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09-03-2008, 07:30 AM
| | Registered User | | Join Date: Feb 2008 Location: Horten, Norway | | | Most used scales
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This might seem like a very general question, but what scales do most people use, including soloing, in their bass playing usually?
Of course the Ionian, Dorian and pentatonic/blues gets used, but to help me in my practicing, what scales do people come across and use more often such as the more interesting ones?
Cheers | 
09-03-2008, 07:47 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | I play the chords! 
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09-03-2008, 07:50 AM
| | Registered User | | Join Date: Nov 2004 Location: Montréal,Qc,Canada | | Quote:
Originally Posted by stoob This might seem like a very general question, but what scales do most people use, including soloing, in their bass playing usually?
Of course the Ionian, Dorian and pentatonic/blues gets used, but to help me in my practicing, what scales do people come across and use more often such as the more interesting ones?
Cheers | In Jazz, the mixolydian passing-tone is absolutely great so is the major be-bop scale. I love the major blues scale. The modes of the melodic minor scale are awesome especially the I,IV,VI and VII. Various forms of pentatonics too. The minor harmonic is good on minor keys and the 2 diminushed scales are used a lot.
Sylvain
Last edited by slybass3000 : 09-03-2008 at 07:53 AM.
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09-03-2008, 09:23 AM
| | Registered User | | Join Date: Feb 2008 Location: Horten, Norway | | Great stuff!  | 
09-03-2008, 09:24 AM
| | Registered User | | Join Date: Apr 2008 Location: Newark, NJ | | | I run into Dorian mode quite a bit and it sounds pretty darn cool. | 
09-03-2008, 09:28 AM
| | Registered User President, HittStreet.com; Endorsing Artist, Schroeder Cabinets | | Join Date: Jun 2004 Location: Missouri, USA | | | +1 to Mixolydian, also Aolian.
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09-03-2008, 10:11 AM
| | Registered User | | Join Date: Feb 2008 Location: Horten, Norway | | Quote:
Originally Posted by Bruce Lindfield I play the chords!  | that make the whole world sing...
Looks like Mixolydian is a winner, I'll have to look at those harmonic stuff | 
09-03-2008, 10:20 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | Quote:
Originally Posted by stoob that make the whole world sing...
Looks like Mixolydian is a winner, I'll have to look at those harmonic stuff | Scales are just chords with varying extensions! 
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09-03-2008, 11:06 AM
| | Registered User President, HittStreet.com; Endorsing Artist, Schroeder Cabinets | | Join Date: Jun 2004 Location: Missouri, USA | | | Bruce has it. I don't think in scales anymore; I just look at the chart and "play" the chords (arpeggiate, walk stepwise or chromatically, groove on this-or-that chord tone or variant & resolve, etc).
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"Mama" Dave Muscato
( www.MamaDave.com)
Ristola 6er/MTD Artist 5er/Ibanez 6er fretless/Line 6 Variax 5er
--> Line 6 POD XT Live
--> Markbass LMII/Crown K2
--> Schroeder 1210L/21012L My band | 
09-03-2008, 11:15 AM
| | Registered User | | Join Date: Aug 2003 Location: MD | | Quote:
Originally Posted by Bruce Lindfield Scales are just chords with varying extensions!  | Where do you think the chords came from? 
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09-03-2008, 11:15 AM
| | Registered User | | Join Date: Feb 2008 Location: Norway | | | Lydian, Dorian, Mixolydian and Locrian
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09-03-2008, 12:13 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | Chromatic is all you need, but you need to know your chords tones and extensions real well to make it work.
One of my fave old Jazz Improv teachers broke down learning/practicing to handling eight chord types in twelve keys. Each chord had it's related scale so here's the list of scales used.
Lydian
Dorian
Lydian b7
Locrian
Melodic Minor
Diminish Half-Whole
Diminished Whole-Half
Diminished-Whole Tone scale This scale for 7+5-9 chords spelled 1, b2, #2, #4, #5, No 6, b7.
I know some of you probably have different names for some of these scales, so call them what you want. Don't need another six page post over terminology.
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09-03-2008, 03:44 PM
| | Registered User | | Join Date: Feb 2008 Location: Horten, Norway | | | Excellent stuff, thanks! | 
09-03-2008, 03:46 PM
|  | Registered User | | Join Date: Jun 2006 Location: Seattle | | | +1 to those who think in chords.
I learned to play modes and got the muscle memory down, but when playing, I think in chords and kind of let my muscle memory influence how I go from root to root.
The major scale ( and how it relates to the chords) is the only one I still spend significant time exploring any more, since it's the basis of all the other stuff. That said, exploring the harmonic minor was also a fascination for a while...
Last edited by mambo4 : 09-03-2008 at 03:48 PM.
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09-03-2008, 08:55 PM
| | | | minor pentatonic is my fav
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