progressions, resolution, etc. | | Thread Tools | Search this Thread | | | |
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