|  | | 
04-08-2010, 03:03 PM
| | | | Modes made easy!
Sign in to disble this ad
If you want to build modes from any root heres the interval patterns!
Ionian (maj scale)= whole, whole, half, whole, whole, whole, half
Aeolian (min scale)= whole, half, whole, whole, half, whole, whole
Dorian= whole, half, whole, whole, whole, half, whole
Phrygian= half, whole, whole, whole, half, whole, whole
Lydian= whole, whole, whole, half, whole, whole, half
Mixolydian= whole, whole, half, whole, whole, half, whole
Locrian= half, whole, whole, half, whole, whole, whole
Write this down this is one of my best notes I keep! its like a quick and easy secret to making modes haha | 
04-08-2010, 03:08 PM
|  | Friends, Romans, Bass Players... | | Join Date: Nov 2007 Location: Spencer, MA, USA | | Quote:
Originally Posted by MarkMcBass If you want to build modes from any root heres the interval patterns!
Ionian (maj scale)= whole, whole, half, whole, whole, whole, half
Aeolian (min scale)= whole, half, whole, whole, half, whole, whole
Dorian= whole, half, whole, whole, whole, half, whole
Phrygian= half, whole, whole, whole, half, whole, whole
Lydian= whole, whole, whole, half, whole, whole, half
Mixolydian= whole, whole, half, whole, whole, half, whole
Locrian= half, whole, whole, half, whole, whole, whole
Write this down this is one of my best notes I keep! its like a quick and easy secret to making modes haha | That's easy??  
__________________
Hofner Group #34, Canadian Club #137, Le Club des Francophones No. 12, Straight-Forward Bassist club #4, Squier Affinity Club #11, 50+ Club #16. Go in, lay it down, and get out.
| 
04-08-2010, 11:22 PM
| | | | if you write it dow and memorize them if you want to..if not use the note as a reference yeah its as easy as i can think to make it right now haha | 
04-08-2010, 11:36 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | inaccurate and too simplistic and doesn't explain why they're formed that way. sorry. even if it was accurate, this chart would exist in a vacuum without all the other info. there's a reason you don't break modes down to these simplistic formulas without explaining the background.
__________________
Ampeg Portaflex Club #1
| 
04-09-2010, 01:13 AM
|  | No need to ask, he's a smooth... Moderator | | Join Date: Mar 2005 Location: West Midlands UK | | Here's something that may flesh this out a little for those interested... Bassy Bill's Beginners' Basic guide to scales and modes
__________________ Quote:
Originally Posted by SBassman | | 
04-09-2010, 02:42 AM
| | Registered User | | Join Date: Nov 2006 Location: Ireland | | Quote:
Originally Posted by stratovani That's easy??   | +1.
My eyes glazed over half way through reading that. 
__________________
Flatwound Club # 53
| 
04-09-2010, 03:54 AM
| | Registered User Partner: Otentic Guitars | | Join Date: May 2009 Location: Gorinchem,The Netherlands | | | I have designed something to REALLY make modes easy. It's a one page document, but I don't know where to publish it. If someone would like to put it on a website, please write me a PM. | 
04-09-2010, 03:57 AM
| | Registered User | | Join Date: May 2009 Location: Albuquerque, NM | | | If you have trouble memorizing them here's an idea
I
Dont
Punch
Like
Mohamed
A
Li
__________________ Spector Euro5LXEX Birdseye Poplar | GK 700RB-II | GK Neo 212-II + 112-II | GHS/D'Addario |
Spector Club #175 | 
04-09-2010, 04:15 AM
| | Registered User | | Join Date: Mar 2010 Location: East London | | Quote:
Originally Posted by jarrhead If you have trouble memorizing them here's an idea
I
Dont
Punch
Like
Mohamed
A
Li | A friend of mine thought up
I
Dont
Particularly
Like
Modes
A
Lot | 
04-09-2010, 04:20 AM
| | Registered User | | Join Date: May 2009 Location: Albuquerque, NM | | Quote:
Originally Posted by Flogger A friend of mine thought up
I
Dont
Particularly
Like
Modes
A
Lot | Hah, that's good too. 
