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05-12-2008, 04:33 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | | Learning songs by ear, any tips/tricks??
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Just as the title says, when learning songs by ear, is there any way of making it easier, espically in metal, where the bass is coverd by distorted guitar.
Can I boost and cut frequencys with an equalizer to make it clearer, perhaps play it through my amp?
__________________ The winners are crying and the losers are dancing. | 
05-12-2008, 05:28 PM
| | Registered User | | Join Date: Dec 2006 Location: Brooklyn, NY | | | You can play an octave higher, which should help you pick out the notes a bit easier.
Play the music in a player that lets you quickly rewind a few seconds easily.
Run the music through a distortion pedal backwards - it'll remove the distortion! *
Practice, practice, practice!
* no, not really.
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05-13-2008, 11:44 AM
|  | Registered User | | Join Date: Mar 2008 Location: Central Illinois, USA | | | ||: LISTEN closely to the part you're trying to get. SING it. Serioiusly, sing the part to fix it in your head. Then find the first note of the part. Now, to find the second note, there's only three places it could be. Is it higher than the first one, lower, or the same? Then try a note and listen. Is it right or too flat or too sharp? :||
Note the repeat signs in there... ( ||: :||).
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JTE Spelling, grammar, and punctuation do matter, despite the threats of death by grease fire!
"Without space, music is just noise piling up on itself." TRK
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05-13-2008, 12:51 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | Quote:
Originally Posted by MarkTAW Run the music through a distortion pedal backwards - it'll remove the distortion! | I lol'd! 
__________________ The winners are crying and the losers are dancing. | 
05-13-2008, 12:53 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | Quote:
Originally Posted by JTE ||: LISTEN closely to the part you're trying to get. SING it. Serioiusly, sing the part to fix it in your head. Then find the first note of the part. Now, to find the second note, there's only three places it could be. Is it higher than the first one, lower, or the same? Then try a note and listen. Is it right or too flat or too sharp? :||
Note the repeat signs in there... ( ||: :||). | I have even more trouble singing to a pitch.
Hell, as you said ||: :||
__________________ The winners are crying and the losers are dancing. | 
05-13-2008, 12:56 PM
| | | Quote:
Originally Posted by Darkstrike I have even more trouble singing to a pitch| | doesnt matter, u will hear it in ur head, take out all the low bass frequencies in the mix will give a bit more clarity the the bass. | 
05-13-2008, 01:03 PM
|  | Signed, Sealed, Delivered | | Join Date: Dec 2006 Location: NY & MA | | | I use the Tascam Bass Trainer a lot... lets you slow the song down (good for some tunes), can boost the bass line (sometimes helpful). For me, I run everything to headphones rather than speakers... for some reason everything seems a bit more clear to my ears... easier to pick out certain lines. | 
05-13-2008, 01:08 PM
|  | Real Basses Have 5 Strings! | | Join Date: Jan 2008 Location: Colorado | | | sometimes tabs or sheet music is a good way to jumpstart the song learning process ...
The worst to learn by ear is the old Van Halen stuff ... they would sometimes mix the bass in so low that you couldn't hear it. | 
05-13-2008, 01:21 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | Quote:
Originally Posted by Slowgypsy I use the Tascam Bass Trainer a lot... lets you slow the song down (good for some tunes), can boost the bass line (sometimes helpful). For me, I run everything to headphones rather than speakers... for some reason everything seems a bit more clear to my ears... easier to pick out certain lines. | Might pick one of these up, been thinking about it a while.
__________________ The winners are crying and the losers are dancing. | 
05-13-2008, 01:23 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | Quote:
Originally Posted by Ric5 The worst to learn by ear is the old Van Halen stuff ... they would sometimes mix the bass in so low that you couldn't hear it. | Funny you should mention that, one of the songs I'm working on is a Sammy Hagar song, seems he kept that trait after he left.........
__________________ The winners are crying and the losers are dancing. | 
05-13-2008, 02:45 PM
|  | Registered User | | Join Date: Jul 2006 Location: Columbus, Ohio | | | I like to listen to the song over and over again in my car. I'll visualize my hand position and listen to the notes by how many steps the next note is from the previous. It doesn't matter if the song is in the right key or not, it's still the same amount of steps and the same pattern in any key. After I listen to it then I'll sit down and try to follow along as I listen. I've learned some pretty complicated songs pretty fast this way. The key is repetition. After a while the song will get stuck in your head to the point of you not needing to hear it at all.
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05-13-2008, 03:42 PM
|  | The Lowdown Diggler | | Join Date: Apr 2006 Location: Huntington Beach, CA | | Quote:
Originally Posted by JTE ||: LISTEN closely to the part you're trying to get. SING it. Serioiusly, sing the part to fix it in your head. Then find the first note of the part. Now, to find the second note, there's only three places it could be. Is it higher than the first one, lower, or the same? Then try a note and listen. Is it right or too flat or too sharp? :||
Note the repeat signs in there... ( ||: :||). | +1. I would add that just focus on the root progression too. Don't worry about all the filler notes and stuff at first. Just get the progression right, then you can figure out where the runs are between. | 
05-13-2008, 03:56 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | | Cool, more great tip's thanks dude's.
About the root progression's, I've read somwhere, that a popular technique is to just learn that much, then add in your own fills, and licks, is this something I should be practicing too?
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05-13-2008, 04:40 PM
|  | Registered User | | Join Date: Jul 2006 Location: Columbus, Ohio | | Quote:
Originally Posted by Darkstrike Cool, more great tip's thanks dude's.
About the root progression's, I've read somwhere, that a popular technique is to just learn that much, then add in your own fills, and licks, is this something I should be practicing too? | Certainly, there's nothing wrong about being creative along the way but it really depends on how important the bass line is to the song. If the bass line is a signature bass line, like Another One Bites the Dust or Smoke On the Water, then stick to the written line, but if you're just learning a line to support the song then feel free to be creative, but just don't overplay.
__________________ Me Soul Atoma Quote:
Originally Posted by john turner | Quote:
Originally Posted by Roy Vogt So much gets said online that would never be said face to face. | | 
05-13-2008, 05:16 PM
| | Registered User | | Join Date: Oct 2006 Location: Central Illinois | | Quote:
Originally Posted by Darkstrike About the root progression's, I've read somwhere, that a popular technique is to just learn that much, then add in your own fills, and licks, is this something I should be practicing too? | I'd say that I end up doing this most of the time. I think it's really important to learn how to create your own lines and this is a great way to do it. However,it's important also to at least know what the original player is doing and you should be able to play it too. The ultimate goal is to learn the styles of several other bassists and then incorporate parts of their style into your own. Your style should be a collage of all your influences. Looking back, when I was a beginner, sometimes I'd create my own lines because I found the original part too challenging. Big mistake. Don't use your own lines to hide from difficult parts. See it as an opportunity to become better. Another thing worth noting is that if you only create your own lines and don't pay attention to the lines of others you'll eventually find yourself in a creative rut.
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05-14-2008, 12:34 AM
| | | | How I do it, is I listen for the progression first. I notate the chords and the bass position on the staff paper first. Next I go back and put the bass line in the staff paper, and I continue it for every instrument. Melodic and harmonic dictation take practice though. Get MacGamut if you need to train your ear better. It's my favourite software. But mostly you'll get good at learning songs by ear from practicing. | 
05-14-2008, 11:56 AM
| | | | Recently I like to approach new songs by listening to the song in headphones while "playing" the bass unplugged. That way I force myself to listen to the song structure and various licks and feel involved in the song rather than generating distracting notes. I don't normally play in key or even use the right pattern at first - the most important thing for me is to pick up the phrasing/groove, so right hand execution on the wrong string still helps getting the feel of the baseline (I even sometimes play chromatic scales with my left hand while listening, hoping to improve my technique while I'm at it, but I'm not sure if it's a good thing to do).
Afterwards, I'll figure out the suitable scale for the song (hopefully only one scale) and improvise on it for a little bit while trying to figure out the melody. But I should really incorporate more singing into this practice at that stage. | | Thread Tools | Search this Thread | | | |
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