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07-16-2007, 06:19 PM
| | Registered User | | Join Date: Mar 2006 Location: Edinburgh, Scotland | | | A Lydian Minor confusion ??!!
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Ok, Mark Wilson and myself were having a friendly dispute over this. Due to him knowing considerablymore about the topic at hand i conceded that he must be right but i still don't understand it
Basically, i said to him I wrote this new piece in what i thought was A Lydian Minor. We then disputed what notes are in the scale and then eventually Mark concluded that A lydian Minor cannot exsist. I said A B C# D# E F G where the notes in the scale however Mark is saying without b3 it is not a minor and if b3 was there then it wouldn't be Lydian 
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“The chief trouble with jazz is that there is not enough of it; some of it we have to listen to twice” - Don Herold
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07-16-2007, 06:20 PM
|  | Moderator Endorsing Artist: Levy's Leathers Moderator | | Join Date: Jan 2005 Location: Toronto/Niagara Falls, Ontario | | Way to make me sound like ass.
just kidding.  | 
07-16-2007, 06:30 PM
|  | Registered User | | Join Date: Sep 2004 Location: Orange County, CA | | | For it to be "A" minor you would NEED a "C" natural. The scale you're talking about looks like a permutation of the 5th mode of melodic minor, R-2-3-4-5-b6-b7-8, and you're adding the #4 to give it that Lydian tonality.
Last edited by caesarbass : 07-16-2007 at 06:59 PM.
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07-16-2007, 06:30 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | Quote:
Originally Posted by Mark Wilson Way to make me sound like ass.
just kidding.  | It's hell being right.
I'm not sure what you'd call that other than a melody. Looking at it in A its has a major 3rd, #4, b6 and b7. So not sure in Western music a scale with two consecutive half-steps.
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07-16-2007, 06:36 PM
| | Registered User | | Join Date: Mar 2006 Location: Edinburgh, Scotland | | So what i've done isn't completely stupid right 
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“The chief trouble with jazz is that there is not enough of it; some of it we have to listen to twice” - Don Herold
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07-16-2007, 06:38 PM
|  | Moderator Endorsing Artist: Levy's Leathers Moderator | | Join Date: Jan 2005 Location: Toronto/Niagara Falls, Ontario | | | If it works, use it!
Think Bach said using a Harmonic Minor Scale wasn't theoretically correct?
Nah. | 
07-16-2007, 06:53 PM
|  | Registered User | | Join Date: Sep 2004 Location: Orange County, CA | | Quote:
Originally Posted by TheButler So what i've done isn't completely stupid right  | Correct sir!!! I'd like to hear your tune, please post it!!!  | 
07-16-2007, 07:49 PM
| | Registered User Endorsing Artist: John Doe Guitars | | Join Date: Jan 2005 Location: Rochester, NY | | Quote:
Originally Posted by DocBop It's hell being right.
I'm not sure what you'd call that other than a melody. Looking at it in A its has a major 3rd, #4, b6 and b7. So not sure in Western music a scale with two consecutive half-steps. | The blues scale has 2 consecutive half steps. It's definitely a scale, just a weird one. | 
07-16-2007, 08:01 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | Quote:
Originally Posted by Audiophage The blues scale has 2 consecutive half steps. It's definitely a scale, just a weird one. | Ya got me. Guess we should add the Bebop scales and chromatic scale and have it all covered.
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Steve Barnette
The Dojo of Cool :ninja:
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Practice is the best of all instructors - Publilius Syrus
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07-16-2007, 08:07 PM
| | Registered User | | Join Date: Apr 2005 Location: 97465 | | Quote:
Originally Posted by Audiophage The blues scale has 2 consecutive half steps. It's definitely a scale, just a weird one. | BeBop scales as well.
Just for fun: would lydian minor be R M2 m3 A4 P5 M6 M7?
A B C D# E F# G#
In other words keeping all the intervals major except the 3, which has to be minor to make this a minor chord. I dunno
^^^ Rats! DocBop beat me to it. Gotta be quick around here!
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07-16-2007, 09:34 PM
|  | Moderator Endorsing Artist: Levy's Leathers Moderator | | Join Date: Jan 2005 Location: Toronto/Niagara Falls, Ontario | | Quote:
Originally Posted by ryco BeBop scales as well.
