Quote:
Originally Posted by Pacman D7 (b9) = D F# A C Eb
You don't replace the 3rd with the b9, you add the b9 to the chord. |
Correct, if you look at it in root position and using the major scale:
1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 (1 as root and 8 as octave)
At the Octave (D) the scale would start over again, and the 9 would = a 2nd an octave above, ect.
if you were to play the Eb against the F# down in the same octave it would not sound to good, but add that b9 an octave above, now you have a nice color tone. Voicing makes a huge difference when it comes to tonality.

__________________
God, Family and Tobias Basses!

Official Tobias Club #35
Pre-Gibson Tobias Owners Club #30