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12-24-2010, 03:53 AM
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Don't know if it was mentioned but, definitely look at:
- Key To The Highway
- Like It This Way
- Dust My Broom
- Check out some Rory Gallagher (They Don't Make Them Like..)
Also I'd recommend looking at some Taj Mahal for blues that are very easy to play.
I've been playing blues for slightly over 12 months and as many of the posts so far have said, do your utmost to play BEHIND the beat.
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12-25-2010, 05:41 PM
| | Registered User | | Join Date: Feb 2008 Location: Seattle, Washington | | | a song i learned that ultimately helped me figure out how to play the blues is "i can't quit you baby" led zeppelin version (originally by willie dixon)
but by learning i learned not just to play the song like a parrot, i learned what was going on musically as for as the dynamics and the changes etc
just i thought
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Originally Posted by drteeth I see your pointy BC Rich and raise you a fender p with a machete duckttaped to it. | Buddhist Bassists Club #5 Vegetarian Club # 52
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12-25-2010, 08:51 PM
|  | TalkBass' resident Bongo + Cowbell player | | Join Date: Nov 2000 Location: Bucaramanga, Colombia, South A | | Here's my transcription of the complete bassline for Stevie Ray Vaughan's "Pride and Joy", as recorded by Tommy Shannon on the 1983 album "Texas Flood". Of course, it is not that all blues tunes should be played like that, but this one strictly follows the I-IV-V changes and it will give you some ideas (I hope so). 
EDIT: Hmm... I've just noticed this is an old thread. Anyway, I hope this will be helpful to anybody interested in blues bass playing. | 
12-26-2010, 06:19 PM
| | Registered User | | Join Date: Feb 2008 Location: Seattle, Washington | | so i'm actually having a real hard time playing this shuffle on freejamtracks dot com http://www.freejamtracks.com/music/b...le_No_Bass.mp3
any thoughts and ideas on how i should attack this?
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Originally Posted by drteeth I see your pointy BC Rich and raise you a fender p with a machete duckttaped to it. | Buddhist Bassists Club #5 Vegetarian Club # 52
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12-26-2010, 06:26 PM
| | Banned | | Join Date: Feb 2001 Location: Northampton Mass | | | That's a "March".
It's ALL about the length of the note,,, Short notes but not too short or it will sound tight and stiff. Deceptively difficult groove,,, If the Drummer goes to the ride..you can lengthen the notes.. But be careful to know when to pull them back.
Note Choices,,SIMPLE SIMPLE... 1,3,5,6 Ect.
Aj | 
12-26-2010, 06:59 PM
|  | Love your craft, stay humble, enjoy the journey | | Join Date: Jan 2007 Location: Boston Massachusetts | | | Actually that's a flat tire, not a march. Although you could easily play a march over that and it would work.
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Butch,
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12-26-2010, 07:02 PM
|  | Registered User | | Join Date: Dec 2002 Location: Central Alabama | | | Eh, you're just there "to provide the comfy couch and Hustler magazine" for the wankfest. | 
12-26-2010, 07:16 PM
| | Banned | | Join Date: Aug 2010 Location: Cohasset, Massachusetts | | Quote:
Originally Posted by dmusic148 To the OP: don't think too much about walking lines. Walking constantly is bad. Play the root a lot, pedal it when guitar drama happens-it helps bring up the energy when done at the right times.
Listen very carefully to the changes, especially the last two bars as stated by Andrew, because a lot of tunes have particular chord choices at the end which must be played. If there's a keyboard player get the changes from him. Listen, listen, listen.
Fat tone is important.
And whatever you do, don't rush the feel, it kills it. Lay back.
Have fun. | Walking constantly is not bad if that's what the song calls for. | | Thread Tools | Search this Thread | | | |
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