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11-02-2009, 11:22 PM
| | Registered User | | Join Date: Jun 2008 Location: AZ | | | I'm tired of lying.
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when i'm playing, i kind of noodle around with notes and make bass lines on the fly, but i have no idea what i'm playing. i might know, for example, that i'm in the key of C, and the song might change to A then G and back again, but i can keep playing random things that relate to C and still sound good, but it's 90% guesswork, and 10% luck: bassically "lying", because it still works but doesn't follow any music theory or any such thing (but hey, that's why it's music theory and not music fact  ). are there any websites that lay out all the individual NOTES of each chord (rather than tabs or these:  )
i want to be able to use this wanking to it's full potential and actually KNOW what i'm doing, and actually do something productive with it 
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Traben Club #51 Praise & Worship #617 AZ Bands #3
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11-02-2009, 11:25 PM
| | Registered User | | Join Date: Feb 2005 Location: Greenville, NC USA | | http://www.amazon.com/Mel-Bass-Guita.../dp/0871667789
5 bucks and you can look at it all day. I used to require that ALL of my students get this chart (or one like it).
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11-02-2009, 11:29 PM
| | Registered User | | Join Date: Oct 2007 Location: Finland | | I would roughly estimate that there are about hundreds websites for that. Google is your friend.
BTW, you are confusing the meaning of the word theory with the word hypothesis 
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Finnish Bassists Club Member #7
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11-02-2009, 11:31 PM
| | Registered User | | Join Date: Dec 2007 Location: Red Hook, New York | | | Knowing theory is totally unnecessary in most forms of popular music.
I don't ever know what key we're in or what scale I should use or anything. I do it completely by ear. There are millions of musicians who operate this way. | 
11-02-2009, 11:39 PM
| | Registered User | | Join Date: Jun 2008 Location: AZ | | Quote:
Originally Posted by adamrobertt I don't ever know what key we're in or what scale I should use or anything. I do it completely by ear. There are millions of musicians who operate this way. | i do too, but i want to know what i'm doing to use it more effectively, you know?
and i've been googling it, and only seem to get those fretted chord charts, and i know there's somebody out there that knows a buttload of sites already who would looove to help me out 
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Traben Club #51 Praise & Worship #617 AZ Bands #3
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11-03-2009, 12:00 AM
|  | Registered User | | Join Date: Sep 2009 Location: On the Water | | Quote:
Originally Posted by adamrobertt Knowing theory is totally unnecessary in most forms of popular music.
I don't ever know what key we're in or what scale I should use or anything. I do it completely by ear. There are millions of musicians who operate this way. | + one ear
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11-03-2009, 12:01 AM
| | Registered User | | Join Date: Sep 2008 Location: Boston, MA (Somerville) | | | The way I think about the "theory vs. by ear" debate is like a fight. Knowing theory is
like taking an arsenal of weapons into the fight and knowing how each one functions.
Going by ear is like going into a fight with a couple of your trusty homemade weapons.
One thing that I've figured out while learning theory is that the more I learn the more I
know how to bend the theory to fit my style. Yeah there are keys and modes and
chords and scales but there is so much in between. The people who go by ear play
without any limits so they find these "in between" things and end up sounding unique.
This isn't bad at all but I would rather play these things and know why the are the way
they are so I can repeat it in different places and for different situations.
I guess for me knowing the theory just means that I can make up stuff quicker and with
a purpose rather than just coming up with a couple shapes or runs and using them over
and over. I know now when playing "out" and "in" is tasteful and how to make it work
for my style. I also know how to improv. things that I couldn't before I learned the
theory.
I guess it's best not to learn just a little theory because you'll just end up tying yourself
down with very limited shapes and ideas. Learning the ins and outs of it all is the key
to knowing what your doing and why. I think playing with a purpose and with
confidence is key to making good music whether it's by ear or with theory.
That's my opinion anyways. TortillaChip520, I've been writing down my process of
learning theory so if your interested in it just PM me I would be happy to help.
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Last edited by thndrstk6 : 11-03-2009 at 12:07 AM.
