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11-11-2008, 09:00 PM
| | | | Jazz Band Audition
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ok im auditioning for jazz band next wednesday or thursday. we have to learn the song "Straight, No Chaser". this is my first audition so i have some questions.
in addition to learning the song, i am required to play a short "solo" or "groove" of a different style. is blues considered different than jazz? or is it too similar? also, what's considered "short"? and is he expecting an orginial solo or groove, or one from a song already written? also, im new to jazz and reading music so any additional tips would be appreciated. thank you.
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11-11-2008, 09:29 PM
|  | Registered User Moderator for EHX Forums | | Join Date: Mar 2005 Location: Houston/Nacogdoches | | | Wait, are you playing Bush's "Straight, No Chaser" in jazz band? That's some odd song choice.
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Texas Bassist #10
Probably in a lot of other clubs as well.
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11-11-2008, 09:35 PM
| | | | no, its by thelonius monk, recorded by buddy rich
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"When the power of love overcomes the love of power the world will know peace." - Jimi Hendrix
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11-11-2008, 09:36 PM
| | | Quote:
Originally Posted by McHaven Wait, are you playing Bush's "Straight, No Chaser" in jazz band? That's some odd song choice. | No, Thelonious Monk's "Straight, No Chaser"
I would think blowing a few choruses over a blues would be fine for your "solo" part, unless you wanna work on somebody else's solo (in these situations i've often used mingus solos, or PC solos, etc.) | 
11-11-2008, 09:41 PM
| | Registered User | | Join Date: Feb 2007 Location: Chevy Chase, MD | | Quote:
Originally Posted by McHaven Wait, are you playing Bush's "Straight, No Chaser" in jazz band? That's some odd song choice. | Thelonious Monk
As far as a short solo, I'd say be prepared to play up to twice through the chart, although it might be more like once.
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11-11-2008, 09:46 PM
| | Registered User | | Join Date: May 2008 Location: Detroit, MI | | | I'd attempt to do an improv solo.. to be honest.. that's what jazz is all about. learning other players solos is just to put more material under your fingers and to develop as a musician.. than you take snippets of that stuff and apply it to your ideas. Play jazz. Play the changes. Are you reading a chart or playing the changes? if you're playing the changes think about if/when you should play a two-feel vs. a regular walk. Walk on solos, two-feel on choruses. that's my advice in a nutshell.
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Eden Electronics Club #136
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11-11-2008, 09:53 PM
| | | | im reading a chart and the whole thing is a walk with occasional 8th notes thrown in (which i should swing, correct?)... my sight reading isnt the greatest and the chromatic notes throw me off. i knew jazz is hard, but i never played or learned a full tune so its gonna take a lot of work. the teacher said short solo or groove in a different style of my choice so im still wondering what is considered short and should it be original, written by someone else, or improv?
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"When the power of love overcomes the love of power the world will know peace." - Jimi Hendrix
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11-11-2008, 09:58 PM
| | Registered User | | Join Date: May 2008 Location: Detroit, MI | | | Welp here it goes. The easiest way to approach jazz, in my experience, has been in half position.. i believe that's the terminology. keeping your index finger on the first fret and your pinky on the 4th. this way you can hit most notes without changing position *unless it gets higher than a B. Anyways. That way you don't have to worry about running up and down the fretboard.
You should, in my opinion, go with an original/improv solo. You can definitely practice a solo of your own, but i wouldn't solo someone else's work. If you're gonna play jazz you should show that you can play your own solo. Just play within the scale and/or the blues scale and you'll do fine. maybe work in a higher octave than you've been walking. That lets the solo stand out a bit more. I don't understand what he's saying when he says you could do a groove in a different style.. that throws me off a bit.
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Eden Electronics Club #136
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11-11-2008, 10:02 PM
| | | | yeah i dont know what he wants a different style for... also he said short, but i dunno how short it sould be...what would be considered short? also im having a slight struggle with the piece regarding reading but i should be able to get it. also, how many bpm is the song, and could someone plz explain coda, d.s. al coda (w/ repeat), and to coda with the crosshair symbol, im not sure what codas are
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"When the power of love overcomes the love of power the world will know peace." - Jimi Hendrix
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11-11-2008, 10:04 PM
|  | Relic'd by life™ | | Join Date: Feb 2008 Location: Los Angeles CA SoCal | | |
Last edited by Stumbo : 11-11-2008 at 10:06 PM.
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11-11-2008, 10:12 PM
|  | Registered User Moderator for EHX Forums | | Join Date: Mar 2005 Location: Houston/Nacogdoches | | Quote:
Originally Posted by the_fooj Thelonious Monk
As far as a short solo, I'd say be prepared to play up to twice through the chart, although it might be more like once. | Shows my jazz knowledge 
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Texas Bassist #10
Probably in a lot of other clubs as well.
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11-11-2008, 10:13 PM
| | Registered User | | Join Date: May 2008 Location: Detroit, MI | | | wow that's a lot of material.
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Eden Electronics Club #136
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11-11-2008, 10:18 PM
| | Banned | | Join Date: Feb 2001 Location: Northampton Mass | | | What style,Styles do you normally play.
I would recommend doing what you do best. This guy would probably love to see you blow bebop chops VRS Punk Rock Eighths but I think he wants a idea of who you are as a musician. That means your interest and what you can do "musically" as possible.
I would expect him to ALSO want you to take a chorus or 2 of the blues tune your playing. Do worry about scales that you don't know. Just play a blues scale based phrase,Strong and simple, repeat it then ( the tough part) answer it. Think Albert king more than Charlie Parker and you'll do fine.
BE MUSICAL!!!!
Aj
Last edited by Andrew Jones : 11-11-2008 at 11:42 PM.
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11-11-2008, 11:34 PM
| | Registered User | | Join Date: Oct 2005 Location: Seattle | | | If you want to nail your audition, DO NOT play some bass whack off stuff for a solo. Just walk and swing as hard as you can for one or two choruses. There has never been any shame in playing the most awesome, swinging walking bass line for your solo.
If the jazz band director asks you to play some noodly stuff, he must have majored in marching band in college.
You should find the original Thelonius Monk recording of that song and listen to how they played it. | | Thread Tools | Search this Thread | | | |
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