__________________ Spector Euro5LXEX Birdseye Poplar | GK 700RB-II | GK Neo 212-II + 112-II | GHS/D'Addario |
Spector Club #175 | 
04-09-2010, 04:36 AM
| | Registered User | | Join Date: Nov 2006 Location: western MA | | | Studying chord progressions has proven much more useful to me learning music theory than just learning modes. Learning how to play (jazz walking) over changes like 1-4-5, 2-5-1, 3-6-2-5-1 changes is really important and more practical than just learning modes. It is the tonal relationship of the notes within the key or song that make music happen. Modes are one way of learning this relationship but ultimately it is how these tonal relationships are put together in a piece of music and how we as bass players can create a flowing groove through these tonal changes is what is most important IMHO | 
04-09-2010, 05:25 AM
| | | Quote:
Originally Posted by JimmyM inaccurate and too simplistic and doesn't explain why they're formed that way. sorry. even if it was accurate, this chart would exist in a vacuum without all the other info. there's a reason you don't break modes down to these simplistic formulas without explaining the background. | like i said..made easy haha these are just the interval mode patterns without getting into EVERYTHING. i left out what parts of the scales move around given the mode youre in and what moods they make..this is just the interval pattern and nothing more | 
04-09-2010, 05:36 AM
| | Registered User | | Join Date: Oct 2005 Location: Seattle | | | I
Dig
Pot
Leave
Me
Alone
Loser | 
04-09-2010, 05:37 AM
|  | I took the one less traveled by | | Join Date: Mar 2002 Location: Reims, Champagne, France | | Quote:
Originally Posted by MarkMcBass like i said..made easy haha these are just the interval mode patterns without getting into EVERYTHING. i left out what parts of the scales move around given the mode youre in and what moods they make..this is just the interval pattern and nothing more | Just curious, what do you use modes for? Do you play a lot of choruses and soloes? Do you write melodies? | 
04-09-2010, 06:21 AM
| | Registered User | | Join Date: Dec 2009 Location: Stoke on Trent, UK | | Quote:
Originally Posted by Chris K I have designed something to REALLY make modes easy. It's a one page document, but I don't know where to publish it. If someone would like to put it on a website, please write me a PM. | You could try http://www.scribd.com/. Not sure what file types it dis/allows. | 
04-09-2010, 06:31 AM
| | Registered User | | Join Date: Nov 2006 Location: Ireland | | Quote:
Originally Posted by jarrhead If you have trouble memorizing them here's an idea
I
Dont
Punch
Like
Mohamed
A
Li | I have no problem learning the order of the modes. It is the actual mode itself that is hard to remember. Instead of just memorising patterns ( W,W, H, etc ), my teacher has me memorising the sound of the mode. After a while your ear tells you what mode you are playing. It's no harder than learning patterns, but much more beneficial. I cant yet recognise all the modes by their sound, but I'm nearly there. 
__________________
Flatwound Club # 53
| 
04-09-2010, 06:34 AM
| | Registered User | | Join Date: Nov 2006 Location: Ireland | | Quote:
Originally Posted by powerbass Studying chord progressions has proven much more useful to me learning music theory than just learning modes. Learning how to play (jazz walking) over changes like 1-4-5, 2-5-1, 3-6-2-5-1 changes is really important and more practical than just learning modes. It is the tonal relationship of the notes within the key or song that make music happen. Modes are one way of learning this relationship but ultimately it is how these tonal relationships are put together in a piece of music and how we as bass players can create a flowing groove through these tonal changes is what is most important IMHO | +1.
As I mentioned in another thread, I have been learning with some of Carol Kaye's books and DVD's. She endorses this approach.
__________________
Flatwound Club # 53
| 
04-09-2010, 08:07 AM
| | Registered User | | Join Date: Oct 2005 Location: Seattle | | Quote:
Originally Posted by Jazz Ad Just curious, what do you use modes for? Do you play a lot of choruses and soloes? Do you write melodies? | Sacre bleu! Don't you know that modes improve your groove and feel?
Geez. If you don't know modes you don't know 75% of music theory.  | 
04-09-2010, 09:20 PM
| | | Quote:
Originally Posted by Jazz Ad Just curious, what do you use modes for? Do you play a lot of choruses and soloes? Do you write melodies? | yeah i do play a lot of melodies and solos! i also use em for effect. like Phrygian is good for egyptian and middle eastern types of sounds..its exotic! Lydian is greek (not that that matters haha) but it has a dreamy, floaty relaxed major sound. Mixolydian sounds almost hispanic if that makes sense. Locrian is very dark and intense! So i liek that one a lot haha but you get the drift. you just have to play with them. also its nice to know modes if you liek to improv a lot it gives you something else to play with. like focusing on keeping your improv in a certain mode to keep you technical while you improv (it can be a fun game that makes you better no matter how good you are!) but yeah modes have endless possibilities | 
04-09-2010, 09:26 PM
| | | | Actually Mark's original post makes more sense to me than any of the others.
N | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |