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  #81  
Old 03-01-2008, 09:12 AM
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I don't think anyone should be counting the bass in on the 1. The whole song is played behind the beat iirc
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  #82  
Old 03-01-2008, 02:17 PM
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Yes the whole song is actually in three. Anyone want to write it out?




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  #83  
Old 03-02-2008, 01:48 AM
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OK. As promised...


Quote:
Originally Posted by Andrew Jones View Post
I'm breaking my word. I'm back for one last point.


Alvaro are you still out there? Or have you blown this off.........


if you are do me one last favor on the Midi thing.


Take "my" transcription and make the 7/8 bar 4/4.


Please post it. Audio?


All of a sudden this intro is going to become clear as a bell in fact almost boring.Very old school Rock and Roll.


Turn the 2/4 bar to 4/4 of eighths ? Blah, welcome to cliche' city



By putting that piece back in, in it's "place" hopefully that will illustrate where it was taken out.


Full speed.

Half speed.


Quote:
Originally Posted by deaf pea View Post
Sorry to be arriving late to the party . . .

I think you're all making this intro WAY too complicated . . .

Alvaro, ¿podrias ayudarme con eso, por favor?

Notate (in simple 4/4) the same figure that you've already done TWICE a THIRD TIME, this time starting the first note on the "and" of "3" . . .

I think everybody will notice that it's really a simple riff, but that it starts out in a weird place . . .


Full speed.

Half speed.
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  #84  
Old 03-03-2008, 12:48 AM
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Gracias, Alvaro . . .
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  #85  
Old 03-06-2008, 04:34 PM
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work backwards when things are difficult

ive always learned that if i cant figure out drum licks or time signatures, i work backwards starting(in this case) when the band comes in after the drum intro. ive always been playing the intro 4 bars of 4/4 plus 1 bar of 3/8. i recently had to play the song at a gig with guys ive never played it with before and had to verify how THEY knew it before we started..to make it easy i just played 4 bars even and it worked out fine...

BUT..i beleive the real way is to START the intro with the 3/8 bar, leaving 4 even bars left to settle in to the groove. so the first 3 drum hits will be + 4 +...like a 3 note pickup into a 4 bar intro. it really changed how i heard the intro but i think its right. if you listen closely to the original over and over again, counting it like this, you'll notice that Bonham's last 4 hits of the intro are an obvious 3+4+.
  #86  
Old 03-06-2008, 04:57 PM
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I'm surprised how long this thread is. My band has jammed this several times with different guitar players (every time we auditioned one it always came down to "let's do Rock and Roll"). There was never a problem with our timing. As long as everybody comes in at the same time it really doesn't matter if you come in on the "one" or the "and" or whatever. Yeah it's tricky to do it exactly as recorded but is anyone in your audience going to notice or care? Just play and go with what feels right, don't bother counting it all out. If you are reasonably tight as a band you are not going to miss it by that much.
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Last edited by PluckyThump : 03-06-2008 at 05:00 PM.
  #87  
Old 03-20-2008, 11:58 AM
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Quote:
Originally Posted by Dytomite View Post
ive always learned that if i cant figure out drum licks or time signatures, i work backwards starting(in this case) when the band comes in after the drum intro. ive always been playing the intro 4 bars of 4/4 plus 1 bar of 3/8. i recently had to play the song at a gig with guys ive never played it with before and had to verify how THEY knew it before we started..to make it easy i just played 4 bars even and it worked out fine...

BUT..i beleive the real way is to START the intro with the 3/8 bar, leaving 4 even bars left to settle in to the groove. so the first 3 drum hits will be + 4 +...like a 3 note pickup into a 4 bar intro. it really changed how i heard the intro but i think its right. if you listen closely to the original over and over again, counting it like this, you'll notice that Bonham's last 4 hits of the intro are an obvious 3+4+.

I agree with this post. I know this thread kind of died a while back but I wanted to take a stab at explaining what I think is going on. I recently had to learn this, and it felt really unnatural, so I had to slow it down and count it out until it made sense. It feels like 3 bars of 4/4 (I count in 8th notes here because it makes sense to me) and one bar of 11/8 (the 'and' becomes the 1). You could also call it 4 bars of 4/4 and 1 of 3/8.

Traditionally counted 8th notes:

1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and
1 and 2 1 and 2 and 3 and 4 (comes in on the 3rd 8th note)

The 'and' of the 5th bar becomes the 1

You could also count it this way (I prefer this way because the 'ands' get on my nerves:

1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8 1 2 3

1 2 3 4 5 6 7 8

It may be confusing for some to count to 8 because of the accents on the 4th bar, but like I said, this makes sense to me. I also like to count 5/4 as 1 2 3 4 1, 1 2 3 4 1, so I may be kind of weird that way.

Hope this helps.
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Last edited by sixtwofour : 03-20-2008 at 12:01 PM. Reason: noticed another poster's explanation after I originally posted...
  #88  
Old 04-17-2010, 01:47 PM
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Thanks everyone for posting your interpretations! I couldn't figure the counts out for the life of me. It was great seeing everyone's ideas in notation. I can now play this intro tight and I understand it. It's great to see real musicians out there discussing their ideas and seeing how they "think". You all made me a better musician today.
  #89  
Old 04-17-2010, 02:18 PM
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Quote:
Originally Posted by PluckyThump View Post
Just play and go with what feels right, don't bother counting it all out. If you are reasonably tight as a band you are not going to miss it by that much.
This is precisely why nearly everyone screws up the intro to this song. I just love it when everyone jumps in at a slightly different time, or when there's a pause before the rest of the band starts.

How about this: Just don't play the damned song if you can't get it right.
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