| xmin7(b5) chords are actually an inversion of a dominant chord with the third in the bass. Like Amin7(b5) can be consider as a F7/A. So the chords in the b part could be played with the mixolydian bebop scale (8-7-b7-6-5-4-3-2-1) in this order: F7/C7/Eb7/Bb7 for the amin7b5/ emin7b5-gmin7b5 and dmin7b5. The other thing to consider is that these dominant scales are also related to their own major scales: Bb/F/Ab/Eb. So playing with your major scales would be a nice and easy melodic approach also.
One thing that I did notice is that the chord progression is kind of related to some F scales all thru the song, so the bridge could be thought as different F scales like: F Lydian for the Emin7 and f Maj7, F7 mixolydian for the Amin7(b5),F maj for Emin7(b5), F min7 Aeolian for Gmin7(b5), F min Dorian for the Dmin7(b5).
This kind of approach make you aware of the new notes and important targets that are moving in the harmony.
Hope this helps,
Last edited by slybass3000 : 03-22-2011 at 06:07 PM.
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