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11-03-2009, 12:07 AM
| | Registered User | | Join Date: Oct 2007 Location: Finland | | Quote:
Originally Posted by TortillaChip520 i do too, but i want to know what i'm doing to use it more effectively, you know?
and i've been googling it, and only seem to get those fretted chord charts, and i know there's somebody out there that knows a buttload of sites already who would looove to help me out  | I'm being nice today. http://www.all-guitar-chords.com/ just click on the guitar scales link on the top of the page. The site is based on a guitar fretboard, bur just ignore the two thinny strings.
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Finnish Bassists Club Member #7
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11-03-2009, 12:12 AM
| | Registered User | | Join Date: Sep 2008 Location: Boston, MA (Somerville) | | Here's another good link to a similar site. This ones good for scales. You can choose from
lots of scales and you can make it a bass (with most string combos) instead of a guitar. http://www.studybass.com/tools/chord...-note-printer/
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F bass club member #46 / Black 'n' Maple club member #270
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11-03-2009, 12:17 AM
| | Registered User | | Join Date: Oct 2009 Location: Mossy Point NSW Australia | | | It's easy. Just study a lot of music books, do hundreds of gigs and gain 15-20 years of experience...problem solved......you young ones and your wanting everything instantly. There is a road which you must travel...grasshopper.
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11-03-2009, 02:03 AM
| | | | Dude, learn theory. don't listen to any of the guys talking about ear only. it's retarded to know only one. Theory can't and won't hurt your playing. If you don't have one get a teacher, doesn't need to be a bass teacher, just someone who can teach you theory. it's not hard. however theory is invaluable. Knowing exactly HOW a chord works is way funner than knowing it's notes. so is having a grip on mode's. mode's are great. | 
11-03-2009, 02:04 AM
| | | | also learning theory won't in any way hurt creativity. The chromatic scale doesn't suddenly become off limit's when you learn theory. | 
11-03-2009, 02:11 AM
| | Registered User | | Join Date: Dec 2003 Location: London | | | Get a good teacher and get them to explain some of the basic elements of music theory then get some good (recommended on here) books. There is so much info on this website that will get you started and you can ask questions to iron out problems once you're up and running.
Theory and ear feed off each other once you get the ball rolling. I played rock professionally for years with no real grip of theory. That worked fine but once I started playing jazz, I needed to hit the books...I also find know that I've ingested a lot of theory and more understanding of rhythm, my straight ahead playing is simpler, much more distilled and simply light years ahead of where it was...
Good luck!
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11-03-2009, 02:14 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | Quote:
Originally Posted by adamrobertt Knowing theory is totally unnecessary in most forms of popular music.
I don't ever know what key we're in or what scale I should use or anything. I do it completely by ear. There are millions of musicians who operate this way. | that doesn't make it right.
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11-03-2009, 02:16 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | | without getting into modes.......
just remember
whole step, whole step, half step, whole step, whole step, whole step, half step
same for every key.
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11-03-2009, 03:22 AM
| | | Quote:
Originally Posted by standupright without getting into modes.......
just remember
whole step, whole step, half step, whole step, whole step, whole step, half step
same for every key. |
only if you want to stick in the major scale  | 
11-03-2009, 04:03 AM
| | Registered User Brownchicken Browncow | | Join Date: Jul 2006 Location: Phoenix, AZ | | Quote:
Originally Posted by tekkentool only if you want to stick in the major scale  | i shouldn't be drinking and posting on tb. but i'm not wrong though 
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11-03-2009, 04:51 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | Whole tone scales sound amazing as well - when used in context!
Theory is great for learning about things that you would never come up with when playing by ear in a million years!!
So - I played by ear for several decades and got really bored with playing the same type of bass lines over and over...
Then I took up studying Jazz and started learning theory - it opened up a whole new world of scales and chords that I would never have come across on my own and would never have thought of playing!
The Jazz Theory Book opens up whole new worlds of how to construct lines and chords... 
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“Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity.” Charles Mingus | 
11-03-2009, 05:13 AM
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Originally Posted by standupright i shouldn't be drinking and posting on tb. but i'm not wrong though  | oh yeah that's the major scale alright. but then you don't get the minor scale, or the dorian, phrygian, lydian, mixolydian, aeolian, or lochrian modes. and they're fun! | | Thread Tools | Search this Thread | | | |
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