Just for fun: would lydian minor be R M2 m3 A4 P5 M6 M7?
A B C D# E F# G#
In other words keeping all the intervals major except the 3, which has to be minor to make this a minor chord. I dunno | That would be the 4th mode of Harmonic Minor. With...a Natural 7.
It's something else, I just don't know what. | 
07-16-2007, 10:02 PM
| | ...Bluesin' and Funkin' | | Join Date: Jul 2004 Location: Montreal, Quebec, Canada | | Yes, it is actually called a Lydian Minor scale. I don't know why, but that's what it's called. Quote:
A Lydian Minor Scale
intervals: 1,2,3,#4,5,b6,b7
half-steps: 2-2-2-1-1-2-2
notes: A,B,C#,D#,E,F,G
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07-16-2007, 10:42 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | Quote:
Originally Posted by Jazzin' Yes, it is actually called a Lydian Minor scale. I don't know why, but that's what it's called. | Okay I found a reference on it on Artificial Scales. In general they were trying to make scales with two consecutive half-steps. But how they call a scale a minor with a major third and no minor third not even enharmonically is just plain nuts, but thats me. Here is their explanation. Synthetic True Scales
A true scale is one which uses the seven letter names of its pitches in order, neither omitting nor repeating any. Each pitch will be in order some kind of A, B, C, D, E, F, G (and back to A). These alterations are made to produce an exotic effect or a mathematical effect. The exotic ones typically use an Augmented Second (e.g. A-flat to B natural), sometimes to make up for having two successive half-steps (e.g. A, B, C, D-flat, E, F, G, A).
So learned something new today.
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Steve Barnette
The Dojo of Cool :ninja:
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Practice is the best of all instructors - Publilius Syrus
Last edited by DocBop : 07-17-2007 at 07:48 AM.
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07-17-2007, 03:09 AM
| | Registered User | | Join Date: Mar 2006 Location: Edinburgh, Scotland | | Quote:
Originally Posted by Jazzin' Yes, it is actually called a Lydian Minor scale. I don't know why, but that's what it's called. | So, i was right ? 
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“The chief trouble with jazz is that there is not enough of it; some of it we have to listen to twice” - Don Herold
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07-17-2007, 03:14 AM
| | zzzzzzzzzzzzzzz | | Join Date: Apr 2004 Location: Scotland | | Quote:
Originally Posted by DocBop Ya got me. Guess we should add the Bebop scales and chromatic scale and have it all covered. | Hungarian minor, dude! | 
07-17-2007, 06:33 AM
| | Registered User | | Join Date: Nov 2006 Location: Birmingham, UK | | | It looks like the 3 mode of the enigmatic scale...but with b7th instead of bb7th.
I really don't understand my it is called lydian 'minor' though!? | 
07-17-2007, 08:59 AM
|  | Moderator Endorsing Artist: Levy's Leathers Moderator | | Join Date: Jan 2005 Location: Toronto/Niagara Falls, Ontario | | Quote:
Originally Posted by Mikey D It looks like the 3 mode of the enigmatic scale...but with b7th instead of bb7th.
I really don't understand my it is called lydian 'minor' though!? | Me neither, because it's not minor! haha. | 
07-17-2007, 09:28 AM
| | Registered User Endorsing Artist: John Doe Guitars | | Join Date: Jan 2005 Location: Rochester, NY | | | It just doesn't have a standardized name, so there is no point in arguing about it. It fits all the criteria of what can be a scale though. | 
07-17-2007, 10:18 AM
|  | Moderator Endorsing Artist: Levy's Leathers Moderator | | Join Date: Jan 2005 Location: Toronto/Niagara Falls, Ontario | | Quote:
Originally Posted by Audiophage It just doesn't have a standardized name, so there is no point in arguing about it. It fits all the criteria of what can be a scale though. | We're not arguing. We're debating on why it's not A Lydian Minor.  | 
07-17-2007, 01:32 PM
| | Registered User | | Join Date: Mar 2006 Location: Edinburgh, Scotland | | I think we can conclude... i was right 
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“The chief trouble with jazz is that there is not enough of it; some of it we have to listen to twice” - Don Herold
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